Helmut Newton (1920–2004) always showed a healthy disdain for the easy or predictable, so it’s no surprise that the SUMO was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the SUMO weighing in—boxed and shrink-wrapped—at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications.
Published in an edition of 10,000 signed and numbered copies, the SUMO sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York’s Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book’s featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000 for 620,000 German marks—about 317,000 euros.
Now, this XL edition celebrates 20 years of SUMO, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 464 images and a new booklet that takes us through the making-of this publishing venture—a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.
Unmatched in his ingenuity, technical prowess, and curiosity, Leonardo da Vinci (1452–1519) epitomizes the humanistic ideal of the Renaissance man: a peerless master of painting, sculpture, cartography, anatomy, architecture—and more. Simultaneously captivating art historians, collectors, and the millions who flock yearly to admire his works, Leonardo’s appeal is as diffuse as were his preoccupations. His images permeate nearly every facet of Western culture—The Vitruvian Man is engraved into millions of Euro coins, The Last Supper is considered the single most reproduced religious painting in history, and the Mona Lisa has entranced countless artists and observers for centuries.
On the occasion of the 500th anniversary of his death, this updated edition of our XL title is an unrivaled survey of Leonardo’s life and work, including a catalogue raisonné encompassing both his surviving and lost paintings. Through stunning full-bleed details, we experience every measured brushstroke, each a testament to Leonardo’s masterful ability.
An expansive catalog of nearly 700 of Leonardo’s drawings further illuminates the breadth of his pursuits. From diagrams of intricately engineered machines to portraits of plump infants, they stand reflective of his boundless and visionary technical imagination, balanced with a subtle and perceptive hand, capable of rendering quotidian moments with moving emotional timbre.
Also included is a new foreword by Frank Zöllner, expanded exclusively for this special edition, which dissects the latest scientific developments on Leonardo’s work and the story behind the haunting Salvator Mundi, which recently fetched a record-breaking $ 450 million at auction.
Fashion has Helmut Newton, architecture has Julius Shulman, and cat photography has Walter Chandoha. In 1949, his encounter with a stray kitten blossomed into a career that elevated feline portraiture to an art form. This is a tribute not just to these beguiling creatures but also to a remarkable photographer who passed away this year at the age of 98; and whose compassion can be felt in each and every frame.
Through ancient wonders, world capitals, and tiny places with infectious personalities, Europe packs some serious travel punches. The world’s second-smallest continent makes up for size with its intricate cultures and abundant charms, boasting artistic masterpieces and architectural marvels as much as natural splendor.
This revised and updated edition brings you a curated selection of the most unique hotels and atmospheric guesthouses across the European continent. Selected for their breathtaking locations and interiors, each haven offers the surroundings of style and the serenity in which everyday life can melt away. Angelika Taschen reveals such gems as Der Seehof, an idyllic site on an Austrian lake where guests can fish for their dinner; a 150-year old Portuguese estate refurbished by Pritzker Prize-winner Eduardo Souto De Moura, which remains a working farm to this day; and Budsjord, last stop on one of the loneliest pilgrimage routes in the world, situated at the edge of the Dovrefjell National Park in Norway—to name just a few.
A treasure trove of travel inspiration, this must-have guide profiles each hotel through postcard-ready photography as well as key information like directions, contact details, and reading inspiration for each destination.
Back in 2002, Simon “Woody” Wood was dreaming up schemes to get free sneakers. Two weeks later, he was the proud owner of Sneaker Freaker and his life was never the same.
From its early roots as a punk-style fanzine to today’s super-slick print and online operations, the fiercely independent publication has documented every collab, custom, limited edition, retro reissue, Quickstrike, Hyperstrike, and Tier Zero sneaker released over the last 15 years.
Woody’s original premise that Sneaker Freaker would be “funny and serious, meaningful and pointless at the same time” has certainly been vindicated in The Ultimate Sneaker Book. With more than 650 pages jam-packed with insider knowledge and his own irreverent observations, the insane historical detail and otaku-level minutiae is beyond obsessive.
