With the Second World War only a few years in the past, and Japan still reeling from its effects, two half sisters - born to the same father but different mothers - struggle to make sense of the new world in which they are coming of age. Asako, the younger, has become obsessed with locating a third sibling, while also experiencing love for the first time, while Momoko, their father's first child - haunted by the loss of her kamikaze boyfriend and their final, disturbing days together - seeks comfort in a series of unhealthy romances. And both sisters find themselves unable to outrun the legacies of their late mothers. A thoughtful, probing novel about the enduring traumas of war, the unbreakable bonds of family and the inescapability of the past, The Rainbow is a searing, melancholy work from one of Japan's greatest writers.
1960. The border between East and West Germany has closed.
For Elisabeth - a young painter - the GDR is her generation's chance to build an egalitarian socialist future. For her brother Uli, it is a place of stricture and oppression. Separating them is the ever-wider chasm of the party line; over them loom the twin spectres of opportunity and fear, and the shadow of their defector brother Konrad. In prose as bold as a scarlet paint stroke, Brigitte Reimann battles with the clash of idealism and suppression, familial loyalty and desire. This fervid, ground-breaking novel, written when Reimann was only twenty-seven, remains one of the cult classics of East German literature.
A fruity, foxy masterpiece, defender of our wilting faith in mankind' Sunday Times
Horace Rumpole is in a strange state that could only be described as a kind of air-conditioned purgatory: he has retired to Florida with his wife, Hilda (She Who Must Be Obeyed). It is safely assumed the Old Bailey hack's wig has been hung up for good. But when a rather unkempt civil servant is mixed up in the mysterious death of a minor aristocrat, Rumpole seizes the opportunity to escape a life of leisure. He is soon back in court (via a budget airline) to do battle once more with Judge 'Mad Bull' Bullingham.
Step into the unsettling world of Shirley Jackson this autumn with a collection of her finest, darkest short stories, revealing the queen of American gothic at her mesmerising best.
There's something nasty in suburbia. In these deliciously dark tales, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the country manor, and from the small-town apartment to the dark, dark woods...
Includes the following stories: 'The Possibility of Evil'; 'Louisa, Please Come Home'; 'Paranoia'; 'The Honeymoon of Mrs Smith'; 'The Story We Used to Tell'; 'The Sorcerer's Apprentice'; 'Jack the Ripper'; 'The Beautiful Stranger'; 'All She Said Was Yes'; 'What a Thought'; 'The Bus'; 'Family Treasures'; 'A Visit'; 'The Good Wife'; 'The Man in the Woods'; 'Home'; 'The Summer People'.
One of the BBC's '100 Novels That Shaped Our World'
'Rhys took one of the works of genius of the 19th Century and turned it inside-out to create one of the works of genius of the 20th Century' Michele Roberts
Jean Rhys's masterpiece tells the story of Jane Eyre's 'madwoman in the attic', Bertha Rochester.
Born into the oppressive, colonialist society of 1930s Jamaica, white Creole heiress Antoinette Cosway meets a young Englishman who is drawn to her innocent beauty and sensuality. After their marriage, however, disturbing rumours begin to circulate which poison her husband against her. Caught between his demands and her own precarious sense of belonging, Antoinette is inexorably driven towards madness, and her husband into the arms of another novel's heroine. This classic study of betrayal, a seminal work of postcolonial literature, is Jean Rhys's brief, beautiful masterpiece.
Edited with an introduction and notes by Angela Smith
The Lonely Londoners, an unforgettable account of immigrant experience and one of the great twentieth-century London novels, now in in a stunning Clothbound Classics edition.
At Waterloo Station, hopeful new arrivals from the West Indies step off the boat train, ready to start afresh in 1950s London. There, homesick Moses Aloetta, who has already lived in the city for years, meets Henry 'Sir Galahad' Oliver and shows him the ropes. In this strange, cold and foggy city where the natives can be less than friendly at the sight of a black face, has Galahad met his Waterloo? But the irrepressible newcomer cannot be cast down. He and all the other lonely new Londoners - from shiftless Cap to Tolroy, whose family has descended on him from Jamaica - must try to create a new life for themselves. As pessimistic 'old veteran' Moses watches their attempts, they gradually learn to survive and come to love the heady excitements of London.
