Andrew Lang draws on his classical learning to recount the Homeric legend of the wars between the Greeks and the Trojans. Paris, Helen of Troy, Achilles, Hector, Ulysses, the Amazons and the Wooden Horse all figure in this magical introduction to one of the greatest legends ever told.
Also included in this book are the adventures of Theseus and his dramatic battle with the Minotaur with the help of Ariadne, and the quest of Jason for the Golden Fleece with the help of the Princess Medea.
In this selection of tales by the master folklorist Andrew Lang, the reader is taken into the romantic world of the gallant Knights of the Round Table and their courageous and chivalrous deeds, fair maidens, castles steeped in history, the quest for the Holy Grail, and the tragic love of King Arthur and Sir Lancelot for Guinevere, and Tristan for Iseult.
The Arthurian legends are the most potent of the thrilling and mist-enshrouded tales of adventure to be passed down from pre-recorded history, and they have as much appeal today as they did in the age of the troubadours.
Frances Burnett Hodgson's novel The Secret Garden is both intriguing and uplifting. It is regarded as one of the best children’s books written in the twentieth century.
Mary Lennox, a sickly ten year old girl, adrift in the world after both her mother and father die is sent to Yorkshire to live with an uncle whom she has never met, at his isolated house, Misselthwaite Manor. Initially Mary is seen as a rude, aggressive and selfish child. She dislikes her new home and the people living in it. But now the scene is set for her transformation and the introduction of the author's engaging theme of rejuvenation and renewal. In exploring the grounds Mary finds the key to the locked garden which is neglected and overrun with weeds. She sets her mind to bringing it back to life. In doing so, Mary finds a purpose and an excitement in her lonely existence. However, apart from the garden, there are other secrets to be revealed at Misselthwaite Manor such as the strange cries in the night and the identity of Colin, a disabled boy, whom she discovers in the hidden bedroom.
Robin Hood is perhaps the greatest of all British folk heroes. Henry Gilbert's book assembles all the disparate elements of the legend into an elegiac and detailed version of Robin's life and adventures. The book re-conceives all the familiar set-pieces of the story that gives to the whole the grandeur of an epic.
Robin Hood is a dashing romantic hero, an enemy of injustice and a friend to the downtrodden and he emerges from the text as a vivid and fully rounded individual. All the regular characters are here, too, including Little John, Friar Tuck, Will Scarlet and Maid Marian. And of course the villainous Guy of Gisborne and the Sherriff of Nottingham play their usual dastardly roles in the drama.
Gilbert's tale begins with an account of why Robin becomes an outlaw and then how he assembles a group of supporters, a band of dispossessed men, sick to death of oppression by the ruling class, who choose a life under Robin Hood in preference to their brutal former existences. While the tale is essentially a merry romp, it also paints a vivid picture of the times, the cruelty, the poverty and the fragility of human life. The novel is a wonderful, engaging realisation of the saga of Robin Hood.
The Ragged Trousered Philanthropists is a classic representation of the impoverished and politically powerless underclass of British society in Edwardian England, ruthlessly exploited by the institutionalized corruption of their employers and the civic and religious authorities.
Epic in scale, the novel charts the ruinous effects of the laissez-faire mercantilist ethics on the men, women, and children of the working classes, and through its emblematic characters, argues for a socialist politics as the only hope for a civilized and humane life for all. It is a timeless work whose political message is as relevant today as it was in Tressell's time. For this it has long been honoured by the Trade Union movement and thinkers across the political spectrum.
The Phoenix and the Carpet is E. Nesbit's second fantasy novel and is the sequel to Five Children and It.
From Robert, Anthea, Jane and Cyril's new nursery carpet there falls a mysterious egg which is hatched in the fire to reveal a benevolent, resourceful and ingenious Phoenix who explains that the carpet is possessed of magic qualities.
And so begins a series of fantastic and bizarre adventures as the carpet transports the children and the Phoenix to places as diverse as a chilling French castle, a desert island and even the Phoenix Fire Insurance Company's offices, which the Phoenix believes to be a shrine for his followers.
Homer's great epic describes the many adventures of Odysseus, Greek warrior, as he strives over many years to return to his home island of Ithaca after the Trojan War. His colourful adventures, his endurance, his love for his wife and son have the same power to move and inspire readers today as they did in Archaic Greece, 2800 years ago.
This poem has been translated many times over the years, but Chapman's sinewy, gorgeous rendering (1616) stands in a class of its own. Chapman believed himself inspired by the spirit of Homer himself, and matches the breadth and power of the original with a complex and stunning idiom of his own. John Keats expressed his admiration for the resulting work in the famous sonnet, 'On first looking into Chapman's Homer': 'Much have I travelled in the realms of gold...'
