Architect Albert Frey (1903–1998) saw a modernist utopia in the desert. Born in Zurich, he studied in Europe with Le Corbusier before moving to the United States in 1930, convinced it was the land of architectural opportunity. On a visit to Palm Springs, he fell under the desert spell. It was here, amid the arid and empty landscape, that he could truly envisage a perfect modern future.Like fellow Californian luminary, John Lautner, Frey would spend the rest of his career nurturing the consonance of architecture and nature: studying the fall of sunlight and rain, and merging aluminum, steel, and glass with the boulders and sands of the West Coast wilds. His vision centered in particular on Palm Springs, capitalizing on the city’s postwar population boom to create a bastion of the sleek, leisurely modernism that defines midcentury California.In this dependable architect introduction, we follow Frey’s long and prestigious career from his European beginnings through to the apogee of his Californian practice, taking in his notes on De Stijl, Le Corbusier, and Bauhaus, and exploring the stylistic, material, and geographic makings of his unique “desert modernism.”
Before becoming the critically acclaimed filmmaker responsible for such iconic films as Dr. Strangelove and The Shining, Stanley Kubrick spent five years as a photographer for Look magazine. The Bronx native joined the staff in 1945, when he was only 17 years old, and shot humanist slice-of-life features that celebrate and expose New York City and its inhabitants.
Through a Different Lens reveals the keen and evocative vision of a burgeoning creative genius in a range of feature stories and images, from everyday folk at the laundromat to a day in the life of a debutant, from a trip to the circus to Columbia University. It features around 300 images, many previously unseen, as well as rare Look magazine tear sheets and an introduction by noted photography critic Lucy Sante.
These still photographs attest to Kubrick’s innate talent for compelling storytelling, and serve as clear indicators of how this genius would soon transition to making some of the greatest movies of all time.
One of the key figures in the New York art world of the 1980s, Keith Haring (1958–1990) created a signature style that blended street art, graffiti, a Pop sensibility, and cartoon elements to unique, memorable effect. With thick black outlines, bright colors, and kinetic figures, his public (and occasionally illegal) interventions, sculptures, and works on canvas and paper have become instantly recognizable icons of 20th-century visual culture.From his first chalk drawings in the New York City subway stations, to his renowned “Radiant Baby” symbol, and his commissions for Swatch Watch and Absolut Vodka, Haring’s work was both emblematic of the manic work ethic of 1980s New York, yet distinctive for its social awareness. Belying their bright, playful aesthetics, his pieces often tackled intensely controversial socio-political issues, including racism, capitalism, religious fundamentalism, and the increasing impact of AIDS on New York’s gay community, the latter foreshadowing his own death from the disease in 1990.In this vivid introduction to Haring’s work, we explore the dynamic life and innovative spirit of this singular artist, who spent little more than a decade in the spotlight, but through the accessibility of his visual vocabulary and the strength of his political commitment became one of the most significant artists to emerge from New York’s vibrant, downtown community.
Sophisticated Sojourns
100 tours to inspire and delight from The New York Times’ celebrated travel column
Some travelers dig deep, with a sharp appetite for knowledge and minds wide open to what’s old and what’s new. In Cultured Traveler, the latest in the travel book collaborations between The New York Times and TASCHEN, these adventurers hum to Mozart in Vienna and tap their toes to dance music in Dar es Salaam. They pursue Hamlet in Elsinore, Picasso on the French Riviera, and Le Corbusier in India. They follow in the footsteps of Georgia O’Keeffe, Jackie Kennedy, and even Jesus.
Through 100 stories of their trips around the globe, talented Times travel writers and photographers invite readers to share in their discoveries. Pack your suitcase with curiosity for a trek to see Buddhist cave art in China or an afternoon of kayaking in Germany’s intriguing and idyllic Spreewald. Challenge your senses along with your wits tasting maple syrup in Quebec or octopus snacks at a Japanese baseball game, sniffing the flowers in French perfume country, and sipping Cognac in none other than the place called Cognac.
