This ravishing cookbook will take you on a journey around the Indian Ocean islands, to taste the flavours of the colourful markets of Mauritius, the aromatic spice gardens of the Seychelles, the fishing coasts of the Maldives, the lagoons of Mayotte and the forests of Madagascar. Selina Periampillai, born in London but of Mauritian descent, celebrates the vibrant home-cooking of the islands, with dishes such as Sticky chicken with garlic & ginger, Mustard- & turmeric-marinated tuna, Seychellois aubergine & chickpea cari, and Pineapple upside-down cake with cardamom cream.
With 80 simple recipes for everything from quick mid-week suppers to large rum-fuelled gatherings, and beautiful food photography and illustrations, this book will take you straight to the warm, welcoming kitchens of these beautiful islands.
Natasha Trethewey was born in Mississippi in the 60s to a black mother and a white father. When she was six, Natasha's parents divorced, and she and her mother moved to Atlanta. There, her mother met the man who would become her second husband, and Natasha's stepfather.
While she was still a child, Natasha decided that she would not tell her mother about what her stepfather did when she was not there: the quiet bullying and control, the games of cat and mouse. Her mother kept her own secrets, secrets that grew harder to hide as Natasha came of age.
When Natasha was nineteen and away at college, her stepfather shot her mother dead on the driveway outside their home.
With penetrating insight and a searing voice that moves from the wrenching to the elegiac, Memorial Drive is a compelling and searching look at a shared human experience of sudden loss and absence, and a piercing glimpse at the enduring ripple effects of white racism and domestic abuse. Luminous, urgent, and visceral, it cements Trethewey's position as one of the most important voices in America today.
Jikoni means 'kitchen' in Kiswahili, a word that perfectly captures Ravinder Bhogal's approach to food.
Ravinder was born in Kenya to Indian parents; when she moved to London as a child, the cooking of her new home collided with a heritage that crossed continents. What materialised was a playful approach to the world's larder, and Ravinder's recipes do indeed have a rebellious soul. They are lawless concoctions that draw their influences from one tradition and then another – Cauliflower Popcorn with Black Vinegar Dipping Sauce; Spicy Aubergine Salad with Peanuts, Herbs and Jaggery Fox Nuts; Skate with Lime Pickle Brown Butter; Tempura Samphire and Nori; Lamb and Aubergine Fatteh; or utterly irresistible Banana Cake accompanied by Miso Butterscotch and Ovaltine Kulfi.
These proudly inauthentic recipes are what you might loosely call 'immigrant cuisine', with evocative stories from a past that illustrates the powerful relationship between food, people, place and identity. The tastes and smells of this brazen new world are sophisticated, welcoming, fresh, exciting and bold.
Like swallows, like salmon, we were the helpless captives of our migratory patterns. We pretended that what we had lost was the house, not our mother, not our father. We pretended that what we had lost had been taken from us by the person who still lived inside.
In the economic boom following the Second World War, Cyril Conroy's real estate investments take his family from poverty to enormous wealth. With it he buys the Dutch House, a lavish mansion in the Philadelphia suburbs. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves.
Danny Conroy grows up in the opulence of the Dutch House. Though his father is distant and his mother is absent, Danny has his beloved sister Maeve: Maeve, with her wall of black hair, her wit, her brilliance. The siblings grow and change as life plays out under the watchful eyes of the house's former owners, in the frames of their oil paintings.
Then one day their father brings home Andrea, a new stepmother. Though they cannot know it, her arrival to the Dutch House sows the seed of the defining loss of Danny and Maeve's lives: exiled from the house and tossed back into the poverty from which their family rose, Danny and Maeve have only each other to count on.
One by one, she undid each event, each decision, each choice.
If Davy had remembered to put on a coat.
If Seamie McGeown had not found himself alone on a dark street.
If Michael Agnew had not walked through the door of the pub on a quiet night in February in his white shirt.
There is nothing special about the day Cushla meets Michael, a married man from Belfast, in the pub owned by her family. But here, love is never far from violence, and this encounter will change both of their lives forever.
As people get up each morning and go to work, school, church or the pub, the daily news rolls in of another car bomb exploded, another man beaten, killed or left for dead. In the class Cushla teaches, the vocabulary of seven-year-old children now includes phrases like 'petrol bomb' and 'rubber bullets'. And as she is forced to tread lines she never thought she would cross, tensions in the town are escalating, threatening to destroy all she is working to hold together.
Tender and shocking, Trespasses is an unforgettable debut of people trying to live ordinary lives in extraordinary times.
On a late November afternoon Saleh Omar arrives at Gatwick Airport from Zanzibar, a far away island in the Indian Ocean. With him he has a small bag in which there lies his most precious possession - a mahogany box containing incense. He used to own a furniture shop, have a house and be a husband and father. Now he is an asylum seeker from paradise; silence his only protection. Meanwhile Latif Mahmud, someone intimately connected with Saleh's past, lives quietly alone in his London flat. When Saleh and Latif meet in an English seaside town, a story is unravelled. It is a story of love and betrayal, of seduction and of possession, and of a people desperately trying to find stability amidst the maelstrom of their times.
