London has the greatest literary tradition of any city in the world. Its roll-call of story-tellers includes cultural giants who changed the way the world thought about writing, like Shakespeare, Defoe and Dickens. But there has also been an innumerable host of writers who have sought to capture the essence of London and what it meant for the people who lived there or were merely passing through. They found a city of boundless wealth and ragged squalor, of moving tragedy and riotous joy; and they faithfully transcribed what they saw and felt in the stories they told of London town.
They are stories of fact and fiction and occasionally something in between. Some voices will be familiar to many readers and others practically unknown. But all give us insights into these writers’ very varied Londons; and all tell their stories gratifyingly well.
Authors include John Evelyn, Thomas de Quincey, W. M. Thackeray, Henry Mayhew, Sir Arthur Conan Doyle, George Gissing, J. B. Priestley, Jean Rhys, Graham Greene, Muriel Spark, Maeve Binchy, Doris Lessing, Hanif Kureishi and Shena Mackay.
The unforgettable canines gathered here include Kipling's heroically faithful 'Garm', Bret Harte's irrepressible scoundrel of a 'yaller dog' and the aggressively affectionate three-legged pit bull who lives in a block of flats for dogs in Jonathan Lethem's 'Ava's Apartment'. Here are stories which touchingly illuminate the dog's role in the emotional lives of humans, such as Tobias Wolff's 'Her Dog', where a widower shares his grief for his wife with her grieving pet. Here, too, are humorous glimpses of the canine point of view, from O. Henry's tale of a dissatisfied lapdog's escape to P. G. Wodehouse's cheerfully naïve watchdog who simply wants everybody to get along. These writers and others - Ray Bradbury, JamesThurber and Penelope Lively among them - offer imaginative, lyrical and empathetic portraits of man and woman's most devoted companion
His stories are fillled with the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. He writes of social decline, sexual desire and exploitation, corruption and personal failure, yet creates a brilliantly compelling, unique vision of the world and of human experience.
The stories all centre around the city of Dublin and its inhabitants at the beginning of the twentieth century. They offer a moving portrait of an entire world and era long since disappeared.
Saki's dazzling tales manage the remarkable feat of being anarchic and urbane at the same time. Studded with Wildean epigrams and featuring well-contrived plots and surprise endings, his stories gleefully skewer the pompous hypocrisies of upper-class Edwardian society. But they go beyond mere satire, raising dark humour to extremes of entertaining outrageousness that have rarely since been matched. Saki's elegantly mischievous young heroes sow chaos in their wake without breaking a sweat, occasionally assisted by werewolves, tigers, eavesdropping house pets and casually murderous children. This selection of over fifty stories includes such favourites as 'Tobermory', 'The Open Window', 'Sredni Vashtar', 'Mrs Packletide's Tiger', 'The Schartz-Metterklume Method', and many more.
Writers have always been uniquely inspired by New York City, and the classic stories collected here provide a kaleidoscopic vision of the metropolis in all its grittiness and glamour. Acclaimed writers past and present, ranging from Truman Capote, Bernard Malamud, John Cheever and Shirley Jackson to Jay McInerney, Edwidge Danticat and Junot Diaz, introduce us to starry-eyed tourists and ambitious immigrants, starving artists and hedonistic yuppies, Jewish matchmakers in the Bronx and Haitian nannies in Central Park. Colourful characters of all kinds come alive in these pages, nursing their dreams in the tiny apartments, the lonely cafés, and the bustling streets of the city that never sleeps.
Primo Levi's account of life as a concentration camp prisoner falls into two parts. IF THIS IS A MAN describes his deportation to Poland and the twenty months he spend working in Auschwitz. THE TRUCE covers his long journey to Italy at the end of the war through Russia and Central Europe. Levi never raises his voice, complains or attributes blame. By telling his story quietly, objectively and in plain language he renders both the horror and the hope of the situation with absolute clarity. Probing the themes which preoccupy all his writing - work love, power, the nature of things, what it is to be human - he leaves the reader drained, elated, apprehensive.
Marcus Aurelius Antoninus (a.d. 121 180) succeeded his adoptive father as emperor of Rome in a.d. 161 and Meditations remains one of the greatest works of spiritual and ethical reflection ever written. With a profound understanding of human behavior, Marcus provides insights, wisdom, and practical guidance on everything from living in the world to coping with adversity to interacting with others. Consequently, the Meditations have become required reading for statesmen and philosophers alike, while generations of ordinary readers have responded to the straightforward intimacy of his style.
Published in 1916 when Joyce was already at work on Ulysses, A Portrait of the Artist as a Young Man is exactly what its title says and much more. In part a vivid picture of Joyce’s own youthful evolution into one of the twentieth century’s greatest writers, it is also a moment in the intellectual history of an age.
Woven through all these tales are the unique histories and mythologies of the regions of Southern Italy, encompassing Sicily, Calabria, Cantania, Basilicata, Apulia and Campania. Theocritus, Virgil and Ovid evoke a Sicily populated by Cyclopes and sea monsters, while in an excerpt from The Smile of the Unknown Mariner Vincenzo Consolo depicts the island in 1860, on the frontline in Italy's war of independence. The South's legendary legacy of brigandage and organized crime enlivens the stories of Leonardo Sciascia, Carlo Levi and Joseph Conrad. Curzio Malaparte and Norman Lewis immortalize the wreckage of Naples and the indomitable spirit of its people during World War II, and Elena Ferrante paints a spectacular portrait of a poor but vibrant Neapolitan neighbourhood in an excerpt from the bestselling My Brilliant Friend. Collectively, these entertaining tales plunge readers into the sometimes harsh and troubled, but always seductive and vital world of Italy's Mezzogiorno
A friend and contemporary of Richard Wright and James Baldwin - and every bit their equal - Chester Himes was the acclaimed author of literary novels, stories and essays, as well as the classic crime fiction series for which he is best known, featuring detectives Coffin Ed Johnson and Gravedigger Jones.