'This century's most compelling theorist of racism and colonialism' Angela Davis
Written at the height of the Algerian war for independence from French colonial rule and first published in 1961, Frantz Fanon's Wretched of the Earth has provided inspiration for anti-colonial movements ever since, analysing the role of class, race, national culture and violence in the struggle for freedom. With power and anger, Fanon makes clear the economic and psychological degradation inflicted by imperialism. It was Fanon, himself a psychotherapist, who exposed the connection between colonial war and mental disease, who showed how the fight for freedom must be combined with building a national culture, and who showed the way ahead, through revolutionary violence, to socialism.
'In clear language, in words that can only have been written in the cool heat of rage, he showed us the internal theatre of racism' Deborah Levy
The Second World War. Poland. Our narrator has no intention of being a hero. He plans to survive this war, whatever it takes.
Meticulously he recounts his experiences: the slow unravelling of national events as well as uncomfortable personal encounters on the street, in the café, at the office, in his love affairs. He is intimate but reserved; conversational but careful; reflective but determined. As he becomes increasingly and chillingly alienated from other people, the reader is drawn into complicit acquiescence. We are forced to consider what it means to be heroic and how we ourselves would behave in the same circumstances.
Written in 1961, this is the masterpiece of one of the great Polish writers of the twentieth century.
'A brilliant display of fireworks, attacking the widespread and banal notion that "in the beginning" sexual activity was guilt-free and delicious, being repressed and blighted only by the gloom of Victorianism' Spectator
We talk about sex more and more, but are we more liberated? The first part of Michel Foucault's landmark account of our evolving attitudes in the west shows how the nineteenth century, far from suppressing sexuality, led to an explosion of discussion about sex as a separate sphere of life for study and examination. As a result, he argues, we are making a science of sex which is devoted to the analysis of desire rather than the increase of pleasure.
'A wealth of insights, original conceptualizations and provocative ideas' The Times Literary Supplement
Franz Biberkopf is back on the streets of Berlin. Determined to go straight after a stint in prison, he finds himself thwarted by an unpredictable external agency that looks an awful lot like fate. Cheated, humiliated, thrown from a moving car; embroiled in an underworld of pimps, thugs, drunks and prostitutes, Franz picks himself up over and over again - until one day he is struck a monstrous blow which might just prove his final downfall.
A dazzling collage of newspaper reports, Biblical stories, drinking songs and urban slang, Berlin Alexanderplatz is the great novel of Berlin life: inventing, styling and recreating the city as reality and dream; mimicking its movements and rhythms; immortalizing its pubs, abattoirs, apartments and chaotic streets. From the gutter to the stars, this is the whole picture of the city.
Berlin Alexanderplatz brought fame in 1929 to its author Alfred Döblin, until then an impecunious writer and doctor in a working-class neighbourhood in the east of Berlin. Success at home was short-lived, however; Doblin, a Jew, left Germany the day after the Reichstag Fire in 1933, and did not return until 1945. This landmark translation by Michael Hofmann is the first to do justice to Berlin Alexanderplatz in English, brilliantly capturing the energy, prodigality and inventiveness of Döblin's masterpiece.
'The most esteemed philosopher to have produced a general introduction to his discipline since Bertrand Russell' Independent
In these essays, one of the most important thinkers of the twentieth century writes about communism and socialism, the problem of evil, Erasmus and the reform of the Church, reason and truth, and whether God is happy. Accessible and absorbing, the essays in Is God Happy? deal with some of the eternal problems of philosophy and the most vital questions of our age.
Leszek Kolakowski has also written on religion, Spinoza, Bergson, Pascal and seventeenth-century thought. He left communist Poland after his expulsion from Warsaw University for anti-communist activities. From 1970 he was a fellow of All Souls College, Oxford.
'His distinctive mix of irony and moral seriousness, religious sensibility and epistemological scepticism, social engagement and political doubt was truly rare ... a true Central European intellectual-perhaps the last' Tony Judt, The New York Times Review of Books
Elie Wiesel's harrowing first-hand account of the atrocities committed during the Holocaust, Night is translated by Marion Wiesel with a preface by Elie Wiesel in Penguin Modern Classics.