This new Wordsworth edition of Chapman’s Homer contains accessible annotation, and a detailed introduction that places his masterpiece in the context of his own day, and discusses its influences on later poets.
These comic novels will resonate with anyone who has ever felt trapped by circumstance. Their central characters, Artie Kipps and Alfred Polly, are prisoners of their modest social class, limited education, dull work, and sterile relationships. In Wells' hands they break out of the cages that society has constructed for them, learning after bitter experience the truth that 'if the world does not please you, you can change it'. This message, a revolutionary one in its day for the growing army of Edwardian clerks and drapers, is handled with a rich comedy and freshness that belies its deadly seriousness.
In King Solomon's Mines, Sir Henry Curtis and Captain Good persuade Allan Quatermain to help them find Sir Henry's brother George, who has gone missing in the unexplored African interior while searching for the legendary treasure trove of a lost kingdom. Quatermain agrees to lead the expedition, though he has little hope they will return alive. After suffering unimaginable hardships, they find the treasure hidden deep within a mountain, but while they are admiring the hoard the vast stone door closes. Their store of food and water rapidly runs out and the trapped men prepare to die, but in the nick of time they find a way of escape. On their return trek to civilisation they succeed in the purpose of their expedition when they miraculously come upon George Curtis, alive and well. They return to England with enough of the treasure to live in style, but Allan Quatermain lures them back for more African adventures.
Jude Fawley is a rural stone mason with intellectual aspirations. Frustrated by poverty and the indifference of the academic institutions at the University of Christminster, his only chance of fulfilment seems to lie in his relationship with his unconventional cousin, Sue Bridehead. But life as social outcasts proves undermining, and when tragedy occurs, Sue has no resilience and Jude is left in despair.
Hardy’s portrait of Jude, the idealist and dreamer who is a prisoner of his own physical nature, is one of the most haunting and desperate of his creations. Jude the Obscure is a dark yet compassionate account of the insurmountable frustrations of human existence which reflect Hardy’s yearning for the spiritual values of the past and his despair at their decline.
Cervantes’ tale of the deranged gentleman who turns knight-errant, tilts at windmills and battles with sheep in the service of the lady of his dreams, Dulcinea del Toboso, has fascinated generations of readers, and inspired other creative artists such as Flaubert, Picasso and Richard Strauss. The tall, thin knight and his short, fat squire, Sancho Panza, have found their way into films, cartoons and even computer games.
Supposedly intended as a parody of the most popular escapist fiction of the day, the ‘books of chivalry’, this precursor of the modern novel broadened and deepened into a sophisticated, comic account of the contradictions of human nature. On his ‘heroic’ journey Don Quixote meets characters of every class and condition, from the prostitute Maritornes, who is commended for her Christian charity, to the Knight of the Green Coat, who seems to embody some of the constraints of virtue.
Cervantes’ greatest work can be enjoyed on many levels, all suffused with a subtle irony that reaches out to encompass the reader, and does not leave the author outside its circle.
Peter Motteux’s fine eighteenth-century translation, acknowledged as one of the best, brilliantly succeeds in communicating the spirit of the original Spanish.
With an Introduction by David Stuart Davies.
Enter Arsène Lupin, Gentleman – Cambrioleur, the ‘Prince of Thieves’, one of the most daring and dashing individuals who ever lifted a diamond necklace from under the noses of the authorities. Young and handsome, laughing his way through difficulties and danger, Lupin is also the master of disguise and languages. His sense of humour and conceit make life difficult for the police who attribute most of the major crimes in France to Lupin and his gang of ruffians and urchins.
Maurice Leblanc’s stories are lively and witty, occasionally taking on the air of burlesque, especially when Lupin pits his wits against the English detective named variously ‘Holmlock Shears’ and ‘Herlock Sholmes’
These are significant tales in the history of crime fiction but, more importantly, they are great fun.
In this classically simple tale of the disastrous impact of outside life on a secluded community in Dorset, now in a new edition, Hardy narrates the rivalry for the hand of Grace Melbury between a simple and loyal woodlander and an exotic and sophisticated outsider. Betrayal, adultery, disillusion, and moral compromise are all worked out in a setting evoked as both beautiful and treacherous. The Woodlanders, with its thematic portrayal of the role of social class, gender, and evolutionary survival, as well as its insights into the capacities and limitations of language, exhibits Hardy's acute awareness of his era's most troubling dilemmas.
