Begun when the author was only eighteen and conceived from a nightmare, Frankenstein is the deeply disturbing story of a monstrous creation which has terrified and chilled readers since its first publication in 1818.
The novel has thus seared its way into the popular imagination while establishing itself as one of the pioneering works of modern science fiction.
In 1869 a young Russian was strangled, shot through the head and thrown into a pond. His crime? A wish to leave small group of violent revolutionaries, from which he had become alienated. Dostoevsky takes this real-life catastrophe as the subject and culmination of Devils, a title that refers the young radicals themselves and also to the materialistic ideas that possessed the minds of many thinking people Russian society at the time.
The satirical portraits of the revolutionaries, with their naivety, ludicrous single-mindedness and readiness for murder and destruction, might seem exaggerated - until we consider their all-too-recognisable descendants in the real world ever since. The key figure in the novel, however, is beyond politics. Nikolay Stavrogin, another product of rationalism run wild, exercises his charisma with ruthless authority and total amorality. His unhappiness is accounted for when he confesses to a ghastly sexual crime - in a chapter long suppressed by the censor.
This prophetic account of modern morals and politics, with its fifty-odd characters, amazing events and challenging ideas, is seen by some critics as Dostoevsky's masterpiece.
Mr Dombey is a man obsessed with his firm. His son is groomed from birth to take his place within it, despite his visionary eccentricity and declining health. But Dombey also has a daughter, whose unfailing love for her father goes unreturned. 'Girls' said Mr Dombey, 'have nothing to do with Dombey and Son'. When Walter Gay, a young clerk in her father's office, rescues her from a bewildering experience in the streets of London, his unforgettable friends believe he is well on his way to receiving her hand in marriage and inheriting the company. It is to be a very different type of story.
This book comes with an introduction and notes by Dr Tim Middleton, Head of English Studies, University of Ripon and York. In seeking to discover his inner self, the brilliant Dr Jekyll discovers a monster. First published to critical acclaim in 1886, this mesmerising thriller is a terrifying study of the duality of man's nature This volume also includes Stevenson's 1887 collection of short stories, "The Merry Men" and Other Tales and Fables. "The Merry Men" is a gripping Highland tale of shipwrecks and madness; "Markheim", the sinister study of the mind of a murderer; "Thrawn Janet", a spine-chilling tale of demonic possession; "Olalla", a study o degeneration and incipient vampirism in the Spanish mountains; "Will O'the Mill", a thought-provoking fable about a mountain inn-keeper; and "The Treasure of Franchard", a study of French bourgeois life
'There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.'
Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula, a truly iconic and unsettling tale of vampirism.
The story of Edmund Dantes, self-styled Count of Monte Cristo, is told with consummate skill. The victim of a miscarriage of justice, Dantes is fired by a desire for retribution and empowered by a stroke of providence. In his campaign of vengeance, he becomes an anonymous agent of fate. The sensational narrative of intrigue, betrayal, escape, and triumphant revenge moves at a cracking pace. Dumas' novel presents a powerful conflict between good and evil embodied in an epic saga of rich diversity that is complicated by the hero's ultimate discomfort with the hubristic implication of his own actions.
Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder.
From that moment on, we share his conflicting feelings of self-loathing and pride, of contempt for and need of others, and of terrible despair and hope of redemption: and, in a remarkable transformation of the detective novel, we follow his agonised efforts to probe and confront both his own motives for, and the consequences of, his crime.
The result is a tragic novel built out of a series of supremely dramatic scenes that illuminate the eternal conflicts at the heart of human existence: most especially our desire for self-expression and self-fulfilment, as against the constraints of morality and human laws; and our agonised awareness of the world's harsh injustices and of our own mortality, as against the mysteries of divine justice and immortality.
That is not dead that can eternal lie And with strange aeons even death may die Millenia ago, the Old Ones ruled our planet. Since that time, they have but slumbered. But when a massive sea tremor brings the ancient stone city of R'lyeh to the surface once more, the Old Ones awaken at last.
The Whisperer in Darkness brings together the original Cthulhu Mythos stories of the legendary horror writer H.P. Lovecraft. Included in this volume are several early tales, along with the classics 'The Call of Cthulhu', 'The Dunwich Horror' and 'At the Mountains of Madness'. Arm yourself with a copy of Abdul Alhazred's fabled Necronomican and prepare to face terrors beyond the wildest imaginings of all, save H.P. Lovecraft.
Interest in supernatural phenomena was high during Charles Dickens' lifetime. He had always loved a good ghost story himself, particularly at Christmas time, and was open-minded, willing to accept, and indeed put to the test, the existence of spirits. His natural inclinations toward drama and the macabre made him a brilliant teller of ghost tales, and in the twenty stories presented here, which include his celebrated A Christmas Carol, the full range of his gothic talents can be seen. Chilling as some of these stories are, Dickens has managed to inject characteristically grotesque comedy as he writes of revenge, insanity, pre-cognition and dream visions, he indulges also in some debunking of contemporary credulity.
Dickens wrote of David Copperfield: 'Of all my books I like this the best'. Millions of readers in almost every language on earth have subsequently come to share the author's own enthusiasm for this greatly loved classic, possibly because of its autobiographical form.
Following the life of David through many sufferings and great adversity, the reader will also find many light-hearted moments in the company of a host of English fiction's greatest stars including Mr Micawber, Traddles, Uriah Heep, Creakle, Betsy Trotwood, and the Peggoty family.
Few readers, arriving at the end of David Copperfield, will not wish to echo Thackeray’s famous praise, having read the first monthly part – ‘Bravo Dickens’.
