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Classics
The Waves
Virginia Woolf
Introduction and Notes by Deborah Parsons, University of Birmingham.
'I am writing to a rhythm and not to a plot', Virginia Woolf stated of her eighth novel, The Waves. Widely regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore.
The subsequent continuity of these six main characters, as they develop from childhood to maturity and follow different passions and ambitions, is interspersed with interludes from the timeless and unifying chorus of nature. In pure stream-of-consciousness style, Woolf presents a cross-section of multiple yet parallel lives, each marked by the disintegrating force of a mutual tragedy.
The Waves is her searching exploration of individual and collective identity, and the observations and emotions of life, from the simplicity and surging optimism of youth to the vacancy and despair of middle-age.
Far from fading with time, Kenneth Grahame's classic tale of fantasy has attracted a growing audience in each generation. Rat, Mole, Badger and the preposterous Mr Toad (with his 'Poop-poop-poop' road-hogging new motor car), have brought delight to many through the years with their odd adventures on and by the river, and at the imposing residence of Toad Hall.
The Turn of the Screw is the classic ghost story for which James is most remembered. Set in a country house, it is a chilling tale of the supernatural told by a master of the genre.
The Aspern Papers is a tale of Americans in Europe, a theme in which Henry James is at his most assured and accomplished. The author cleverly evokes the drama of comédie humaine against the settings of a Venetian palace.
With an Introduction and Notes by David Ellis, University of Kent at Canterbury. With Illustrations by R.Seymour, R.W. Buss and Hablot K. Browne (Phiz).
The Pickwick Papers is Dickens' first novel and widely regarded as one of the major classics of comic writing in English. Originally serialised in monthly instalments, it quickly became a huge popular success with sales reaching 40,000 by the final part.
In the century and a half since its first appearance, the characters of Mr Pickwick, Sam Weller and the whole of the Pickwickian crew have entered the consciousness of all who love English literature in general, and the works of Dickens in particular.
After Sherlock Holmes' apparently fatal encounter with the sinister Professor Moriarty at the Reichenbach Falls, the great detective reappears, to the delight of the faithful Dr Watson in The Adventures of the Empty House.
The stories are illustrated by Sidney Paget, the finest of illustrators, from which our images of Sherlock Holmes and his world derive.
This is the second of three volumes of The Complete Sherlock Holmes newly typeset from the original copies of The Strand Magazine The three books present all the Holmes stories in order of first publication.
Then the vision of an enormous town presented itself, of a monstrous town...a cruel devourer of the world's light. There was room enough there to place any story, depth enough for any passion, variety enough there for any setting, darkness enough to bury five millions of lives.'
Conrad’s ‘monstrous town’ is London, and his story of espionage and counter-espionage, anarchists and embassies, is a detective story that becomes the story of Winnie Verloc’s tenacity in maintaining her devotion to her peculiar and simple-minded brother, Stevie, as they pursue their very ordinary lives above a rather dubious shop in the back streets of Soho. However, far from offering any sentimental picture, The Secret Agent is Conrad’s funniest novel. Its savagely witty picture of human absurdity and misunderstanding is written in an ironic style that provokes laughter and unease at the same time, and that continues to provide one of the most disturbing visions of aspiration and futility in twentieth century literature.
Mary Lennox was horrid. Selfish and spoilt, she was sent to stay with her hunchback uncle in Yorkshire. She hated it. But when she finds the way into a secret garden and begins to tend it, a change comes over her and her life. She meets and befriends a local boy, the talented Dickon, and comes across her sickly cousin Colin who had been kept hidden from her. Between them, the three children work astonishing magic in themselves and those around them.
Jules Verne (1828-1905) is internationally famous as the author of a distinctive series of adventure stories describing new travel technologies which opened up the world and provided means to escape from it. The collective enthusiasm of generations of readers of his 'extraordinary voyages' was a key factor in the rise of modern science fiction.
In The Mysterious Island a group of men escape imprisonment during the American Civil War by stealing a balloon. Blown across the world, they are air-wrecked on a remote desert island. In a manner reminiscent of Robinson Crusoe, the men apply their scientific knowledge and technical skill to exploit the island's bountiful resources, eventually constructing a sophisticated society in miniature. The book is also an intriguing mystery story, for the island has a secret.
