“Why shouldn’t art be pretty? There are enough unpleasant things in the world.” ―Pierre-Auguste RenoirPierre-Auguste Renoir’s timelessly charming paintings still reflect our ideals of happiness, love, and beauty. TASCHEN’s Renoir: Painter of Happiness, the most comprehensive retrospective of his work yet published, examines the personal history and motivation behind the legend. Though he began by painting landscapes in the Impressionist style, Renoir (1841–1919) found his true affinity once he started painting portraits, after which he abandoned the Impressionists altogether. Though often misunderstood and criticized, Renoir remains one of history’s most well-loved painters―undoubtedly because his works exude such warmth, tenderness, and good cheer.
In an incisive text tracing the artist’s career and stylistic evolution, Gilles Néret shows how Renoir reinvented the female form in painting, with his everyday goddesses and their plump forms, rounded hips and breasts. This last phase in Renoir’s work, in which he returned to the simple pleasure of painting the female nude in his baigneuses series, was his most innovative and stylistically influential, and an inspiration to both Matisse and Picasso.With a complete chronology, bibliography, index of works, and 600 sumptuous large-format color reproductions, as well as photos and sketches illustrating Renoir’s life and work, this is the essential work of reference on this enduring master artist.
The art of ancient Egypt that has been handed down to us bears no names of its creators, and yet we value the creations of these unknown masters no less than the works of later centuries, such as statues by Michelangelo or the paintings by Leonardo da Vinci. The present volume introduces a series of such masterpieces, ranging from the Old Kingdom, or the 3rd millennium B.C., to the Late Period in the 9th century B.C. The works in question are sculptures, reliefs, sarcophagi, murals, masks, and decorative items, most of them now in the Egyptian Museum in Cairo, but some occupying places of honor as part of the world cultural heritage in museums such as the Louvre in Paris, the British Museum in London, the Egyptian Museum in Berlin and the Metropolitan Museum in New York. Featured works include: Seated statue of King Djoser, wood relief of Hesire on a dining table, the statue of a scribe made of various materials, funerary relief of Aschait, a Sphinx of Sesostris III, a robed statue of Cherihotep, reliefs from the Temple at Carnac, sarcophagus of Queen Hatshepsut, murals from Thebes, seated figure of the goddess Sachmet, precious statue of Queen Teje, head of Akhenaten (Amenophis IV), Queen Nefertiti, golden mask of Tutankhamun, Ramses II from Abu Simbel, Horus-falcon made of granite, stone relief on the temple ambulatory at Edfu. Each book in TASCHEN's "Basic Genre" series features: a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period; and a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations
It might seem like the sitters and subjects of art history's greatest nude paintings have little left to show, but don't be fooled: there is more than meets the eye in these naked masterworks. Rose-Marie and Rainer Hagen guide us into the secrets of the flesh, coupling extended discussions with crisp, enlarged details of 12 iconic works from the canon of art history. Biblical tales of morality or modern portrayals of leisure, works such as Tintoretto's Susanna and the Elders or Manet's The Luncheon on the Grass offer diverse visions of natural beauty. Each artwork is presented in reproductions of the highest quality, sourced directly from the original, located in collections of the Louvre, Musee d'Orsay, Uffizi, and many others. From works depicting ultimate feminine grace, like Velazquez's Rokeby Venus, to Hans Baldung's mesmerizing image of the body's decline in The Three Ages of Man and Death, these paintings are unified in their masterful rendering of the bare human form-both in life and beyond. Through this exploration into the covert secrets of nude works, they cease to be two-dimensional and come to full hot-blooded life
In 1962, he was created by exposure to gamma radiation in Incredible Hulk No. 1. Though it took a few years for him to develop his now-famous personality, he was nonetheless a weapon of destruction from that first appearance. Not only did the Hulk fight anyone who got in his way, but his alter ego, Bruce Banner, fought the multiple personality disorder that transformed him, spawning many other versions of the Hulk, each of whom were aspects of Bruce’s personality. Despite that, the Hulk took down the Leader, the Abomination, and Wolverine, among hundreds of other great villains. The star of a smash-hit TV show, two blockbuster movies, and hundreds of great comics, he’s one of the most instantly recognizable characters in the world. With 192 pages of images, and text by Roy Thomas, The Little Book of Hulk will be an indispensable guide to comics’ most savage hero!
