Nabokov's early novel about a chess-playing genius, reissuing in Modern Classics as part of the Nabokov relaunch
Vladimir Nabokov's early novel is the dazzling story of the coarse, strange yet oddly endearing chess-playing genius Luzhin. Discovering his prodigious gift in boyhood and rising to the rank of International Grandmaster, Luzhin develops a lyrical passion for chess that renders the real world a phantom. As he confronts the fiery, swift-swooping Italian Grandmaster Turati, he brings into play his carefully devised defence. Making masterly play of metaphor and imagery, The Defense is the book that, of his early works, Nabokov felt 'contains and diffuses the greatest warmth'.
An astonishing memoir of the Holocaust through the eyes of a child, and an exquisite meditation on memory and trauma
Aharon Appelfeld was the beloved only child of middle-class Jewish parents living in what is now Ukraine at the outbreak of World War Two. Their peaceful life is upended when soldiers invade their town. His mother is shot dead in her own garden. The then-seven-year-old Aharon does not witness her murder, but he does hear her scream.
Aharon and his father are sent to a concentration camp and separated. Memory and trauma combine to create a patchwork of reminiscences. Aharon is ten years old when he escapes from the camp into the forests of Ukraine, and is overwhelmed by the sight of an apple tree laden with fruit.
Living off the land for two years before making the long journey south to Italy and eventually Israel and freedom, Appelfeld finally found a home in which he could make a life for himself, eventually becoming one of Israel’s most acclaimed writers. This is the extraordinary and painful memoir of his childhood and youth and a compelling account of a boy coming of age in a hostile world.
A chance encounter while holidaying in Central America leads an American couple, the Slades, to befriend the charming, handsome Grove Soto and his young Cuban mistress. But as the Slades' trip becomes prolonged and they grow increasingly dependent on their new acquaintances, an undercurrent of cruelty begins to disturb the comfort and niceties to which they are accustomed. Up Above the World shows Paul Bowles to be a master of the tension and horror of rising viciousness.
A fruity, foxy masterpiece, defender of our wilting faith in mankind' Sunday Times
Horace Rumpole is in a strange state that could only be described as a kind of air-conditioned purgatory: he has retired to Florida with his wife, Hilda (She Who Must Be Obeyed). It is safely assumed the Old Bailey hack's wig has been hung up for good. But when a rather unkempt civil servant is mixed up in the mysterious death of a minor aristocrat, Rumpole seizes the opportunity to escape a life of leisure. He is soon back in court (via a budget airline) to do battle once more with Judge 'Mad Bull' Bullingham.
Step into the unsettling world of Shirley Jackson this autumn with a collection of her finest, darkest short stories, revealing the queen of American gothic at her mesmerising best.
There's something nasty in suburbia. In these deliciously dark tales, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the country manor, and from the small-town apartment to the dark, dark woods...
Includes the following stories: 'The Possibility of Evil'; 'Louisa, Please Come Home'; 'Paranoia'; 'The Honeymoon of Mrs Smith'; 'The Story We Used to Tell'; 'The Sorcerer's Apprentice'; 'Jack the Ripper'; 'The Beautiful Stranger'; 'All She Said Was Yes'; 'What a Thought'; 'The Bus'; 'Family Treasures'; 'A Visit'; 'The Good Wife'; 'The Man in the Woods'; 'Home'; 'The Summer People'.
One of the BBC's '100 Novels That Shaped Our World'
'Rhys took one of the works of genius of the 19th Century and turned it inside-out to create one of the works of genius of the 20th Century' Michele Roberts
Jean Rhys's masterpiece tells the story of Jane Eyre's 'madwoman in the attic', Bertha Rochester.
Born into the oppressive, colonialist society of 1930s Jamaica, white Creole heiress Antoinette Cosway meets a young Englishman who is drawn to her innocent beauty and sensuality. After their marriage, however, disturbing rumours begin to circulate which poison her husband against her. Caught between his demands and her own precarious sense of belonging, Antoinette is inexorably driven towards madness, and her husband into the arms of another novel's heroine. This classic study of betrayal, a seminal work of postcolonial literature, is Jean Rhys's brief, beautiful masterpiece.
Edited with an introduction and notes by Angela Smith
The Lonely Londoners, an unforgettable account of immigrant experience and one of the great twentieth-century London novels, now in in a stunning Clothbound Classics edition.
At Waterloo Station, hopeful new arrivals from the West Indies step off the boat train, ready to start afresh in 1950s London. There, homesick Moses Aloetta, who has already lived in the city for years, meets Henry 'Sir Galahad' Oliver and shows him the ropes. In this strange, cold and foggy city where the natives can be less than friendly at the sight of a black face, has Galahad met his Waterloo? But the irrepressible newcomer cannot be cast down. He and all the other lonely new Londoners - from shiftless Cap to Tolroy, whose family has descended on him from Jamaica - must try to create a new life for themselves. As pessimistic 'old veteran' Moses watches their attempts, they gradually learn to survive and come to love the heady excitements of London.
The woman's place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deep
The revolutionary writings of Audre Lorde gave voice to those 'outside the circle of this society's definition of acceptable women'. Uncompromising, angry and yet full of hope, this collection of her essential prose - essays, speeches, letters, interviews - explores race, sexuality, poetry, friendship, the erotic and the need for female solidarity, and includes her landmark piece 'The Master's Tools Will Never Dismantle the Master's House'.