By the winner of the 2021 Nobel Prize in Literature
'There is a wonderful sardonic eloquence to this unnamed narrator's voice' Financial Times
'I don't think I've ever read a novel that is so convincingly and hauntingly sad about the loss of home' Independent on Sunday
He thinks, as he escapes from Zanzibar, that he will probably never return, and yet the dream of studying in England matters above that.
Things do not happen quite as he imagined – the school where he teaches is cramped and violent, he forgets how it feels to belong. But there is Emma, beautiful, rebellious Emma, who turns away from her white, middle-class roots to offer him love and bear him a child. And in return he spins stories of his home and keeps her a secret from his family.
Twenty years later, when the barriers at last come down in Zanzibar, he is able and compelled to go back. What he discovers there, in a story potent with truth, will change the entire vision of his life.
BY THE WINNER OF THE 2021 NOBEL PRIZE IN LITERATURE
SHORTLISTED FOR THE 2021 ORWELL PRIZE FOR POLITICAL FICTION
LONGLISTED FOR THE 2021 WALTER SCOTT PRIZE
'Riveting and heartbreaking ... A compelling novel, one that gathers close all those who were meant to be forgotten, and refuses their erasure' Maaza Mengiste, Guardian
'A brilliant and important book for our times, by a wondrous writer' Philippe Sands, New Statesman, Books of the Year
While he was still a little boy, Ilyas was stolen from his parents by the German colonial troops. After years away, fighting in a war against his own people, he returns to his village to find his parents gone, and his sister Afiya given away.
Another young man returns at the same time. Hamza was not stolen for the war, but sold into it; he has grown up at the right hand of an officer whose protection has marked him life. With nothing but the clothes on his back, he seeks only work and security – and the love of the beautiful Afiya.
As fate knots these young people together, as they live and work and fall in love, the shadow of a new war on another continent lengthens and darkens, ready to snatch them up and carry them away…
Repeating patterns can soothe or energize us, bringing joy and harmony to everyday life. Repeat Printed Pattern for Interiors explores the power repeat patterns hold over us and what goes into creating original, effective printed designs. Beginning with the history of patterns in interior design, Kate Farley uncovers lessons from the work of Owen Jones, William Morris, Collier Campbell and Josef Frank.
There are also interviews with some of the best contemporary pattern designers working today: Angie Lewin, Deborah Bowness, Eley Kishimoto, Emma J. Shipley, Galbraith & Paul, Neisha Crosland, Orla Kiely OBE, Sarah Campbell and Timorous Beasties. Each interview covers the designer's practice and ethos and includes a deconstruction of one design, with discussion of initial sketches, details of design development, manufacturing insights and images of final products.
Covering hand-drawn techniques through to digital manipulation, you'll also be guided through the implications of visual language, colour statements, manufacturing considerations and commercial interior contexts to prepare you to jump in and start creating your own unique patterns.
Across digital and print media, editorial illustrators create visuals to support text and convey ideas, but there is more to these illustrations than meets the eye.
Internationally-recognised illustrator and educator Andy Selby takes you through the importance of context and content when responding to editorial illustration briefs, explaining how understanding of visual communication concepts leads to more successful illustrations - all while under the time pressure of editorial briefs. Covering ideation, development and execution, this book includes:
- A short history of illustration as a political and social tool
- How to use visual language, symbolism and satire and to what purpose
- Representation of identity, ethics and society - both for impact and sensitive designs
- Research, commercial judgement and experimentation
- Professional conduct, self-promotion, responsibilities and plagiarism
So whether you're illustrating a news story, summarising new scientific discoveries or creating an image for a magazine cover, Editorial Illustration will give you the skills to produce striking commercial designs on time and to brief.
'[A] lively journey through the evolution of footwear' - The i
'Handsomely illustrated and meticulously assembled' - Shahidha Bari, author of Dressed: The Secret Life of Clothes
'An exuberant romp through footwear evolution ... a cornucopia of footwear delights' - Flora McLean, Royal College of Art, UK
'A memorable walk through a story of innovation, fashion, invention and eroticism' - Giorgio Riello, European University Institute, Italy
'An elegantly updated and illustrated edition of an invaluable reference book' - Alicia Kerfoot, The College at Brockport, SUNY, USA
From chopines to stilettos, Louis XIV to Louboutin, Shoes: An Illustrated History is the definitive guide to footwear. This revised, updated edition expands the classic work to include new content on environmental and sustainability issues, and increased coverage of more diverse, inclusive and contemporary designers – such as Rupert Sanderson, Sophia Webster, Nicolas Kirkwood, Charlotte Olympia, Amina Muaddi, Noritaka Tatehana.
Shoes have always been more than just a practical necessity. They reveal the culture of the times in which they were worn – the sexual morals, the social power play, as well as the endless shifting of fashion. Rebecca Shawcross takes the reader on a fascinating journey – packed with social and historical detail – of making and wearing, of the spectacular and the everyday, of conforming and rebelling.
Lavishly illustrated with a dazzling array of shoes from all over the world and now including a new closing chapter covering the latest developments in design and technology, the influence of social media and celebrity endorsement, this revision consolidates the book's position as the leading reference work and overview of this ultimate object of desire, from antiquity to the present.
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