Man Ray (1890–1976) was a polymath modernist, working in painting, sculpture, film, printmaking, and poetry. But it was his work in photography, with nude studies, fashion work, and portraiture that saw him pioneering a new chapter in the history of camerawork and art.
With a wide-ranging collection of both his famous and lesser-known works, this monograph gives a vivid overview of Man Ray’s multifaceted practice and photographic legacy. It traces Ray from his artistic beginnings in New York through to his central role in the Parisian avant-garde, where he featured in the first Surrealist exhibition with Jean Arp, Max Ernst, André Masson, Joan Miró, and Pablo Picasso and produced such now iconic works as Noire et blanche and Le Violon d’Ingres. Through numerous examples of still life, portraiture, and beyond, we see how Ray constantly experimented with new techniques, pushing photography out of its documentary domain into ethereal, poetic expressions through multiple exposure, solarization, and the particular brand of photograms he wittily termed “rayography.”
Hailing from Vienna, Rudolph Michael Schindler (1887-1953) emigrated to Chicago in 1914, like his lifelong friend and rival Richard Neutra. Eventually hired by Frank Lloyd Wright to work in Los Angeles, Schindler took cues from notions found in Cubism and the International Style to shape his unique vision: a style he called "space architecture," combining geometrical shapes, bold lines, and materials such as wood and concrete, with space as a medium in its own right, one to be controlled just like color or mass. This radical approach earned Schindler little recognition in his lifetime-but today, he is hailed as one of America's most important Modernist pioneers. Discover such key projects as the Wolfe House, nestled in a steep hillside; the tree house-like Falk Apartment Building; the Lovell Beach House, recognized as one of the foremost examples of the Modernist canon in America; the Schindler/Chace House, Schindler's most crucial work and his personal practice and home, which he shared with his family and that of Neutra. From private homes to small commercial buildings, Schindler's groundbreaking designs heralded a new era of contemporary construction. This collection is complete with a map locating all of the architect's most renowned projects, detailed entries, floor plans, as well as crisp photography of each structure and its interiors.
The 1970s: that magical era betwixt the swinging ’60s and the decadent ’80s, the epoch of leisure suits and Afros, the age of disco music and platform shoes. As war raged on in Vietnam and the Cold War continued to escalate, Hollywood began to heat up, recovering from its commercial crisis with box-office successes such as Star Wars, Jaws, The Exorcist, and The Godfather. Thanks to directors like Spielberg and Lucas, American cinema gave birth to a new phenomenon: the blockbuster.
Meanwhile, across the Atlantic, while the Nouvelle Vague died out in France, its influence extended to Germany, where the New German Cinema of Fassbinder, Wenders, and Herzog had its heyday. The sexual revolution made its way to the silver screen (cautiously in the U.S., more freely in Europe) most notably in Bertolucci’s steamy, scandalous Last Tango in Paris. Amid all this came a wave of nostalgic films (The Sting, American Graffiti) and Vietnam pictures (Apocalypse Now, The Deer Hunter), the rise of the antihero (Robert De Niro, Al Pacino, Dustin Hoffman), and the prestigious short-lived genre, blaxploitation.
Lucian Freud (1922 2011) was interested in the telling of truth. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swellings of the living body, but also, beneath the flaws and folds of flesh, the microscopic details of what lies within: the sensation, the emotion, the intelligence, the bloom, and the inevitable, unstoppable decay.
Despite rejecting parallels between him and his renowned grandfather, the correlation between Lucian Freud's sitting process for portraiture and Sigmund Freud's psychotherapy sessions is a fascinating element to this figurative oeuvre. Despite the thickness of the impasto surfaces, Freud's portraits of subjects as varied as the Queen, Kate Moss, and an obese job center supervisor, penetrate the physicality of the body with a direct and often disarming insight. The result is as much a psychological interrogation as it is an uneasy examination of the relationship between artist and model.
