In its most prestigious exhibition to date, the Fondation Beyeler has devoted itself to the early paintings and sculptures of Pablo Picasso (1881-1973) that date from his so-called Blue and Pink periods to early Cubism.
The paintings from this stage of his career, all produced between 1901 and 1907, are milestones on the road Picasso took to becoming the most famous artist of the twentieth century. They can be counted among modernism s most beautiful and most emotional works, and are also some of the most precious works of art ever to exist.
This comprehensive exhibition and its companion catalogue feature around eighty masterpieces, most of which are only rarely loaned out by famous museums and private collections around the world.
A great many willful painters can be assigned to Post-Impressionism who forged their own artistic paths. Paul Gauguin (1848–1903), like Vincent van Gogh, is a particularly uncompromising exponent of this current. His quest for an independent artistic stance and an authentic lifestyle took the former stockbroker from Paris to Brittany before deciding to travel to Polynesia. Simplified forms, expressive colors, and marked two-dimensionality characterize his seminal paintings, which are currently among the most coveted in the world.
The representative publication traces Gauguin’s artistic development based on great masterpieces from the areas of painting and sculpture—from the multifaceted self-portraits and sacred paintings from Gauguin’s period in Brittany, and the idyllic, wistful paintings and archaic, mystical sculptures from Tahiti, to the late works from his last station on the Marquesas Islands. The volume examines Gauguin’s multilayered body of work as well as his influence on modern and contemporary artists.
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