When David Hockney discovered the iPhone as an artistic medium, it opened up entirely new possibilities for his art. He made his first digital paintings in spring 2009, describing the morning landscape in broad lines and dazzling colors directly on a display that offered subtle hues as unmixed expressions of pure light. Then in 2010, Hockney started working with an iPad, and the larger screen expanded his artistic repertoire and enabled an even more complex interplay of color, light, and line.
Each image in this book captures a fleeting moment seen through a window in Hockney’s Yorkshire home: from vibrant sunrise and lilac morning sky to peaceful night-time impressions or the sudden arrival of spring. Fascinating details reveal drops on window panes, distant lights in the night, reflections on vases or an abundance of varied window-sill vegetation. In 120 paintings made between 2009 and 2012, selected and arranged by the artist himself, we experience the passage of time through the eyes of David Hockney.
This artist’s book, which first appeared in an exclusive signed edition in 2020, now returns in a wallet-friendly pocket edition. So now is the perfect occasion to heed the advice of the Times critic regarding this book: “If you would like to be given a bouquet by David Hockney, here is your chance.”
Categories of Vision
Six decades of image-making
Travelling widely, Ralph Gibson works primarily in inspired series, associated image reveries in both monochrome and colour, whose titles—The Somnambulist, Déjà-Vu, Days at Sea, and Chiaroscuro—underline the particular poetic sensibility that informs his work. Starting out in 1960 with Dorothea Lange, he made his way to New York in 1967 and was soon considered in the same light as the likes of Larry Clark and Diane Arbus.
The photographs and series can of course speak for themselves. But for Gibson there is a philosophy at play behind the image, and in the included short texts he proposes his thesis. Nudes, portraits, still lives, narratives—loyal to his Leica, Gibson ranges between genres and creates new categories of vision. He gets closer to things and meditates on them in a way that only the silence of the image can attempt.
Produced in close collaboration with the artist, this book offers the fruit of more than six decades of image-making. From Gibson’s first photographs in San Francisco, Hollywood, and New York in the 1960s right up to the present day, this is the most comprehensive collection of this highly acclaimed photographer.
Architect Albert Frey (1903–1998) saw a modernist utopia in the desert. Born in Zurich, he studied in Europe with Le Corbusier before moving to the United States in 1930, convinced it was the land of architectural opportunity. On a visit to Palm Springs, he fell under the desert spell. It was here, amid the arid and empty landscape, that he could truly envisage a perfect modern future.Like fellow Californian luminary, John Lautner, Frey would spend the rest of his career nurturing the consonance of architecture and nature: studying the fall of sunlight and rain, and merging aluminum, steel, and glass with the boulders and sands of the West Coast wilds. His vision centered in particular on Palm Springs, capitalizing on the city’s postwar population boom to create a bastion of the sleek, leisurely modernism that defines midcentury California.In this dependable architect introduction, we follow Frey’s long and prestigious career from his European beginnings through to the apogee of his Californian practice, taking in his notes on De Stijl, Le Corbusier, and Bauhaus, and exploring the stylistic, material, and geographic makings of his unique “desert modernism.”
Before becoming the critically acclaimed filmmaker responsible for such iconic films as Dr. Strangelove and The Shining, Stanley Kubrick spent five years as a photographer for Look magazine. The Bronx native joined the staff in 1945, when he was only 17 years old, and shot humanist slice-of-life features that celebrate and expose New York City and its inhabitants.
Through a Different Lens reveals the keen and evocative vision of a burgeoning creative genius in a range of feature stories and images, from everyday folk at the laundromat to a day in the life of a debutant, from a trip to the circus to Columbia University. It features around 300 images, many previously unseen, as well as rare Look magazine tear sheets and an introduction by noted photography critic Lucy Sante.
These still photographs attest to Kubrick’s innate talent for compelling storytelling, and serve as clear indicators of how this genius would soon transition to making some of the greatest movies of all time.