Traversing 100 years of history, each chapter paints a rollicking picture of the sneaker industry’s evolution. Air Max, Air Force, Adi Dassler, Converse, Kanye, Dapper Dan, Dee Brown, Michael Jordan, and Yeezy—along with obscure treasures like Troop, Airwalk, and Vision Street Wear—are all exhaustively documented.
This is a definitive source of knowledge. This is… The Ultimate Sneaker Book!
“Les diners de Gala is uniquely devoted to the pleasures of taste … If you are a disciple of one of those calorie-counters who turn the joys of eating into a form of punishment, close this book at once; it is too lively, too aggressive, and far too impertinent for you.”—Salvador Dalí
Food and surrealism make perfect bedfellows: sex and lobsters, collage and cannibalism, the meeting of a swan and a toothbrush on a pastry case. The opulent dinner parties thrown by Salvador Dalí (1904–1989) and his wife and muse, Gala (1894–1982) were the stuff of legend. Luckily for us, Dalí published a cookbook in 1973, Les diners de Gala, which reveals some of the sensual, imaginative, and exotic elements that made up their notorious gatherings.
This reprint features all 136 recipes over 12 chapters, specially illustrated by Dalí, and organized by meal courses, including aphrodisiacs. The illustrations and recipes are accompanied by Dalí’s extravagant musings on subjects such as dinner conversation: “The jaw is our best tool to grasp philosophical knowledge.”
All these rich recipes can be cooked at home, although some will require practiced skill and a well-stocked pantry. This is cuisine of the old school, with meals by leading French chefs from such stellar Paris restaurants as Lasserre, La Tour d’Argent, Maxim’s, and Le Train Bleu.
Good taste, however voluptuous, never goes out of fashion. In making this exceptionally rare book available to a wide audience, TASCHEN brings an artwork, a practical cookbook, and a multisensory adventure to today’s kitchens.
Through the turbulent passage of time, graphic design—with its vivid, neat synthesis of image and idea—has distilled the spirit of each age. Surrounding us every minute of every day, from minimalist packaging to colorful adverts, smart environmental graphics to sleek interfaces: graphic design is as much about transmitting information as it is about reflecting society’s cultural aspirations and values.
This second volume rounds off our in-depth exploration of graphic design, spanning from the 1960s until today. About 3,500 seminal designs from across the globe guide us in this visual map through contemporary history, from the establishment of the International Style to the rise of the groundbreaking digital age. Around 80 key pieces go under the microscope in detailed analyses besides 118 biographies of the era’s most important designers, including Massimo Vignelli (New York subway wayfinding system), Otl Aicher (Lufthansa identity), Paula Scher (Citibank brand identity), Neville Brody (The Face magazine), Kashiwa Sato (Uniqlo brand identity), and Stefan Sagmeister (handwriting posters).
With his sweeping knowledge of the field, author Jens Müller curates the standout designs for each year alongside a running sequence of design milestones. Organized chronologically, each decade is prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined.
This collection of important graphic works represents a long-overdue reflection on the development of a creative field constantly changing and challenging itself. These key pieces act as coordinates through contemporary history, helping us trace the sheer influence of graphic design on our daily lives.
Combined with Volume One—which spans from the field’s very beginnings until 1959—the tomes offer the most comprehensive exploration of graphic design to date.