As influential and revelatory in its day as Fifty Shades of Grey is now, Anaïs Nin's Delta of Venus is a groundbreaking anthology of erotic short stories, published in Penguin Modern Classics
In Delta of Venus Anaïs Nin conjures up a glittering cascade of sexual encounters. Creating her own 'language of the senses', she explores an area that was previously the domain of male writers and brings to it her own unique perceptions. Her vibrant and impassioned prose evokes the essence of female sexuality in a world where only love has meaning.
This edition includes a preface adapted from Anaïs Nin's diary that establishes a context for the work's gestation, and a postscript to her diary entries in which she explains her desire to use 'women's language, seeing sexual experience from a woman's point of view'.
Anaïs Nin (1903-1977), born in Paris, was the daughter of a Franco-Danish singer and a Cuban pianist. Her first book - a defence of D. H. Lawrence - was published in the 1930s. Her prose poem, House of Incest (1936) was followed by the collection of three novellas, collected as Winter of Artifice (1939). In the 1940s she began to write erotica for an anonymous client, and these pieces are collected in Delta of Venus and Little Birds (both published posthumously). During her later years Anaïs Nin lectured frequently at universities throughout the USA, in 1974 and was elected to the United States National Institute of Arts and Letters.
If you enjoyed Delta of Venus, you might like Stephen Vizinczey's In Praise of Older Women, also available in Penguin Modern Classics.
'Anaïs Nin excites male readers and incites female readers ... and she comes against life with a vital artistry and boldness'
The New York Times Book Review
It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life'
Jay Gatsby is the man who has everything. But one thing will always be out of his reach ... Everybody who is anybody is seen at his glittering parties. Day and night his Long Island mansion buzzes with bright young things drinking, dancing and debating his mysterious character. For Gatsby - young, handsome, fabulously rich - always seems alone in the crowd, watching and waiting, though no one knows what for. Beneath the shimmering surface of his life he is hiding a secret: a silent longing that can never be fulfilled. And soon this destructive obsession will force his world to unravel.
The Second World War. Poland. Our narrator has no intention of being a hero. He plans to survive this war, whatever it takes.
Meticulously he recounts his experiences: the slow unravelling of national events as well as uncomfortable personal encounters on the street, in the café, at the office, in his love affairs. He is intimate but reserved; conversational but careful; reflective but determined. As he becomes increasingly and chillingly alienated from other people, the reader is drawn into complicit acquiescence. We are forced to consider what it means to be heroic and how we ourselves would behave in the same circumstances.
Written in 1961, this is the masterpiece of one of the great Polish writers of the twentieth century.
'A brilliant display of fireworks, attacking the widespread and banal notion that "in the beginning" sexual activity was guilt-free and delicious, being repressed and blighted only by the gloom of Victorianism' Spectator
We talk about sex more and more, but are we more liberated? The first part of Michel Foucault's landmark account of our evolving attitudes in the west shows how the nineteenth century, far from suppressing sexuality, led to an explosion of discussion about sex as a separate sphere of life for study and examination. As a result, he argues, we are making a science of sex which is devoted to the analysis of desire rather than the increase of pleasure.
'A wealth of insights, original conceptualizations and provocative ideas' The Times Literary Supplement
The summation of the existentialist philosophy threaded throughout all his writing, Albert Camus' The Myth of Sisyphus is translated by Justin O'Brien with an introduction by James Wood in Penguin Classics.
In this profound and moving philosophical statement, Camus poses the fundamental question: is life worth living? If human existence holds no significance, what can keep us from suicide? As Camus argues, if there is no God to give meaning to our lives, humans must take on that purpose themselves. This is our 'absurd' task, like Sisyphus forever rolling his rock up a hill, as the inevitability of death constantly overshadows us. Written during the bleakest days of the Second World War, The Myth of Sisyphus (Le Mythe de Sisyphe) argues for an acceptance of reality that encompasses revolt, passion and, above all, liberty.
This volume contains several other essays, including lyrical evocations of the sunlit cities of Algiers and Oran, the settings of his great novels The Outsider and The Plague.
Albert Camus (1913-60) is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man. Awarded the Nobel Prize for Literature in 1957, Camus is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international.
A cultural landmark and the most shocking novel in the English language, Naked Lunch is an exhilarating ride into the darkest recesses of the human psyche. An unnerving tale of an addict unmoored in New York, Tangier, and ultimately a nightmarish wasteland known as Interzone, Naked Lunch's formal innovation, formerly taboo subject matter, and tour de force execution has exerted its influence authors like Thomas Pynchon and J. G. Ballard; on the relationship of art and obscenity; and on the shape of music, film, and media in general.
The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they are forced into quarantine. Each person responds in their own way to the lethal disease: some resign themselves to fate, some seek blame, and a few, like Dr Rieux, resist the terror.
An immediate triumph when it was published in 1947, The Plague is in part an allegory of France's suffering under the Nazi occupation, and a story of bravery and determination against the precariousness of human existence.
An immediate triumph when it was published in 1947, The Plague is in part an allegory of France's suffering under the Nazi occupation, and a story of bravery and determination against the precariousness of human existence.
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