How well do we live?
Houses at the forefront of innovation from around the world
Peeking behind the scenes of innovative homes, Philip Jodidio illustrates the evolution of today’s global architecture—from Samira Rathod’s House of Concrete Experiments in India to Tetro’s Açucena House in Brazil, which adapts to its natural terrain.
The houses featured in this book may be the first full generation to take advantage of the ubiquity of computing power—from design to fabrication—yet this high-tech approach has in no way diminished their variety and originality. In Italy, Mario Cucinella built TECLA – Technology and Clay, a 3D-printed house created entirely with raw earth. The unique house, printed in 200 hours with 60 cubic meters of natural materials, unveils potential low-cost, environmentally responsible approaches to architecture. In Hyderabad, India, Kanan Modi designed her House of Gardens not only to diffuse and reduce heat within the structure but also to invite the beauty of nature indoors—both essential in the face of rising temperatures and increasing urbanization.
These forward-thinking buildings were designed by capitalizing on technological advances such as video conferencing and 3D printing, fostering inventiveness and imagination, and yielding sustainable, site-specific homes. Atelier Bow-Wow virtually directed the construction of their Peninsula House on the Greek island of Antiporos during the COVID-19 pandemic; Mariko Mori’s Yuputira unifies her artistic and architectural aesthetics; and Anne Fougeron’s Suspension House breathes new life into a remarkable natural setting.
Detailing 59 cutting-edge projects from 25 countries—ranging from Guatemala and Slovenia to Norway and Vietnam—the third volume of the Homes for Our Time series takes readers on an illustrated visit of contemporary architectural gems, discovering the architects who are driving change in the field now, and in the future. These homes are the beating heart of creativity that will inspire architecture for decades to come.
France at the Turn of the Century
A tribute to the colorful joie de vivre of the Belle Époque
The turn of the 20th century was a golden era in France. It was an age of peace, prosperity, and progress after a series of bruising wars and turmoil within the French Republic, culminating in the Franco-Prussian War, which had ended in 1871. From the ruins of conflict, the Belle Époque brought joie de vivre flourish, a boom in art, design, industry, technology, gastronomy, education, travel, entertainment, and nightlife.
Through some 800 vintage photographs, postcards, posters, and photochromes from the extensive archives of Marc Walter and Photovintagefrance, France 1900 follows up on TASCHEN’s best-selling vintage photographic collections Italy 1900, The Grand Tour, and America 1900 to provide a precious record of France in all its turn-of-the-century glory. With the photochrome technique used in many of the images restoring the past to vivid color, we enjoy a bristling close, bittersweet, encounter with this hopeful age: the brave, stony splendor of the Mont Saint-Michel; the icy peaks of Chamonix; and the honey light of the Côte d’Azur.
With an introduction, six essays, and detailed commentary by Sabine Arqué exploring the stories behind the pictures, this is an unrivalled portrait of a nation on the cusp of the century and of its poignant exuberance before the paroxysm of the First World War. While paying tribute to the precious Belle Époque, crushed by the traumas of history, it also celebrates the unwavering allure of La Belle France, its beauty, culture, traditions, and legendary romance.
Pitch Perfect
From Funny Girl to A Star Is Born, the meteoric rise of Barbra Streisand
In 1970 Barbra Streisand published a story in Life magazine titled “Who Am I Anyway?” It was the very question two leading photojournalists of the day—Steve Schapiro and Lawrence Schiller—were also asking as they photographed her during her first five years in Hollywood, working to get beneath the veneer and capture “the real Barbra.”
Brimming with photographs, stories, and behind-the-scenes shots from Schapiro and Schiller, and previously available as a limited edition, this is a must-have collection for any Streisand fan. All the best movies of Streisand’s first Hollywood decade are here: Funny Girl, On a Clear Day You Can See Forever, The Way We Were, The Owl and the Pussycat, Up the Sandbox, Funny Lady, and A Star Is Born. So too are her loves, directors, confidants, and costars: Elliott Gould, William Wyler, Sydney Pollack, Vincente Minnelli, Cis Corman, Omar Sharif, Kris Kristofferson, and, of course, Robert Redford.
Through it all a picture emerges not of a singer who could act, but of an actress who could sing, write, direct, dance, and do just about anything she put her mind to.
In her vibrant works, the Brazilian painter Beatriz Milhazes fuses two very different worldviews. Her abstract compositions, which can be seen in a line with modernist masters from Henri Matisse to Bridget Riley, are saturated with the colors and light of her native country. Her paintings are strewn with symbols of everyday life in Brazil, invoking carnival, traditional craftsmanship, and motifs from baroque to pop, all choreographed in an exuberant visual rhythm. The colorful atmosphere has an irresistible exotic allure, but as in the works of Paul Gauguin, we find a broken paradise in which darker, more melancholic tones resonate, both in the promises of tropical life and those of modernist abstraction.
In seeking this balance, Milhazes developed a special transfer technique in the late eighties, painting her motifs onto plastic sheets, gluing these to the canvas and letting them dry, and then peeling away the plastic once dry so that the paint remains on the canvas. This method allows the artist to layer surface upon surface and to achieve an iridescence somewhere between radiant aura and shimmering melancholy. Since her breakthrough in the early 1990s, Milhazes has extended the scope of her work to other media, producing screen prints, collages made of chocolate and candy wrappers, sculptures such as giant mobiles made of carnival decorations, site-specific projects that transform building façades into stained glass windows, and experiments with body and rhythm in collaboration with her sister Marcia’s ballet ensemble.
This extraordinary body of work tells the story of yoga as it’s never been told before. With almost 200 images, it traces the photographic journey of Michael O’Neill, the photographer and yogi who spent a decade traversing America and India to capture the essence of yoga and the most influential yogis of our time as a physical, spiritual, and mindful practice. The pictures are illuminated with stories from his travels and essays by meditation master H. H. Swami Chidanand Saraswatiji and Ashtanga guru Eddie Stern.
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