Hailed as the greatest Japanese novel of the Twentieth century, THE MAKIOKA SISTERS is a subtle tale of domestic oppression worthy of Balzac or Chekhov, In this saga of the once prosperous but now declining Makioka family struggling to marry off one of their daughters, Tanizaki presents the picture of a family and a society striving to preserve their self-respect as they come to terms with disturbing new ways in a classic confrontation of innovasion and tradition. A wonderful portrait of Japanese life in the first half of the twentieth century.
A major book in the history of feminism, which, when it was first published in the 1950s, was considered a radical thesis. But its claim that the subordination of women is not a fact of nature but a product of social conditioning is now widely accepted.
Emma Woodhouse ‘had lived nearly twenty-one years in the world with very little to distress or vex her’, but during the course of this, the wisest and most disturbing of Jane Austen’s novels, she at last reaps her share of the world’s vexations, with consequences both comic and surprising. In this perfect comedy of manners the heroine learns to come to terms with the reality of other people, and with her own erring nature, but in the process the small town of Highbury is convulsed by Emma’s ill-judged schemes.
Tales about ghosts are as old as human culture itself but the ghost story as a distinguished literary form reached its apogee in the late nineteenth and early twentieth centuries. As traditional religions declined in the West during those years, people looked for new ways of describing the spiritual realities explained by religion. The ghost story is a literary expression of this need, its rise corresponding to the growing popularity of Spiritualism. Ghost stories balance the increasingly powerful scientific materialism of the age with intimations that there are other orders of experience which we cannot define and only glimpse.
The Everyman selection of ghost stories includes examples from this period by major writers such as Robert Louis Stevenson, Guy de Maupassant, Henry James and Edith Wharton. M. R. James is featured as a specialist in the genre. Later writers include Elizabeth Bowen, Penelope Lively and Ray Bradbury.
One feature of this collection is to show that there is more to the ghost story than the thrill of horror, important though that is. These stories include comedy and tragedy, pathos, drama and even poetry. Each is a masterpiece in its own right, irrespective of whether or not we believe in the realm of spectres.
Hana, a Canadian nurse, exhausted by death, and grieving for her own dead father; the maimed thief-turned-Allied-agent, Caravaggio; Kip, the emotionally detached Indian sapper - each is haunted in different ways by the man they know only as the English patient, a nameless burn victim who lies in an upstairs room. His extraordinary knowledge and morphine-induced memories - of the North African desert, of explorers and tribes, of history and cartography; and also of forbidden love, suffering and betrayal - illuminate the story, and leave all the characters for ever changed.
The name of Giacomo Casanova, Chevalier de Seingalt (1725-1798), in now synonymous with amorous exploits, and there are plenty of these, vividly narrated, in him memoirs. But Casanova was not just an energetic lover. In his time he was diplomat, business man, trainee priest, traveller, prisoner, magician, confidence trickster, gambler, professional entertainer and chalatan. He financed business projects, organised lotteries, wrote opera libretti and dabbled in high politics. Above all he was an autobiographer of enduring brilliance and subtlety who left behind him what is probably the most remarkable confession ever written. Casanova was a Venetian who explored to the full all the possibilities 18th century Venice offered by way of love and profit before being imprisoned, escaping from gaol, and fleeing from the city to begin travels which took him across Europe. In Moscow and London, Berlin and Constantinople, he met the famous men and women of the time - Catherine the Great, Voltaire, Louis XV, Rousseau - and recorded his encounters for the memoirs he wrote in retirement at the end of his life. These memoirs are by turns subtle, touching, thrilling, wonderfully comic and quite irresistible. Although the present edition includes one third of Casanova's enormous (though unfinished) book, it contains all his major adventures and all is greatest affairs of the heart.
Variations on a musical theme by a striking range of authors, among them Flaubert, Turgenev, Proust, Nabokov, Katherine Mansfield, Kazuo Ishiguro, Ian McEwan, Amit Chaudhuri, Bernard MacLaverty and Maya Angelou. Wesley Stace's attractive medley embraces musical genres from Virginia Woolf's 'A String Quartet' to Langston Hughes's 'The Blues I'm Playing'. Short stories are interspersed with interludes from longer works - E. M. Forster's Howards End, Ann Patchett's Bel Canto and Vikram Seth's An Equal Music. Here are music lessons, solos and duets, rehearsals and performances - and a whole suite of stories demonstrating that music is indeed the food of love. The perfect marriage of the musical and the literary.
German Romantic poetry is both fluid and formed, and it is full of song: the poems themselves are often intrinsically lyrical, and many of them inspired some of the best-known musical compositions of the nineteenth century. In this collection, we see German Romantic poets confronting life's greatest moments and greatest challenges - love, loss, death - and producing beautiful, and sometimes witty, works in response. Admiration for nature, in for particular the dramatic forests which still cover large areas of Germany, is also prominent in their work. Characters from myth and folklore abound too, most famously Lorelei, an enchantress who is associated with the River Rhine, and who features in several poems in this volume. Gathered here are favourites such as Goethe's 'Erl King', Eichendorff's 'Night of Moon', Heine's 'In May, the magic month of May', along with works by some of the most famous women writers of the period, Sophie Mereau, Karoline von Günderrode and Annette von Droste-Hülshoff. The works have been recreated in English verse by a range of poets and scholars
Now a classic feminist text, Jane Eyre was the first of Charlotte Brontë’s novels to be published, in 1847. Like her sister Emily’s Wuthering Heights, which it matches in power, Charlotte’s story is a variation on the theme of the eternal triangle. It is also that rare thing, a completely personal book.
