An overview of the most important paintings of the Renaissance; includes more than 400 works. The origin of Renaissance painting lies in Italy. With the return to antiquity, a world view was revived that enabled man to determine his own existence. In painting, new picture themes developed as well as a new way of representation oriented towards reality. This naturalism, for its part, was significantly influenced by Dutch painting from around 1450. With the transition from the 15th to the 16th century, Rome followed Florence as the centre of the Renaissance. Shortly thereafter, the new style also radiates to other European countries. In Northern Europe, the Renaissance combined with late medieval currents, which also placed earthly existence at the centre of attention.
In the 1860s, a style of painting emerged in Paris which fundamentally called into question the artistic concepts that had been prevalent in academies up to that time. Impressionist artists such as Monet, Renoir, and Degas now focused on their impression of the moment, which was captured in paintings depicting moods and light at certain times of the day and of the season, as well as in snapshots of modern life. This new kind of artistic worldview spread to other countries in Europe and the USA, which in turn produced numerous Impressionist painters. With more than 450 works, Impressionism presents an overview of the most important Impressionist paintings.
Vermeer’s Girl with the Pearl Earring is almost as famous as Leonardo da Vinci’s Mona Lisa. And yet the life and work of the painter remains as enigmatic as ever. This volume shows Vermeer’s small oeuvre and puts it into the context of Dutch genre painting of the seventeenth century.
Prawie 600 dzieł impresjonistów w jednym albumie. Obrazy Pissarra, Moneta, i kształtowanie się stylu, postimpresjonizm i dzieła van Gogha, impresjoniści francuscy, niemieccy i hiszpańscy, obrazy twórców ze Skandynawii i Nowego Świata. Nieprzebrany zbiór sztuki impresjonistycznej z całego świata zaprezentowany w imponującym formacie 28 x 31 cm.
Baroque 1600-1780 W albumie zawarto cały przepych baroku. Barok włoski, Caravaggio, de Ribera, barok angielski, niemiecki, flamandzki i holenderski Rubens Brueghel, Rembrandt, Vermeer i rokoko. Wszystko to i wiele więcej na ponad 500 stronach w imponującym formacie 28 x 31 cm.
"Dziewczyna z perłą" jest dziełem niemal takpowszechnie rozpoznawalnym jak "MonaLisa". A jednak życie i dzieło Vermeera,malarza scen rozgrywających się wdomowym zaciszu, do dziś pozostajązagadką. Niniejszy tom ukazuje niewielkąliczebnie spuściznę Vermeera w kontekścieXVII-wiecznego malarstwa niderlandzkiego.
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