Born into a Jewish ghetto in Hungary, as a child, Elie Wiesel was sent to the Nazi concentration camps at Auschwitz and Buchenwald. This is his account of that atrocity: the ever-increasing horrors he endured, the loss of his family and his struggle to survive in a world that stripped him of humanity, dignity and faith. Describing in simple terms the tragic murder of a people from a survivor's perspective, Night is among the most personal, intimate and poignant of all accounts of the Holocaust. A compelling consideration of the darkest side of human nature and the enduring power of hope, it remains one of the most important works of the twentieth century.
Elie Wiesel (b. 1928) was fifteen years old when he and his family were deported by the Nazis to Auschwitz. After the war, Wiesel studied in Paris and later became a journalist. During an interview with the distinguished French writer, Francois Mauriac, he was persuaded to write about his experiences in the death camps. The result was his internationally acclaimed memoir, La Nuit or Night, which has since been translated into more than thirty languages.
In 1960, when he was almost sixty years old, John Steinbeck set out to rediscover his native land. He felt that he might have lost touch with its sights, sounds and the essence of its people.
Accompanied only by his dog, Charley, he travelled all across the United States in a pick-up truck. His journey took him through almost forty states, and he saw things that made him proud, angry, sympathetic and elated.
All that he saw and experienced is described with remarkable honesty and insight.
Told with deadpan humour and bitter irony, Kurt Vonnegut's cult tale of global destruction preys on our deepest fears of witnessing Armageddon and, worse still, surviving it...
Dr Felix Hoenikker, one of the founding 'fathers' of the atomic bomb, has left a deadly legacy to the world. For he is the inventor of 'ice-nine', a lethal chemical capable of freezing the entire planet. The search for its whereabouts leads to Hoenikker's three ecentric children, to a crazed dictator in the Caribbean, to madness. Felix Hoenikker's Death Wish comes true when his last, fatal gift to mankind brings about the end, that for all of us, is nigh...
A definitive annotated edition of one of the greatest of Terry Pratchett’s multi-million-bestselling Discworld novels
Commander Sam Vimes of the Ankh-Morpork City Watch is in hot pursuit of a serial killer. The trouble is, a well-timed lightning strike has thrown both policeman and pursued into the city’s past. Now Vimes must relive the history that made him: a cruel regime, a bloody revolution, a corrupt police force, and, most unnerving of all, a keen young recruit named Sam Vimes… Night Watch, which draws on inspirations as far ranging as Victor Hugo and M*A*S*H, is a keen satire about the true nature of political power, and the sacrifices made in the name of the greater good; but also a profoundly empathetic novel about community, connection and the tenacity of the human spirit.
Terry Pratchett’s Discworld novels are among the most successful and influential fantasy titles of the twentieth and twenty-first centuries. This edition of Night Watch – written at the height of Pratchett’s imaginative powers – includes a new foreword by Rob Wilkins and an introduction and annotations by Dr David Lloyd and Dr Darryl Jones, contextualising the novel and Pratchett’s far-reaching legacy for new readers and current fans alike.
Édouard Glissant’s most celebrated, scintillating philosophical work – which sets out a new poetic vision for the world
‘We cry our cry of poetry. Our boats are open, and we sail them for everyone.’
In Poetics of Relation, his most celebrated philosophical work, Édouard Glissant turns the Caribbean reality of his life into a complex, energetic vision of a world in transformation. We come to see that relation in all its senses – telling, listening, connecting, and the parallel consciousness of self and surroundings – is the key to revolutionising mentalities and reshaping societies. We are not rooted, but ever-changing; we have a right to opacity and to difference, wherever we are. Told in scintillating prose, this unique exploration of language, slavery, and poetic freedom narrates an Antillean identity, but also that of the whole world.
Feminism is hated because women are hated’
Why do some women support Right-wing movements, even though they curtail their freedoms? Andrea Dworkin’s timeless, visionary analysis goes to the heart of this contradiction, exploring the Right’s positions on abortion, sexuality, racism and antifeminism, and showing how it attempts both to exploit and to quiet women’s deepest fears of male violence. The Right-wing woman, Dworkin contends, acquiesces to male authority for protection and some semblance of power: because ‘survival depends on it’.
‘Groundbreaking’ Bella Abzug
‘Her razor-sharp analysis of why so many women are attracted to a politics that despises their rights is more relevant today than ever’ Guardian
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