Dickens?s final novel, left unfinished at his death, is a tale of mystery whose fast-paced action takes place in an ancient cathedral city and in some of the darkest places in nineteenth-century London. Drugs, sexual obsession, colonial adventuring and puzzles about identity are among the novel?s themes. At the centre of the plot lie the baffling disappearance of Edwin Drood and the many explanations of his whereabouts.
A sombre and menacing atmosphere, a fascinating range of characters and Dickens?s usual superb command of language combine to make this an exciting and tantalising story.
Also included in this volume are a number of unjustly neglected stories and sketches, with subjects as different as murder and guilt and childhood romance. This unusual selection illustrates Dickens?s immense creativity and versatility.
The Tempest is the most lyrical, profound and fascinating of Shakespeare's late comedies. Prospero, long exiled from Italy with his daughter Miranda, seeks to use his magical powers to defeat his former enemies. Eventually, having proved merciful, he divests himself of that magic, his 'art', and prepares to return to the mainland. The Tempest has often been regarded as Shakespeare's 'farewell to the stage' before his retirement.
The Tenant of Wildfell Hall is a powerful and sometimes violent novel of expectation, love, oppression, sin, religion and betrayal. It portrays the disintegration of the marriage of Helen Huntingdon, the mysterious ‘tenant’ of the title, and her dissolute, alcoholic husband. Defying convention, Helen leaves her husband to protect their young son from his father’s influence, and earns her own living as an artist. Whilst in hiding at Wildfell Hall, she encounters Gilbert Markham, who falls in love with her.
On its first publication in 1848, Anne Brontë’s second novel was criticised for being ‘coarse’ and ‘brutal’. The Tenant of Wildfell Hall challenges the social conventions of the early nineteenth century in a strong defence of women’s rights in the face of psychological abuse from their husbands. Anne Brontë’s style is bold, naturalistic and passionate, and this novel, which her sister Charlotte considered ‘an entire mistake’, has earned Anne a position in English literature in her own right, not just as the youngest member of the Brontë family.
This newly reset text is taken from a copy of the 1848 second edition in the Library of the Brontë Parsonage Museum and has been edited to correct known errors in that edition.
One of the most celebrated and popular historical romances ever written, The Three Musketeers tells the story of the early adventures of the young Gascon gentleman, D'Artagnan and his three friends from the regiment of the King's Musketeers - Athos, Porthos and Aramis.
Under the watchful eye of their patron M. de Treville, the four defend the honour of the regiment against the guards of Cardinal Richelieu, and the honour of the queen against the machinations of the Cardinal himself as the power struggles of seventeenth century France are vividly played out in the background.
But their most dangerous encounter is with the Cardinal's spy, Milady, one of literature's most memorable female villains, and Alexandre Dumas employs all his fast-paced narrative skills to bring this enthralling novel to a breathtakingly gripping and dramatic conclusion.
This novel, based on George Eliot's own experiences of provincial life, is a masterpiece of ambiguity in which moral choice is subjected to the hypocrisy of the Victorian age.
As the headstrong Maggie Tulliver grows into womanhood, the deep love which she has for her brother Tom turns into conflict, because she cannot reconcile his bourgeois standards with her own lively intelligence. Maggie is unable to adapt to her community or break free from it, and the result, on more than one level, is tragedy.
The Little Prince is a classic tale of equal appeal to children and adults. On one level it is the story of an airman's discovery, in the desert, of a small boy from another planet - the Little Prince of the title - and his stories of intergalactic travel, while on the other hand it is a thought-provoking allegory of the human condition.
First published in 1943, the year before the author's death in action, this translation contains Saint-Exupery's delightful illustrations.
These lively, varied and thought-provoking science-fiction stories (from the era of Jules Verne and H. G. Wells) are linked by their imposing central character, the pugnaciously adventurous and outrageous Professor Challenger. The Lost World (forebear of Jurassic Park) vividly depicts a perilous region in which the explorers confront creatures from the prehistoric era. The Poison Belt presents an eerie doomsday scenario, while 'The Disintegration Machine' satirically comments on scientific cynicism. In 'When the World Screamed', the planet responds violently to an experimental incursion. The strangest item is The Land of Mist, which seeks to reconcile science with spiritualism. This memorable collection provides imaginative entertainment, entrancing escapism and bold provocation.