One of the key figures in the New York art world of the 1980s, Keith Haring (1958–1990) created a signature style that blended street art, graffiti, a Pop sensibility, and cartoon elements to unique, memorable effect. With thick black outlines, bright colors, and kinetic figures, his public (and occasionally illegal) interventions, sculptures, and works on canvas and paper have become instantly recognizable icons of 20th-century visual culture.From his first chalk drawings in the New York City subway stations, to his renowned “Radiant Baby” symbol, and his commissions for Swatch Watch and Absolut Vodka, Haring’s work was both emblematic of the manic work ethic of 1980s New York, yet distinctive for its social awareness. Belying their bright, playful aesthetics, his pieces often tackled intensely controversial socio-political issues, including racism, capitalism, religious fundamentalism, and the increasing impact of AIDS on New York’s gay community, the latter foreshadowing his own death from the disease in 1990.In this vivid introduction to Haring’s work, we explore the dynamic life and innovative spirit of this singular artist, who spent little more than a decade in the spotlight, but through the accessibility of his visual vocabulary and the strength of his political commitment became one of the most significant artists to emerge from New York’s vibrant, downtown community.
George Herriman’s classic Krazy Kat: the complete color stories from 1935–1944
The premise is simple: a black cat loves scheming a white mouse who incessantly throws bricks at the cat’s head, which police dog Officer Pupp, secretly harboring a passionate love for the cat, tries to prevent.
George Herriman endlessly plays with the above formula in his legendary newspaper strip Krazy Kat, published from 1913 until his death in 1944. Through his wit, detailed characterization, and visual-verbal creativity, Herriman introduced even the least comically-inclined to the young medium; Gertrude Stein, F. Scott Fitzgerald, Pablo Picasso, James Joyce, US President Woodrow Wilson, Jackson Pollock, Charlie Chaplin, Frank Capra, P.G. Wodehouse, Willem de Kooning—all KK fans among many others.
It was thanks to media tycoon William Randolph Hearst, a confirmed fan who gave Herriman carte blanche in his newspapers, that the artist was allowed to freely explore countless absurd and melancholy variations on the theme of unrequited love for years on end. Herriman unabashedly took advantage of this, radically exploring the medium’s potential and pushing all of its formal boundaries; readers had to put up with surreal, Dadaist sceneries, a language that whirled slang, neologisms, phonetic spelling, and scholarly references, and diffuse gender roles—making Krazy Kat probably the first gender-fluid star in comic history.
This volume presents all Krazy Kat color stories from 1935–1944 and a detailed introduction by comic expert Alexander Braun, who illuminates Herriman’s multi-ethnic background and reveals what makes this timeless work of art about a queer cat so extraordinary.
Anatomically correct
An unsurpassed treatise of the human body
We owe a great debt to Jean Baptiste Marc Bourgery (1797–1849) for his Atlas of Anatomy, which was not only a massive event in medical history, but also remains one of the most comprehensive and beautifully illustrated anatomical treatises ever published.
Bourgery began work on his magnificent atlas in 1830 in cooperation with illustrator Nicolas Henri Jacob (1782–1871), a student of the French painter Jacques Louis David. The first volumes were published the following year, but completion of the treatise required nearly two decades of dedication; Bourgery lived just long enough to finish his labor of love, but the last of the treatise’s eight volumes was not published in its entirety until five years after his death.
The eight volumes of Bourgery’s treatise cover descriptive anatomy, surgical anatomy and techniques (exploring in detail nearly all the major operations that were performed during the first half of the 19th century), general anatomy and embryology, and microscopic anatomy. Jacob’s spectacular hand-colored lithographs are remarkable for their clarity, color, and aesthetic appeal, reflecting a combination of direct laboratory observation and illustrative research. Unsurpassed to this day, the images offer exceptional anatomical insight, not only for those in the medical field but also for artists, students, and anyone interested in the workings and wonder of the human body.
Sophisticated Sojourns
100 tours to inspire and delight from The New York Times’ celebrated travel column
Some travelers dig deep, with a sharp appetite for knowledge and minds wide open to what’s old and what’s new. In Cultured Traveler, the latest in the travel book collaborations between The New York Times and TASCHEN, these adventurers hum to Mozart in Vienna and tap their toes to dance music in Dar es Salaam. They pursue Hamlet in Elsinore, Picasso on the French Riviera, and Le Corbusier in India. They follow in the footsteps of Georgia O’Keeffe, Jackie Kennedy, and even Jesus.