De Profundis is Wilde's eloquent and bitter reproach from prison to his lover, Lord Alfred Douglas. He contrasts his behaviour with that of his close friend Robert Ross who became Wilde's literary executor. The Ballad of Reading Gaol is a deeply moving and characteristically generous poem on the horrors of prison life, which was published anonymously in 1898. This collection also includes the essay The Soul of Man under Socialism and two of his Platonic dialogues, The Decay of Lying and The Critic as Artist.
William Blake was an engraver, painter and visionary mystic as well as one of the most revolutionary of the Romantic poets. His writing attracted the astonished admiration of authors as diverse as Wordsworth, Ruskin, W.B.Yeats, and more recently beat poet Allen Ginsberg and the 'flower power' generation. He is one of England's most original artists whose works aim to liberate imaginative energies and subvert 'the mind-forged manacles' of restriction.
This volume contains many of his writings, including: 'Songs of Innocence', 'Songs of Experience', 'The Marriage of Heaven and Hell', and a generous selection from the Prophetic Books including 'Milton' and 'Jerusalem'.
Bleak House is one of Dickens' finest achievements, establishing his reputation as a serious and mature novelist, as well as a brilliant comic writer. It is at once a complex mystery story that fully engages the reader in the work of detection, and an unforgettable indictment of an indifferent society. Its representations of a great city's underworld, and of the law's corruption and delay, draw upon the author's personal knowledge and experience. But it is his symbolic art that projects these things in a vision that embraces black comedy, cosmic farce, and tragic ruin. In a unique creative experiment, Dickens divides the narrative between his heroine, Esther Summerson, who is psychologically interesting in her own right, and an unnamed narrator whose perspective both complements and challenges hers.
In these five long stories, written specifically for Christmas, Dickens combines his concern for social ills with the myths and memories of childhood and traditional seasonal lore.
A Christmas Carol, the first of the selection, has become a touchstone of English festive fiction and an enduring favourite internationally. Repeatedly adapted, parodied, staged and filmed, this richly influential tale is powerfully vivid and moving.
The other stories, The Chimes, The Cricket on the Hearth, The Battle of Life andThe Haunted Man, blend whimsy, sentiment, comedy, satire, the didactic and the fantastic, developing resourcefully the theme of individual and social regeneration.
A Portrait of the Artist as a Young Man represents the transitional stage between the realism of Joyce's Dubliners and the symbolism of Ulysses, and is essential to the understanding of the later work.
This novel is a highly autobiographical account of the adolescence of Stephen Dedalus, who reappears in Ulysses, and who comes to realize that before he can become a true artist, he must rid himself of the stultifying effects of the religion, politics and essential bigotry of his background in late 19th century Ireland.
Written with a light touch, this is perhaps the most accessible of Joyce’s works.
Doctor Watson, Mr Sherlock Holmes - The most famous introduction in the history of crime fiction takes place in Sir Arthur Conan Doyle's A Study in Scarlet, bringing together Sherlock Holmes, the master of science detection, and John H. Watson, the great detective's faithful chronicler. This novel not only establishes the magic of the Holmes myth but also provides the reader with a dramatic adventure yarn which ranges from the foggy, gas-lit streets of London to the burning plains of Utah.
The Sign of the Four, the second Holmes novel, presents the detective with one of his greatest challenges. The theft of the Agna treasure in India forms a catalyst for treachery, deceit and murder.
With these two classic novels, A Study in Scarlet and The Sign of the Four, you have the brilliant foundation of the Sherlock Holmes canon. Reading pleasure rarely comes any finer.
Agnes Grey is a trenchant expose of the frequently isolated, intellectually stagnant and emotionally starved conditions under which many governesses worked in the mid-nineteenth century. This is a deeply personal novel written from the author's own experience and as such Agnes Grey has a power and poignancy which mark it out as a landmark work of literature dealing with the social and moral evolution of English society during the last century.
This selection of Carroll's works includes Alice's Adventures in Wonderland and its sequel, Through the Looking-Glass, both containing the famous illustrations by Sir John Tenniel. No greater books for children have ever been written. The simple language, dreamlike atmosphere, and fantastical characters are as appealing to young readers today as ever they were. Meanwhile, however, these apparently simple stories have become recognised as adult masterpieces, and extraordinary experiments, years ahead of their time, in Modernism and Surrealism. Through wordplay, parody and logical and philosophical puzzles, Carroll engenders a variety of sub-texts, teasing, ominous or melancholy. For all the surface playfulness there is meaning everywhere. The author reveals himself in glimpses.
This selection of Carroll's works includes Alice's Adventures in Wonderland and its sequel, Through the Looking-Glass, both containing the famous illustrations by Sir John Tenniel. No greater books for children have ever been written. The simple language, dreamlike atmosphere, and fantastical characters are as appealing to young readers today as ever they were. Meanwhile, however, these apparently simple stories have become recognised as adult masterpieces, and extraordinary experiments, years ahead of their time, in Modernism and Surrealism. Through wordplay, parody and logical and philosophical puzzles, Carroll engenders a variety of sub-texts, teasing, ominous or melancholy. For all the surface playfulness there is meaning everywhere. The author reveals himself in glimpses.
Anna Karenina is one of the most loved and memorable heroines of literature. Her overwhelming charm dominates a novel of unparalleled richness and density. Tolstoy considered this book to be his first real attempt at a novel form, and it addresses the very nature of society at all levels of destiny, death, human relationships and the irreconcilable contradictions of existence. It ends tragically, and there is much that evokes despair, yet set beside this is an abounding joy in life's many ephemeral pleasures, and a profusion of comic relief.
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