And, as always, sample each writer’s unique point of view. Henry Shukman, poet and teacher of Zen, hikes in England on Europe’s oldest road amid a landscape he describes as “elemental, austere, with a kind of monumental elegance.” Jason Wilson, the series editor for The Best American Travel Writing, follows the trail of the Stradivarius in fascinating prose, though he confesses, “I do not, in fact, play the violin.” The veteran travel writer and author Tony Perrottet, with Sydney’s art scene as Exhibit A, sets out to prove that “Australia has a lot more to offer than rampant hedonism and cuddly koalas.”
The best travel is both fun and a learning experience. With Times-quality journalism and visuals, illuminating historic photos, and tips on what to read and watch for inspiration, Cultured Traveler gets you in the thick of it.
Since it was established in 1824, the National Gallery has become a beacon for London's visitors and residents alike. From its inception in John Julius Angerstein's home in Mayfair to its current home in Trafalgar Square, it has expanded both its collection and its footprint to become one of the world's leading galleries. This book features photographic portraits by David Dawson and Mary McCartney in addition to photography of the Gallery by Massimo Listri. It brings together over 200 of the Gallery's paintings, which were made between the 13th and 20th centuries, including memorable masterpieces from both the famous and the forgotten.
These pages tell the history of painting in the Western European tradition through the National Gallery's collection. You’ll go on a visual journey through the centuries, with works by Duccio, Van Eyck, Raphael, Titian, Rembrandt, Vigée Le Brun, Gainsborough, Morisot, and Matisse, to name just a few. Punctuating this story are contributions by and photographic portraits of 25 cultural figures, such as Frank Auerbach, Alvaro Barrington, Edward Enninful, David Hockney, Kim Jones, Damian Lewis, Sahara Longe, Chris Ofili, Ai Weiwei, Rachel Whiteread, Annabelle Selldorf, and Flora Yukhnovich, among others.
The first-ever exhibition curated by Peter Lindbergh himself, shortly before his untimely death, Untold Stories at the D sseldorf Kunstpalast served as a blank canvas for the photographer's unrestrained vision and creativity. Given total artistic freedom, Lindbergh curated an uncompromising collection that sheds an unexpected light on his colossal oeuvre. This book offers an extensive, firsthand look at the highly personal collection.
Renowned the world over, Lindbergh's images have left an indelible mark on contemporary culture and photo history. Here, the photographer experiments with his own oeuvre and narrates new stories while staying true to his lexicon. In both emblematic and never-before-seen images, he challenges his own icons and presents intimate moments shared with personalities who had been close to him for years, including Nicole Kidman, Uma Thurman, Robin Wright, Jessica Chastain, Naomi Campbell, Charlotte Rampling and many more.
This volume presents more than 100 photographs-many of them unpublished or short-lived, often having been commissioned by monthly fashion magazines such as Vogue, Harper's Bazaar, Interview, Rolling Stone, W Magazine, or The Wall Street Journal. An extensive conversation between Lindbergh and Kunstpalast director Felix Kr mer, as well as an homage by close friend Wim Wenders, offer fresh insights into the making of the collection. The result is an intimate personal statement by Lindbergh about his work.
From its North Sea islands to the Alps, Germany contains a wide range of landscapes and cultures. Angelika Taschen has selected the country’s most inspiring places to stay, including grand hotels, family guesthouses, palaces, an abbey, and glamping tents. Each characterful choice is beautifully photographed and accompanied by insightful texts.
An illustrated edition of James Baldwin’s The Fire Next Time, with photographs by Steve Schapiro
First published in 1963, James Baldwin’s The Fire Next Time stabbed at the heart of America’s so-called “Negro problem.” As remarkable for its masterful prose as for its frank and personal account of the black experience in the United States, it is considered one of the most passionate and influential explorations of 1960s race relations, weaving thematic threads of love, faith, and family into a candid assault on the hypocrisy of the “land of the free.”
Now, James Baldwin’s rich, raw, and ever relevant prose is reprinted with more than 100 photographs from Steve Schapiro, who traveled the American South with Baldwin for Life magazine. The encounter thrust Schapiro into the thick of the movement, allowing for vital, often iconic, images both of civil rights leaders—including Dr. Martin Luther King Jr., Rosa Parks, Fred Shuttlesworth, and Jerome Smith—and such landmark events as the March on Washington and the Selma march.