Through 100 stories of their trips around the globe, talented Times travel writers and photographers invite readers to share in their discoveries. Pack your suitcase with curiosity for a trek to see Buddhist cave art in China or an afternoon of kayaking in Germany’s intriguing and idyllic Spreewald. Challenge your senses along with your wits tasting maple syrup in Quebec or octopus snacks at a Japanese baseball game, sniffing the flowers in French perfume country, and sipping Cognac in none other than the place called Cognac.
And, as always, sample each writer’s unique point of view. Henry Shukman, poet and teacher of Zen, hikes in England on Europe’s oldest road amid a landscape he describes as “elemental, austere, with a kind of monumental elegance.” Jason Wilson, the series editor for The Best American Travel Writing, follows the trail of the Stradivarius in fascinating prose, though he confesses, “I do not, in fact, play the violin.” The veteran travel writer and author Tony Perrottet, with Sydney’s art scene as Exhibit A, sets out to prove that “Australia has a lot more to offer than rampant hedonism and cuddly koalas.”
The best travel is both fun and a learning experience. With Times-quality journalism and visuals, illuminating historic photos, and tips on what to read and watch for inspiration, Cultured Traveler gets you in the thick of it.
Since it was established in 1824, the National Gallery has become a beacon for London's visitors and residents alike. From its inception in John Julius Angerstein's home in Mayfair to its current home in Trafalgar Square, it has expanded both its collection and its footprint to become one of the world's leading galleries. This book features photographic portraits by David Dawson and Mary McCartney in addition to photography of the Gallery by Massimo Listri. It brings together over 200 of the Gallery's paintings, which were made between the 13th and 20th centuries, including memorable masterpieces from both the famous and the forgotten.
These pages tell the history of painting in the Western European tradition through the National Gallery's collection. You’ll go on a visual journey through the centuries, with works by Duccio, Van Eyck, Raphael, Titian, Rembrandt, Vigée Le Brun, Gainsborough, Morisot, and Matisse, to name just a few. Punctuating this story are contributions by and photographic portraits of 25 cultural figures, such as Frank Auerbach, Alvaro Barrington, Edward Enninful, David Hockney, Kim Jones, Damian Lewis, Sahara Longe, Chris Ofili, Ai Weiwei, Rachel Whiteread, Annabelle Selldorf, and Flora Yukhnovich, among others.
Fashion Dynamite
Mario Testino’s tribute to his greatest muse
Mario Testino is recognized as the ultimate fashion photographer of his generation but his pictures of Kate Moss transcend fashion. The result of three decades of extraordinary friendship, and phenomenal glamour, this iconic collaboration is an intimate insight into the lives and minds of two of the world’s definitive style leaders.
This book follows the journey of this exceptional fashion partnership, from early days backstage at the shows to behind-the-scenes glimpses of the groundbreaking editorials they continue to produce for the world’s most respected magazines. Of the 100-plus images, many photographs have been chosen from Testino’s private archive. They are accompanied by a foreword by Testino and an exclusive essay by Kate Moss.
The first-ever exhibition curated by Peter Lindbergh himself, shortly before his untimely death, Untold Stories at the D sseldorf Kunstpalast served as a blank canvas for the photographer's unrestrained vision and creativity. Given total artistic freedom, Lindbergh curated an uncompromising collection that sheds an unexpected light on his colossal oeuvre. This book offers an extensive, firsthand look at the highly personal collection.
Renowned the world over, Lindbergh's images have left an indelible mark on contemporary culture and photo history. Here, the photographer experiments with his own oeuvre and narrates new stories while staying true to his lexicon. In both emblematic and never-before-seen images, he challenges his own icons and presents intimate moments shared with personalities who had been close to him for years, including Nicole Kidman, Uma Thurman, Robin Wright, Jessica Chastain, Naomi Campbell, Charlotte Rampling and many more.