GENESIS is Sebastião Salgado’s love letter to the planet. It is the result of an epic eight-year expedition to rediscover the mountains, deserts, and oceans, the animals and peoples that have so far escaped the imprint of modern society—the land and life of a still pristine planet. The GENESIS project, along with the Salgados’ Instituto Terra, is dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future. On over 30 trips—by foot, light aircraft, boats, canoes, and even balloons, through extreme temperatures and in sometimes dangerous conditions—Salgado has created a collection of images showing us nature, animals, and indigenous peoples in such intense beauty it takes our breath away. The reach is truly global. Through Salgado’s lens, one discovers the animal species and volcanoes of the Galápagos; the penguins, sea lions, cormorants, and whales of the South Atlantic; Brazilian alligators and jaguars; and African lions, leopards, and elephants. We travel over icebergs in the Antarctic, the volcanoes of Central Africa, the ravines of the Grand Canyon, and the glaciers of Alaska. We encounter the Stone Age Korowai people of West Papua, nomadic Dinka cattle farmers in Sudan, Nenets and their reindeer herds in the Arctic Circle, as well as the Mentawai jungle communities on islands west of Sumatra.
Produkt posiada delikatne zarysowanie na tylnej częsci obwoluty, oraz lekko rozerwaną folię ochronną.
It has been almost a generation since Sebastião Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil.
Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first “boat people” of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea. His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed.
With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux. There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother’s breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones.
Elected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frédéric Chaubin’s Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990.
Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the “speaking architecture” widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad).
In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system.In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity.
Vincent van Gogh’s story is one of the most ironic in art history. Today, he is celebrated the world over as one of the most important painters of all time, recognized with sell-out shows, feted museums, and record prices of tens of millions of dollars at auction.
Yet as he was painting the canvases that would subsequently become these sell-out modern masterpieces, van Gogh was battling not only the disinterest of his contemporary audiences but also devastating bouts of mental illness, with episodes of depression and paralyzing anxiety which would eventually claim his life in 1890, when he committed suicide shortly after his 37th birthday.
This comprehensive study of Vincent van Gogh (1853–1890) pairs a detailed monograph on his life and art with a complete catalogue of his 871 paintings.
Record covers are a sign of our life and times. Like the music on the discs, they address such issues as love, life, death, fashion, and rebellion. For music fans the covers are the expression of a period, of a particular time in their lives. Many are works of art and have become as famous as the music they stand for—Andy Warhol's covers, for example, including the banana he designed for The Velvet Underground. This edition of Record Covers presents a selection of the best rock album covers of the 60s to 90s from music archivist, disc jockey, journalist, and former record-publicity executive Michael Ochs’s enormous private collection. Both a trip down memory lane and a study in the evolution of cover art, this is a sweeping look at an underappreciated art form.
A century after his death, Viennese artist Gustav Klimt (1862–1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. In this neat, dependable monograph, we gather all of Klimt's major works alongside authoritative art historical commentary and privileged archival material from Klimt’s own archive to trace the evolution of his astonishing oeuvre.
With top-quality illustration, including new photography of the celebrated Stoclet Frieze, the book follows Klimt through his prominent role in the Secessionist movement of 1897, his candid rendering of the female body, and his lustrous “golden phase” when gold leaf brought a shimmering tone and texture to such beloved works as The Kiss and Portrait of Adele Bloch-Bauer I, also known as The Woman in Gold.
Painter, sculptor, writer, and filmmaker, Salvador Dali (1904-1989) was one of the century's greatest exhibitionists and eccentrics-and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination.
The Hermetic Museum takes readers on a magical mystery tour spanning an arc from the medieval cosmogram and images of Christian mysticism, through the fascinating world of alchemy to the art of the Romantic era. The enigmatic hieroglyphs of cabalists, Rosicrucians, and freemasons are shown to be closely linked with the early scientific illustrations in the fields of medicine, chemistry, optics, and color theory. Even for those with no knowledge of the fascinating history of alchemy, this book is a delight to explore. Each richly illustrated chapter begins with an introduction and quotes from alchemists by specialist Alexander Roob. The roots of surrealism and many other more recent artistic movements can be found in this treasure trove.