Himes wrote nine novels in the Harlem Detectives series, and in these four popular, accomplished instalments, his cold, wise-cracking sleuths are thrown into a brutal, murderous world peopled with conniving con men, gut-toting gangsters and opium-smoking preachers. Himes's vision of Harlem's criminal underground, enriched by deft plotting and scintillating dialogue, is both riotous entertainment and penetrating enquiry into the fraught tensions of race in postwar America.
Dostoesky's drama of sin, guilt and redemption transmutes the sordid story of an old woman's murder by a desperate student into the nineteenth century's profoundest and most compelling philosophical novel. Grim in theme and setting, the book nevertheless seduces by its combination of superbly drawn characters, narrative brilliance and manic comedy.
An immaculate success on its publication in 1726, Gulliver’s Travels has since had an odd double life as both a classic traveller’s tale for children and a scathing satire of the human condition. Lemuel Gulliver’s adventures in a series of fantastical lands – where he meets the tiny people of Lilliput, the giants of Brobdingnag, the excessively rational equine Houyhnhnms, the wild and brutish Yahoos, and the philosophical Laputans – leave him with a deeply pessimistic perspective on his own kind. But Swift’s misanthropic vision clothes itself in such an exuberant outpouring of comic energy and creative high spirits – encompassing such wonders as a flying island, talking horses, and an early prototype of the computer – that it has entertained generations of readers of all ages, ‘from the cabinet council to the nursery’, as John Gay put it. Printed here in its unexpurgated entirety, Gulliver’s Travels demonstrates the power and originality of Swift’s satiric genius and the enduring appeal of his sense of the absurd.
Emma Woodhouse ‘had lived nearly twenty-one years in the world with very little to distress or vex her’, but during the course of this, the wisest and most disturbing of Jane Austen’s novels, she at last reaps her share of the world’s vexations, with consequences both comic and surprising. In this perfect comedy of manners the heroine learns to come to terms with the reality of other people, and with her own erring nature, but in the process the small town of Highbury is convulsed by Emma’s ill-judged schemes.
Returning to Turkey from exile in the West, the secular poet Ka is driven by curiosity to investigate a surprising wave of suicides among religious girls forbidden by the government to wear their head scarves in school. But the epicentre of the suicides, the bleak, impoverished border city of Kars, is also home to the beautiful Ipek, a friend of Ka's youth whom he has never forgotten and whose spirited younger sister is a leader of the rebellious schoolgirls. As a fierce snowstorm descends, cutting them off from the world, violence between the military and local Islamic radicals begins to explode, and Ka finds his sympathies drawn in unexpected and dramatic directions.
Tales about ghosts are as old as human culture itself but the ghost story as a distinguished literary form reached its apogee in the late nineteenth and early twentieth centuries. As traditional religions declined in the West during those years, people looked for new ways of describing the spiritual realities explained by religion. The ghost story is a literary expression of this need, its rise corresponding to the growing popularity of Spiritualism. Ghost stories balance the increasingly powerful scientific materialism of the age with intimations that there are other orders of experience which we cannot define and only glimpse.
The Everyman selection of ghost stories includes examples from this period by major writers such as Robert Louis Stevenson, Guy de Maupassant, Henry James and Edith Wharton. M. R. James is featured as a specialist in the genre. Later writers include Elizabeth Bowen, Penelope Lively and Ray Bradbury.
One feature of this collection is to show that there is more to the ghost story than the thrill of horror, important though that is. These stories include comedy and tragedy, pathos, drama and even poetry. Each is a masterpiece in its own right, irrespective of whether or not we believe in the realm of spectres.
There are novels, like journeys, which you never want to end: this is one of them. One seventh of July at six in the afternoon, a woman of 71 and a man of 78 ascend a gangplank and begin one of the greatest adventures in modern literature. The man is Florentino Ariza, President of the Carribean River Boat Company; the woman is his childhood sweetheart, the recently widowed Fermina Daza. She has earache. He is bald and lame. Their journey up-river, at an age when they can expect 'nothing more in life', holds out a shimmering promise: the consummation of an amor interruptus spanning half a century. LOVE IN THE TIME OF CHOLERA is one of the most uplifting romances of our times. An epiphany to late-flowering love, it holds out the subversive promise that you can have what you wish for: you may just have to wait. Set on the Colombian coast in the early part of this century, it is, arguably even more so than ONE HUNDRED YEARS OF SOLITUDE which won him the Nobel Prize, the crowning work of Gabriel Garcia Marquez. 'My best, ' he says of it. 'The novel that was written from my gut. ' Publication is timed to tie in with the launch of Marquez' new novel, NEWS OF A KIDNAPPING, by Jonathan Cape on 3 July.
A biting satire on dictatorship written during the Second World War and published in 1945, ANIMAL FARM is perhaps the most celebrated twentieth-century English satire after the same writer's NINETEEN EIGHTY-FOUR. One of the very few writers to be compared in power, artistry and moral authority with Jonathan Swift, the purity of Orwell's spare prose and the logic of his dark comedy emphasize the stark message of man's inhumanity to man and beast's to beast
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