This volume presents more than 100 photographs-many of them unpublished or short-lived, often having been commissioned by monthly fashion magazines such as Vogue, Harper's Bazaar, Interview, Rolling Stone, W Magazine, or The Wall Street Journal. An extensive conversation between Lindbergh and Kunstpalast director Felix Kr mer, as well as an homage by close friend Wim Wenders, offer fresh insights into the making of the collection. The result is an intimate personal statement by Lindbergh about his work.
In the 1980s, fashion wanted to make a statement and found in legendary British fashion photographer David Bailey its perfect chronicler. After Bailey shaped the style of the Swinging Sixties, fashion in the eighties posed a new challenge: brighter colours, higher glamour, statuesque models, extreme makeup, spandex, lycra, jumpsuits, power dressing, big hair, and as Grace Coddington puts it in her introduction, “jackets with padded shoulders over the shortest mini-skirts and dangerously high-heeled shoes.”
Eighties compiles Bailey`s era-defining fashion photography from the pages of Vogue Italia, Vogue Paris, Tatler, and countless others. Featuring couture, catwalk, and ready-to-wear collections by the epoch`s seminal designers, including Azzedine Alai¨a, Comme des Garçons, Guy Laroche, Missoni, Stephen Jones, Valentino, and Yves Saint Laurent, the book stands as a testament to a decade that dismantled hierarchies of taste to reintroduce fun and sex into fashion, reminding us that we need not think of either as dirty words. Here, the jewellery sparkles, the silks shimmer, and the suits sprawl. The most beautiful are captured at their most playful, invincible, and provocatively sexy. We see fabled 1980s icons and beauties: Catherine Bailey, Naomi Campbell, Cindy Crawford, Catherine Deneuve, Princess Diana, Jerry Hall, Marie Helvin, Grace Jones, Kelly LeBrock, Christy Turlington, Tina Turner, and many more.
The cultural resonances of the 1980s present on our screens, runways, and concert stages make today ideal for recontextualising its enduring legacy of maximalism and excess. Eighties offers a unique opportunity to do so with David Bailey as a guide, and interpreter, who`s never afraid to wink at his audience. As Bailey says in his foreword, “The eighties turned out to be magic.” Here, that magic comes alive.
From its North Sea islands to the Alps, Germany contains a wide range of landscapes and cultures. Angelika Taschen has selected the country’s most inspiring places to stay, including grand hotels, family guesthouses, palaces, an abbey, and glamping tents. Each characterful choice is beautifully photographed and accompanied by insightful texts.
When Stan Lee first pitched the idea of Spider-Man in 1962, his boss was full of objections: People hate spiders. Teenagers aren’t lead characters; they’re sidekicks. He should be glamorous and successful, not a friendless loser. But Stan persisted and Martin Goodman let him give the unlikely hero a tryout in Amazing Fantasy, which was already slated for cancellation. With Spider-Man on the cover, No. 15 shot to the top of Marvel’s best-seller list for the year, and the rest is history.Amazing Spider-Man, which debuted seven months later, broke the comics mold. Peter Parker lived in uncool Queens, was always broke, continually worried about his Aunt May, was unlucky in love, and was constantly getting yelled at by his boss, Daily Bugle publisher J. Jonah Jameson. Spider-Man had the quips and confidence that Parker lacked, but learning to use his powers wasn’t always easy. He often seemed on the verge of defeat against the rogue’s gallery of classic foes that debuted in the first couple of years: Vulture, Doctor Octopus, Sandman, Lizard, Electro, Kraven the Hunter, Mysterio, and the Green Goblin. Much of the credit for Spider-Man’s greatness goes to cocreator and artist Steve Ditko, who had a knack for portraying teenagers and their problems. His artwork infused Spider-Man with a loose-limbed energy, and, while maybe everyone was scared of spiders, Ditko made swinging through New York seem like the coolest adventure ever.First available as an XXL-sized collector’s dream, close in size to the original artworks, this compact edition features the first 21 stories of the world’s favorite web slinger from 1962–1964. Rather than recolor the original artwork (as has been done in previous decades’ reprints of classic comics), TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off a world-class 1960s printing press.With an in-depth historical essay by Marvel editor Ralph Macchio, an introduction by uber-collector David Mandel, and original art, rare photographs, and other gems, this robust collection of wall-crawling wonder will make anyone’s spider-sense tingle with anticipation.