The Man in the Iron Mask is the final episode in the cycle of novels featuring Dumas' celebrated foursome of D'Artagnan, Athos, Porthos and Aramis, who first appeared in The Three Musketeers. Some thirty-five years on, the bonds of comradeship are under strain as they end up on different sides in a power struggle that may undermine the young Louis XIV and change the face of the French monarchy. In the fast-paced narrative style that was his trademark, Dumas pitches us straight into the action. What is the secret shared by Aramis and Madame de Chevreuse? Why does the Queen Mother fear its revelation? Who is the mysterious prisoner in the Bastille? And what is the nature of the threat he poses? Dumas, the master storyteller, keeps us reading and guessing until the climactic scene in the grotto of Locmaria, a fitting conclusion to the epic saga of the musketeers.
As Fyodor Karamazov awaits an amorous encounter, he is violently done to death. The three sons of the old debauchee are forced to confront their own guilt or complicity. Who will own to parricide? The reckless and passionate Dmitri? The corrosive intellectual Ivan? Surely not the chaste novice monk Alyosha? The search reveals the divisions which rack the brothers, yet paradoxically unite them. Around the writhings of this one dysfunctional family Dostoevsky weaves a dense network of social, psychological and philosophical relationships.
At the same time he shows - from the opening 'scandal' scene in the monastery to a personal appearance by an eccentric Devil - that his dramatic skills have lost nothing of their edge. The Karamazov Brothers, completed a few months before Dostoevsky's death in 1881, remains for many the high point of his genius as novelist and chronicler of the modern malaise.
It cast a long shadow over D. H. Lawrence, Thomas Mann, Albert Camus, and other giants of twentieth-century European literature.
Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of the Russian ruling class of his day who have created a world which cannot accomodate the goodness of this idiot.
The Hound of the Baskervilles is the classic detective chiller. It features the world's greatest detective, Sherlock Holmes, in his most challenging case. The Baskerville family is haunted by a phantom beast "with blazing eyes and dripping jaws" which roams the mist-enshrouded moors around the isolated Baskerville Hall on Dartmoor. Now the hound seems to be stalking young Sir Henry, the new master of the Baskerville estate. Is this devilish spectre the manifestation of the family curse? Or is Sir Henry the victim of a vile and scheming murderer? Only Sherlock Holmes can solve this devilish affair.
The Valley of Fear is a dark, powerful tale, which provides the great detective with a most perplexing case and opens with a vile murder:
"Lying across his chest was a most curious weapon, a shotgun with the barrel sawn off in front of the triggers. It was clear that it had been fired at close range, and that he had received the whole charge in the face, blowing his head almost to pieces".
Sherlock Holmes' arch enemy, the criminal genius Professor Moriarty, is back! But the solution to the riddle, found after many surprising twists and high dramas, lies far away, half across the world in a location known as 'The Valley of Fear'. This is Conan Doyle's last Holmes novel and in the opinion of many of his fans, it is the best!
The House of the Dead is a stark account of Dostoyevsky's own experience of penal servitude in Siberia. In graphic detail he describes the suffering of the convicts - their squalor and degradation, their terror and resignation, from the rampages of a pyschopath to the brief serenity of Christmas Day. Amid the horror of labour in the sub-zero work camp, we hear the stories of the prisoners, and live through the freezing isolation and pain of day after day of misery. We see a young intellectual forced to live, eat and sleep with men from a background of cruelty, coarseness and brutality.
The Gambler is set in a spa town with its casino and international clientele. Alexey Ivanovitch is a young tutor in the household of a general. He is both observer and actor in the tempest which surrounds his impoverished employer, as he envies and mocks the airs and pretensions of his supposed superiors. Everyone is waiting for the death of Granny, the general's rich aunt, but so far from dying, she turns up alive and well, and makes her way to the casino . .
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