Pitch Perfect
From Funny Girl to A Star Is Born, the meteoric rise of Barbra Streisand
In 1970 Barbra Streisand published a story in Life magazine titled “Who Am I Anyway?” It was the very question two leading photojournalists of the day—Steve Schapiro and Lawrence Schiller—were also asking as they photographed her during her first five years in Hollywood, working to get beneath the veneer and capture “the real Barbra.”
Brimming with photographs, stories, and behind-the-scenes shots from Schapiro and Schiller, and previously available as a limited edition, this is a must-have collection for any Streisand fan. All the best movies of Streisand’s first Hollywood decade are here: Funny Girl, On a Clear Day You Can See Forever, The Way We Were, The Owl and the Pussycat, Up the Sandbox, Funny Lady, and A Star Is Born. So too are her loves, directors, confidants, and costars: Elliott Gould, William Wyler, Sydney Pollack, Vincente Minnelli, Cis Corman, Omar Sharif, Kris Kristofferson, and, of course, Robert Redford.
Through it all a picture emerges not of a singer who could act, but of an actress who could sing, write, direct, dance, and do just about anything she put her mind to.
In her vibrant works, the Brazilian painter Beatriz Milhazes fuses two very different worldviews. Her abstract compositions, which can be seen in a line with modernist masters from Henri Matisse to Bridget Riley, are saturated with the colors and light of her native country. Her paintings are strewn with symbols of everyday life in Brazil, invoking carnival, traditional craftsmanship, and motifs from baroque to pop, all choreographed in an exuberant visual rhythm. The colorful atmosphere has an irresistible exotic allure, but as in the works of Paul Gauguin, we find a broken paradise in which darker, more melancholic tones resonate, both in the promises of tropical life and those of modernist abstraction.
In seeking this balance, Milhazes developed a special transfer technique in the late eighties, painting her motifs onto plastic sheets, gluing these to the canvas and letting them dry, and then peeling away the plastic once dry so that the paint remains on the canvas. This method allows the artist to layer surface upon surface and to achieve an iridescence somewhere between radiant aura and shimmering melancholy. Since her breakthrough in the early 1990s, Milhazes has extended the scope of her work to other media, producing screen prints, collages made of chocolate and candy wrappers, sculptures such as giant mobiles made of carnival decorations, site-specific projects that transform building façades into stained glass windows, and experiments with body and rhythm in collaboration with her sister Marcia’s ballet ensemble.
This extraordinary body of work tells the story of yoga as it’s never been told before. With almost 200 images, it traces the photographic journey of Michael O’Neill, the photographer and yogi who spent a decade traversing America and India to capture the essence of yoga and the most influential yogis of our time as a physical, spiritual, and mindful practice. The pictures are illuminated with stories from his travels and essays by meditation master H. H. Swami Chidanand Saraswatiji and Ashtanga guru Eddie Stern.
In the imaginations of young and old alike, the word “pirate” resonates with spine-tingling fear and swashbuckling adventure. Over centuries, our cultural landscape has been populated by a host of famous real and fictional figures immortalized in literature and art: Edward Teach, also known as Blackbeard, with his fearsome reputation for cruelty; Henry ‘Bloody’ Morgan, whose treasure is still sought today; and of course Long John Silver, the archetypal anti-hero of Robert Louis Stevenson’s Treasure Island (1885).
Pirate Tales gathers a treasure trove of excerpts from literary works inspired by the historical pirates of the 16th and 17th centuries. The edition begins with Daniel Defoe’s Robinson Crusoe (1719), a book containing all the trappings of pirate lore – shipwrecks, mutineers, undiscovered islands, and talking parrots – and one which influenced hundreds of works of adventure fiction, not least Jules Verne’s The Mysterious Island (1871). The third nerve-jangling novel is Treasure Island, without which no book on pirates would be complete, thanks to its unforgettable additions to the pirate canon: Blind Pew, Billy Bones, the black spot, wooden legs and Long John Silver. Extracts from Howard Pyle’s posthumously published Book of Pirates (1921) round off the edition.
The tales are enlivened by arresting illustrations at every turn, including those by artists from the Brandywine School such as Pyle, the undisputed father of pirate illustration, and his students N. C. Wyeth and Frank Schoonover. This edition features a number of original artworks by these illustrators, drawn from private collections, as well as contributions by other artists from illustration’s so-called “Golden Age” of the late 19th and early 20th century. Scene-setting vignettes for each story were executed by the illustrator Michael Custode.
Martin Luther’s revolutionary publication
Martin Luther’s Bible, first printed in 1534, was not only a milestone for the printing press, but also a momentous event in world history. A UNESCO world heritage masterpiece, Luther’s translation from Hebrew and ancient Greek into German made the Bible accessible to laypeople and gave printed reference to a whole new branch of Christian faith: Protestantism.
In this meticulous two-volume reprint, TASCHEN presents a complete facsimile of the Luther Bible. Based on a precious copy of the original and printed in color, it reveals the multilayered splendor of this publication, showcasing the meticulous script, elaborate initials, and exquisite color woodcuts from the workshop of Lucas Cranach.
In an accompanying booklet, Stephan Füssel, director of the Institute for Book Sciences at the Johannes Gutenberg University in Mainz, adds his expertise to the publication with detailed descriptions of the illustrations, as well as an introduction exploring Luther’s life and the seismic significance of his bible.
The life and work of the greatest Renaissance artist
Unmatched in his ingenuity, technical prowess, and curiosity, Leonardo da Vinci (1452–1519) epitomizes the humanistic ideal of the Renaissance man: a peerless master of painting, sculpture, cartography, anatomy, architecture – and more. Simultaneously captivating art historians, collectors, and the millions who flock yearly to admire his works, Leonardo’s appeal is as diffuse as were his preoccupations. His images permeate nearly every facet of Western culture – The Vitruvian Man is engraved into millions of Euro coins, The Last Supper is considered the single most reproduced religious painting in history, and the Mona Lisa has entranced countless artists and observers for centuries.
This updated edition of our XL monograph is an unrivaled survey of Leonardo’s life and work, including a catalogue raisonné of all paintings. Through stunning full-bleed details, we experience every measured brushstroke, each a testament to Leonardo’s masterful ability.
An expansive catalog of nearly 700 of Leonardo’s drawings further illuminates the breadth of his pursuits. From diagrams of intricately engineered machines to portraits of plump infants, they stand reflective of his boundless and visionary technical imagination, balanced with a subtle and perceptive hand, capable of rendering quotidian moments with moving emotional timbre.
For the new edition, Frank Zöllner has written a new preface in which he considers the latest scholarly findings on Leonardo’s oeuvre and takes a critical look at the much-discussed painting Christ as Salvator Mundi, sold at auction for the record sum of around 400 million euros. Numerous illustrations have been replaced by new photographs.
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