The title of the novel comes from the Yorkshire manor on the moors of the story. The narrative centres on the all-encompassing, passionate, but ultimately doomed love between Catherine Earnshaw and Heathcliff, and how this unresolved passion eventually destroys them and the people around them
London has the greatest literary tradition of any city in the world. Its roll-call of story-tellers includes cultural giants who changed the way the world thought about writing, like Shakespeare, Defoe and Dickens. But there has also been an innumerable host of writers who have sought to capture the essence of London and what it meant for the people who lived there or were merely passing through. They found a city of boundless wealth and ragged squalor, of moving tragedy and riotous joy; and they faithfully transcribed what they saw and felt in the stories they told of London town.
They are stories of fact and fiction and occasionally something in between. Some voices will be familiar to many readers and others practically unknown. But all give us insights into these writers’ very varied Londons; and all tell their stories gratifyingly well.
Authors include John Evelyn, Thomas de Quincey, W. M. Thackeray, Henry Mayhew, Sir Arthur Conan Doyle, George Gissing, J. B. Priestley, Jean Rhys, Graham Greene, Muriel Spark, Maeve Binchy, Doris Lessing, Hanif Kureishi and Shena Mackay.
The unforgettable canines gathered here include Kipling's heroically faithful 'Garm', Bret Harte's irrepressible scoundrel of a 'yaller dog' and the aggressively affectionate three-legged pit bull who lives in a block of flats for dogs in Jonathan Lethem's 'Ava's Apartment'. Here are stories which touchingly illuminate the dog's role in the emotional lives of humans, such as Tobias Wolff's 'Her Dog', where a widower shares his grief for his wife with her grieving pet. Here, too, are humorous glimpses of the canine point of view, from O. Henry's tale of a dissatisfied lapdog's escape to P. G. Wodehouse's cheerfully naïve watchdog who simply wants everybody to get along. These writers and others - Ray Bradbury, JamesThurber and Penelope Lively among them - offer imaginative, lyrical and empathetic portraits of man and woman's most devoted companion
A friend and contemporary of Richard Wright and James Baldwin - and every bit their equal - Chester Himes was the acclaimed author of literary novels, stories and essays, as well as the classic crime fiction series for which he is best known, featuring detectives Coffin Ed Johnson and Gravedigger Jones.
Himes wrote nine novels in the Harlem Detectives series, and in these four popular, accomplished instalments, his cold, wise-cracking sleuths are thrown into a brutal, murderous world peopled with conniving con men, gut-toting gangsters and opium-smoking preachers. Himes's vision of Harlem's criminal underground, enriched by deft plotting and scintillating dialogue, is both riotous entertainment and penetrating enquiry into the fraught tensions of race in postwar America.
Dostoesky's drama of sin, guilt and redemption transmutes the sordid story of an old woman's murder by a desperate student into the nineteenth century's profoundest and most compelling philosophical novel. Grim in theme and setting, the book nevertheless seduces by its combination of superbly drawn characters, narrative brilliance and manic comedy.
An immaculate success on its publication in 1726, Gulliver’s Travels has since had an odd double life as both a classic traveller’s tale for children and a scathing satire of the human condition. Lemuel Gulliver’s adventures in a series of fantastical lands – where he meets the tiny people of Lilliput, the giants of Brobdingnag, the excessively rational equine Houyhnhnms, the wild and brutish Yahoos, and the philosophical Laputans – leave him with a deeply pessimistic perspective on his own kind. But Swift’s misanthropic vision clothes itself in such an exuberant outpouring of comic energy and creative high spirits – encompassing such wonders as a flying island, talking horses, and an early prototype of the computer – that it has entertained generations of readers of all ages, ‘from the cabinet council to the nursery’, as John Gay put it. Printed here in its unexpurgated entirety, Gulliver’s Travels demonstrates the power and originality of Swift’s satiric genius and the enduring appeal of his sense of the absurd.
His stories are fillled with the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. He writes of social decline, sexual desire and exploitation, corruption and personal failure, yet creates a brilliantly compelling, unique vision of the world and of human experience.
The stories all centre around the city of Dublin and its inhabitants at the beginning of the twentieth century. They offer a moving portrait of an entire world and era long since disappeared.
Saki's dazzling tales manage the remarkable feat of being anarchic and urbane at the same time. Studded with Wildean epigrams and featuring well-contrived plots and surprise endings, his stories gleefully skewer the pompous hypocrisies of upper-class Edwardian society. But they go beyond mere satire, raising dark humour to extremes of entertaining outrageousness that have rarely since been matched. Saki's elegantly mischievous young heroes sow chaos in their wake without breaking a sweat, occasionally assisted by werewolves, tigers, eavesdropping house pets and casually murderous children. This selection of over fifty stories includes such favourites as 'Tobermory', 'The Open Window', 'Sredni Vashtar', 'Mrs Packletide's Tiger', 'The Schartz-Metterklume Method', and many more.
Returning to Turkey from exile in the West, the secular poet Ka is driven by curiosity to investigate a surprising wave of suicides among religious girls forbidden by the government to wear their head scarves in school. But the epicentre of the suicides, the bleak, impoverished border city of Kars, is also home to the beautiful Ipek, a friend of Ka's youth whom he has never forgotten and whose spirited younger sister is a leader of the rebellious schoolgirls. As a fierce snowstorm descends, cutting them off from the world, violence between the military and local Islamic radicals begins to explode, and Ka finds his sympathies drawn in unexpected and dramatic directions.
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