The Dutch Golden Age of painting spawned some of history’s greatest artists and artisans, but few can boast the genius and legacy of Rembrandt Harmensz. van Rijn (1606–1669). Despite never leaving his native Netherlands, Rembrandt projected his oeuvre past the boundaries of his own experience, producing some of art’s most diverse and impactful works across portraiture, biblical, allegorical, landscape, and genre scenes. In all their forms, Rembrandt’s paintings are built of intricacies—the totality of each subtle facial wrinkle, gaze, or figure amounting to an emotional force that stands unmatched among his contemporaries and artistic progeny alike.
Each work is imbued with feeling. Biblical scenes, like Bathsheba at her Bath, become vehicles for meditations on human longing, probing depths beyond that which is canonized in scripture or depicted in other representations. His portraits, be them of wealthy patrons or tradesmen, communicate the essence of an individual through fine demarcations, their faces bathed in an ethereal light against darkened earthtones. Perhaps most striking, his series of self-portraits is a triumph of the medium; beginning in his youth and spanning until a year prior to his death, Rembrandt’s self portraiture is an intimate glimpse into his lifelong process of self-reflection.
On the occasion of the 350th anniversary of the artist’s death, this XXL monograph compiles all 330 of Rembrandt’s paintings in stunning reproductions. From Belshazzar’s Feast to The Anatomy Lesson of Dr. Nicolaes Tulp, we discover Rembrandt’s painted oeuvre like never before.
Whether it's diamond-encrusted grills, oversized “truck” style chains, bust-down Rolex and Patek Philippe watches or a Tiffany necklace, jewelry is a cornerstone of hip-hop culture. Glittering, blinged-out jewels are the shining statement of a collective identity: unapologetic, charismatic, and street savvy.Spanning the history of hip-hop jewelry, from the 1980s to today, Ice Cold: A Hip-Hop Jewelry History is a stunning compilation of storytelling and visuals. Hundreds of extraordinary images of every major hip-hop artist on record celebrate how “Ice” has become a proclamation of identity and self-expression.Starting with Run-DMC’s gold Adidas pendants and Eric B. & Rakim’s ostentatious dookie rope chains and Mercedes medallions, the jewelry then transforms from street style into a booming design culture. The hip-hop tradition of “show up and show out” reaches new heights with artists like Pharrell Williams, Jay-Z, Gucci Mane, and Cardi B, whose over-the-top pieces integrate unique pop culture references, unconventional materials, and enduring collaborations with artists like Takashi Murakami.Author Vikki Tobak reveals – in great detail – the work of pioneering jewelers such as Tito Caicedo of Manny’s, Eddie Plein, and Jacob the Jeweler as well as newer artisans such as Avianne & Co., Ben Baller/IF & Co., Greg Yuna, Johnny Dang, Eliantte, and many more.Ice Cold is a treasure trove of dazzling, inspirational style, featuring the work of leading photographers, including Wolfgang Tillmans, Janette Beckman, Jamel Shabazz, Timothy White, Gillian Laub, David LaChapelle, Danny Clinch, Chris Buck, Mike Miller, Phil Knott, Raven B. Varona, Al Pereira, Albert Watson and many more.A foreword by hip-hop superstar Slick Rick and essays by A$AP Ferg, LL COOL J, Kevin “Coach K’ Lee and Pierre “P” Thomas
In 1947, Bill Gaines inherited EC Comics, a new venture founded by his legendary father M. C. Gaines, who was responsible for midwifing the birth of the comic book as we know it during his tenure at All-American Comics, bringing the likes of Wonder Woman and Green Lantern to the world. Over the next eight years, Bill Gaines and a “who’s who” of the era including Al Feldstein, Harvey Kurtzman, and Wally Wood would reinvent the very notion of the comic book with titles like Tales from the Crypt, Crime SuspenStories, Weird Science, and MAD.EC delighted in publishing gory, morbid horror and crime comics that had snap, ironic endings—but they also pioneered the first true-to-life war comics, the first “real” science-fiction stories, and a series of tales about such then-taboo subjects
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