An illustrated edition of James Baldwin’s The Fire Next Time, with photographs by Steve Schapiro
First published in 1963, James Baldwin’s The Fire Next Time stabbed at the heart of America’s so-called “Negro problem.” As remarkable for its masterful prose as for its frank and personal account of the black experience in the United States, it is considered one of the most passionate and influential explorations of 1960s race relations, weaving thematic threads of love, faith, and family into a candid assault on the hypocrisy of the “land of the free.”
Now, James Baldwin’s rich, raw, and ever relevant prose is reprinted with more than 100 photographs from Steve Schapiro, who traveled the American South with Baldwin for Life magazine. The encounter thrust Schapiro into the thick of the movement, allowing for vital, often iconic, images both of civil rights leaders—including Dr. Martin Luther King Jr., Rosa Parks, Fred Shuttlesworth, and Jerome Smith—and such landmark events as the March on Washington and the Selma march.
Rounding out the edition are Schapiro’s stories from the field, an original introduction by civil rights legend and U.S. Congressman John Lewis, captions by journalist Marcia Davis, and an essay by Gloria Baldwin Karefa-Smart, who was with her brother James in Sierra Leone when he started to work on the story. The result is a remarkable visual and textual record of one of the most important and enduring struggles of the American experience.
First published as a TASCHEN Collector’s Edition, now available in a pocket-sized Centennial
The Star Wars Archives. 1977 - 1983
The definitive exploration of the original trilogy
Star Wars exploded onto our cinema screens in 1977, and the world has not been the same since. After watching depressing and cynical movies throughout the early 1970s, audiences enthusiastically embraced the positive energy of the Star Wars universe as they followed moisture farmer Luke Skywalker on his journey through a galaxy far, far away, meeting extraordinary characters like mysterious hermit Obi-Wan Kenobi, space pirates Han Solo and Chewbacca, loyal droids C-3PO and R2-D2, bold Princess Leia and the horrific Darth Vader, servant of the dark, malevolent Emperor.
Writer, director, and producer George Lucas created the modern monomyth of our time, one that resonates with the child in us all. He formed Industrial Light & Magic to develop cutting-edge special effects technology, which he combined with innovative editing techniques and a heightened sense of sound to give audiences a unique sensory cinematic experience.
In this first volume, made with the full cooperation of Lucasfilm, Lucas narrates his own story, taking us through the making of the original trilogy—Episode IV: A New Hope, Episode V: The Empire Strikes Back, and Episode VI: Return of the Jedi—and bringing fresh insights into the creation of a unique universe. Complete with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters, the XXL-sized tome is an authoritative exploration of the original saga as told by its creator.
Mythologies for the Future
The biomechanical art of HR Giger
“At its essence, Giger’s art digs down into our psyches and touches our very deepest primal instincts and fears. His art stands in a category of its own. The proof of this lies in the intensity of his work and imagination, which I can only compare to Hieronymus Bosch and Francis Bacon in their powers to provoke and disturb.” – Ridley Scott
Swiss artist HR Giger (1940–2014) is most famous for his creation of the space monster in Ridley Scott’s 1979 horror sci-fi film Alien, which earned him an Oscar. In retrospect, this was just one of the most popular expressions of Giger’s biomechanical arsenal of creatures, which consistently merged hybrids of human and machine into images of haunting power and dark psychedelia. The visions drew on demons of the past, as well as evoking mythologies for the future. Above all, they gave expression to the collective fears and fantasies of his age: fear of the atom, of pollution and wasted resources, and of a future in which our bodies depend on machines for survival.
This book was begun shortly before the artist’s untimely death and shows the complete story of Giger’s life and art, his sculptures, film work, and iconic album covers as well as the heritage he left us in his own artist’s museum and self-designed bar in the Swiss Alps. In an in-depth essay, Giger scholar Andreas J. Hirsch plunges into the themes of Giger’s oeuvre and world while an extensive artist biography draws on contemporary quotes and Giger’s own writings.
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