Rounding out the edition are Schapiro’s stories from the field, an original introduction by civil rights legend and U.S. Congressman John Lewis, captions by journalist Marcia Davis, and an essay by Gloria Baldwin Karefa-Smart, who was with her brother James in Sierra Leone when he started to work on the story. The result is a remarkable visual and textual record of one of the most important and enduring struggles of the American experience.
First published as a TASCHEN Collector’s Edition, now available in a pocket-sized Centennial
The Star Wars Archives. 1977 - 1983
The definitive exploration of the original trilogy
Star Wars exploded onto our cinema screens in 1977, and the world has not been the same since. After watching depressing and cynical movies throughout the early 1970s, audiences enthusiastically embraced the positive energy of the Star Wars universe as they followed moisture farmer Luke Skywalker on his journey through a galaxy far, far away, meeting extraordinary characters like mysterious hermit Obi-Wan Kenobi, space pirates Han Solo and Chewbacca, loyal droids C-3PO and R2-D2, bold Princess Leia and the horrific Darth Vader, servant of the dark, malevolent Emperor.
Writer, director, and producer George Lucas created the modern monomyth of our time, one that resonates with the child in us all. He formed Industrial Light & Magic to develop cutting-edge special effects technology, which he combined with innovative editing techniques and a heightened sense of sound to give audiences a unique sensory cinematic experience.
In this first volume, made with the full cooperation of Lucasfilm, Lucas narrates his own story, taking us through the making of the original trilogy—Episode IV: A New Hope, Episode V: The Empire Strikes Back, and Episode VI: Return of the Jedi—and bringing fresh insights into the creation of a unique universe. Complete with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters, the XXL-sized tome is an authoritative exploration of the original saga as told by its creator.
Scandtastic!
The best design from the Nordic region
Scandinavia is world famous for its inimitable, democratic designs which bridge the gap between craftsmanship and industrial production, organic forms and everyday functionality. This all-you-need guide includes a detailed look at Scandinavian furniture, glass, ceramics, textiles, jewelry, metalware, and product design from 1900 to the present day, with in-depth entries on 125 designers and design-led companies.
Featured designers and designer-led companies include Verner Panton, Arne Jacobsen, Alvar Aalto, Timo Sarpaneva, Hans Wegner, Tapio Wirkkala, Stig Lindberg, Finn Juhl, Märta Måås-Fjetterström, Arnold Madsen, Barbro Nilsson, Fritz Hansen, Artek, Le Klint, Gustavsberg, Iittala, Fiskars, Orrefors, Royal Copenhagen, Holmegaard, Arabia, Marimekko, and Georg Jensen.
France at the Turn of the Century
A tribute to the colorful joie de vivre of the Belle Époque
The turn of the 20th century was a golden era in France. It was an age of peace, prosperity, and progress after a series of bruising wars and turmoil within the French Republic, culminating in the Franco-Prussian War, which had ended in 1871. From the ruins of conflict, the Belle Époque brought joie de vivre flourish, a boom in art, design, industry, technology, gastronomy, education, travel, entertainment, and nightlife.
Through some 800 vintage photographs, postcards, posters, and photochromes from the extensive archives of Marc Walter and Photovintagefrance, France 1900 follows up on TASCHEN’s best-selling vintage photographic collections Italy 1900, The Grand Tour, and America 1900 to provide a precious record of France in all its turn-of-the-century glory. With the photochrome technique used in many of the images restoring the past to vivid color, we enjoy a bristling close, bittersweet, encounter with this hopeful age: the brave, stony splendor of the Mont Saint-Michel; the icy peaks of Chamonix; and the honey light of the Côte d’Azur.
With an introduction, six essays, and detailed commentary by Sabine Arqué exploring the stories behind the pictures, this is an unrivalled portrait of a nation on the cusp of the century and of its poignant exuberance before the paroxysm of the First World War. While paying tribute to the precious Belle Époque, crushed by the traumas of history, it also celebrates the unwavering allure of La Belle France, its beauty, culture, traditions, and legendary romance.