This book brings together some of Freud's most outstanding and unapologetic portraits, to introduce an artist widely considered one of the finest masters of the human form.
Michelangelo Merisi da Caravaggio (1571 1610) was always a name to be reckoned with. Notorious bad boy of the Italian Baroque, the artist was at once celebrated and controversial, violent in temper, precise in technique, a creative master, and a man on the run.
Though famed for his dramatic use of color, light, and shadow, it was above all Caravaggio's boundary-breaking naturalism which scorched his name into the annals of art history. From the dirtied soles of feet to the sexualised languor of bare flesh, the artist allowed even sacred and biblical scenes to unfold with a startling, often visceral humanity. This vivid pictorial world was accompanied by an equally intense personal biography, scored by gambling, debts, drunken brawls, and even a murder charge.
This book brings together Caravaggio's most famous and revolutionary works to explain why this artist is now considered the most important painter of the early Baroque period and one of the defining influences of art history, without whom Ribera, Vermeer, Rembrandt, Delacroix, Courbet, and Manet could never have painted the way they did.
Nobuyoshi Araki himself distills decades' worth of images down to 568 pages in this ultimate retrospective of his career. First published as a limited edition and now available as a TASCHEN standard edition with updated appendix, this intimate collection delves into Araki's work to showcase his best-known subjects: sensual, colorful flowers, and women tied up in kinbaku, the Japanese art of bondage.
Impressionism continues to be one of the most fascinating movements in the history of modern art. It is also the most popular with the general public. Proof of this has been provided in recent years by blockbuster exhibitions of the works of Degas, Gauguin, van Gogh, Renoir, Toulouse-Lautrec, and Monet, and by record sums realized from the sale of Impressionist paintings.
Despite its popularity and a whole host of publications―the majority of them about the most famous names―many areas of Impressionism are still under-researched. Many “second-rank” Impressionists have remained unknown or have sunk into oblivion. This monograph fills the gap, as it explores French Impressionism alongside related art movements that flourished simultaneously in the rest of Europe and in North America.
Part 1 deals with Impressionism in France, including Post- and Neo-Impressionism. As well as discussing the most renowned artists, its aim is to introduce others who are still little-known today. Among them are the long underrated Gustave Caillebotte, represented by 17 paintings, and artists such as Frédéric Bazille, Marie Bracquemond, Henri-Edmond Cross, Jean-Louis Forain, Eva Gonzalès, Armand Guillaumin, Albert Lebourg, Stanislas Lépine, Maximilien Luce, Berthe Morisot, Lucien Pissarro, Jean-François Raffaëlli, Henri Rouart, and Victor Vignon.
The eight chapters of part 2 focus on paintings inspired by French Impressionism and produced in parallel in the Netherlands, Belgium, Germany, Scandinavia, Eastern and South-Eastern Europe, Italy, Spain, Great Britain, the USA and Canada. Rarely did painters in these countries slavishly copy the ideas emerging from France. Instead, most non-French artists found astonishingly original ways of translating them into the artistic language of their native lands.
Immerse yourself in the rich shades and textures of Tiziano Vecellio (c. 1490–1576), commonly known as Titian, and the figurehead of 16th-century Venetian painting. With his bold approach to form and startling, opulent colors, Titian worked with a number of prestigious commissions and left behind an astonishing repertoire of portraits, mythological scenes, altarpieces, and landscapes that remains one of the most important legacies of Renaissance art.
This dependable artist introduction traces Titian’s complete career and its trailblazing influence on successive generations of artists, from Diego Velázquez to van Dyck. From the rippling sensuality of Venus of Urbino (c. 1538) to the airborne dynamism of Bacchus and Ariadne (1520–1523), all the major works are here, charting the artist’s stylistic experimentation over time as well as his consistent and unique ability to work across genres and to bring a defining new level of emotional and spiritual aspect to his subjects.
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