Die Schrecken der sieben Weltmeere
Die Welt der Seeräuber und Piraten in Literatur und Illustrationskunst
Piraten, Seeräuber, Korsaren – wer kennt sie nicht, die säbelrasselnden Abenteurer und Schrecken der sieben Weltmeere? Seit Jahrhunderten spuken sie, ob echt oder erfunden, durch die Welt von Literatur und Kunst: Edward Teach, alias Blackbeard, bekannt für seine blutrünstige Grausamkeit, Henry, genannt Bloody Morgan, dessen versunkene Schätze bis heute der Entdeckung harren, und natürlich Long John Silver, ein Antiheld, wie er im Buche steht und wie ihn Robert Louis Stevenson in der Schatzinsel (1885) so packend geschildert hat.
Der Band Pirate Tales ist eine wahre Schatzkiste von Auszügen aus Romanen und Erzählungen, die von der großen Zeit der Seeräuberei im 16. und 17. Jahrhundert berichten. Den Anfang macht Daniel Defoes Robinson Crusoe (1719), das alles bereit hält, was die Geschichte der Kaperei zu bieten hat: Schiffbruch, Meuterei, verborgene Inseln und sprechende Papageien. Defoes Meisterwerk wurde zum Vorbild für viele Abenteuerromane, nicht zuletzt für Jules Vernes Die geheimnisvolle Insel (1871), das ebenfalls vertreten ist. Dritter im Bunde ist Robert Louis Stevenson mit der Schatzinsel (1885), einem Piraten-Epos, das in keiner Seeräubersammlung fehlen darf, denn hier begegnen wir Billy Bones, der blinde Pew, der holzbeinige Long John Silver und der Schwarze Fleck. Auszüge aus Howard Pyles posthum publizierten Buch der Piraten (1921) runden den Band ab.
Spannend und anschaulich bebildert sind all diese Geschichten aus der Welt der Piraterie mit Werken aus der Schule von Brandywine, die als Wiege der modernen amerikanischen Illustrationskunst gilt, angefangen bei dem Piratenspezialisten Howard Pyle, gefolgt von dessen Schülern Newell Convers Wyeth und Frank Schoonover. Der Band enthält neben Originalwerken aus Privatsammlungen Werke aus der Goldenen Zeit der Illustrationskunst an der Wende vom 19. zum 20. Jahrhundert. Die Auftaktillustrationen zu den einzelnen Geschichten wurden eigens für diesen Band von dem kanadischen Illustrationskünstler Michael Custode gezeichnet.
Eine ausführliche Einleitung aus der Feder des Historikerpaars Robert und Jill May stellt historische Freibeuterpersönlichkeiten und ihren Einfluss auf die im Band enthaltenen Erzählungen vor. Die einzelnen Geschichten werden fachkundig kommentiert, das Leben und Werk der Autoren und Illustratoren im Kontext ihrer Kunst vorgestellt. Mit seiner Mischung aus Geschichte und Geschichten, literarischer Fiktion und Illustrationskunst lässt Das Buch der Piraten uns eintauchen in eine Welt der Abenteuer auf sturmgepeitschter See an der Seite verwegener Seeleute und jeder Gefahr spottender Outlaws.
In her vibrant works, the Brazilian painter Beatriz Milhazes fuses two very different worldviews. Her abstract compositions, which can be seen in a line with modernist masters from Henri Matisse to Bridget Riley, are saturated with the colors and light of her native country. Her paintings are strewn with symbols of everyday life in Brazil, invoking carnival, traditional craftsmanship, and motifs from baroque to pop, all choreographed in an exuberant visual rhythm. The colorful atmosphere has an irresistible exotic allure, but as in the works of Paul Gauguin, we find a broken paradise in which darker, more melancholic tones resonate, both in the promises of tropical life and those of modernist abstraction.
In seeking this balance, Milhazes developed a special transfer technique in the late eighties, painting her motifs onto plastic sheets, gluing these to the canvas and letting them dry, and then peeling away the plastic once dry so that the paint remains on the canvas. This method allows the artist to layer surface upon surface and to achieve an iridescence somewhere between radiant aura and shimmering melancholy. Since her breakthrough in the early 1990s, Milhazes has extended the scope of her work to other media, producing screen prints, collages made of chocolate and candy wrappers, sculptures such as giant mobiles made of carnival decorations, site-specific projects that transform building façades into stained glass windows, and experiments with body and rhythm in collaboration with her sister Marcia’s ballet ensemble.
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