In these 'scientific romances' H. G. Wells sees the present reflected in the future and the future in the present. His aim is to provoke rather than predict. The Sleeper falls into a trance, waking up two centuries later as the richest man in a world of new technologies, power-greedy leaders, sensual elites, and brutalised industrial slaves. Arriving in the year 802,701, the Time-Traveller finds that humanity has evolved into two drastically different species; going farther still, he witnesses the ultimate fate of the solar system. The Chronic Argonauts, the original version of The Time Machine, pits a scientist with daring views of time and space against superstitious villagers. In all three works Wells laces vivid adventure stories with the latest ideas in biology and physics.
Almayer’s Folly was Conrad’s outstanding debut novel: as well as exploring the culture of a part of the world previously unknown to English fiction, it showed immense sophistication in its handling of narrative, time-shifts and point of view. Hailed as ‘a writer of genius’ by contemporary reviewers, Conrad returned to the same riverine settlement in Borneo in his second novel, An Outcast of the Islands. Set some 15 years earlier, this prequel to Almayer’s Folly tells how Lingard lost his monopoly of trade in Sambir, and follows the dangerous rivalry of his protegés Willems and Almayer. In The Rescue, the narrative moves even further back in time and shows the young, idealistic Lingard torn between his loyalties to his Sulawesi allies and his unexpected attraction to Edith Travers, with explosive consequences. Throughout this sequence of novels, the fascinating figure of Captain Lingard comes steadily into the foreground.
Wordsworth Classics makes the Lingard Trilogy available, for the first time, in a single volume.
'Each time I dip a living creature into the bath of burning pain, I say: this time I will burn out all the animal, this time I will make a rational creature of my own!' declares Doctor Moreau to hapless narrator Edward Prendick.
Moreau's highly controversial methods and ambitions conflict with the religious, moral and scientific norms of his day and Wells later called The Island of Doctor Moreau 'a youthful exercise in blasphemy'. Today his vivid depictions of the Beast People still strike modern readers with an uncanny glimpse of the animal in the human, while the behaviour of humans leave us wondering who is the most monstrous after all.
This volume unites four of Wells' liveliest and most engaging tales of the strange evolution and behaviour of animals - including human beings. The Island of Doctor Moreau is followed by three fantastic yet chillingly plausible short stories of human-animal encounters. The Empire of the Ants is a darkly humorous account of intelligent Amazonian ants threatening to displace humans as ‘the lords of the future and masters of the earth’. In The Sea Raiders, the south coast of England is terrorized by an unwelcome visit from deep-sea predator Haploteuthis ferox, while Æpyornis Island provides a marooned egg collector with an unusual companion.
At the end of the nineteenth century a stranger arrives in the Sussex countryside and mayhem ensues; in the sleepy county of Kent a miracle food brings biological chaos that engulfs and threatens the entire planet. H. G. Wells's fertile and mercurial imagination never brought us more bizarre and unsettling stories than those revealed in The Invisible Man (1897) and The Food of the Gods, and How It Came to Earth (1904). These are stories of extraordinary physical transformations and are at once extremely funny and richly imaginative. At the same time, Wells poses some very probing questions about the ethical dimensions to science and the human capacity for both pity and cruelty. Brought together for the first time in this new Wordsworth edition, The Invisible Man and The Food of the Gods are two of Wells's most entertaining and thought-provoking works.
It is more than a century since the ascetic, gaunt and enigmatic detective, Sherlock Holmes, made his first appearance in A Study in Scarlet. From 1891, beginning with The Adventures of Sherlock Holmes, the now legendary and pioneering Strand Magazine began serialising Arthur Conan Doyle's matchless tales of detection, featuring the incomparable sleuth patiently assisted by his doggedly loyal and lovably pedantic friend and companion, Dr Watson.
The stories are illustrated by the remarkable Sydney Paget from whom our images of Sherlock Holmes and his world derive and who first equipped Holmes with his famous deerstalker hat. The literary cult of Sherlock Holmes shows no sign of fading with time as each new generation comes to love and revere the penetrating mind and ruthless logic which were the undoing of so many Victorian master criminals.
Edgar Poe was born the son of itinerant actors on January 19th, 1809 in Boston, Massachusets. Abandoned by his father and the later death of his mother, he was taken into the foster care of John Allan, a Virginia tobacco farmer. Now styled as Edgar Allan Poe, he distinguished himself at the University of Virginia but was equally adept at collecting debts from his assiduous gambling. His stepfather's disapproval shattered their fragile relationship and Poe left home to seek his fortune.
In 1836 he married his cousin Virginia but despite his prolific activities - journalism, poetry, lecturing, short stories, publishing, criticism and experimentation with fictional genres, including the detective novel which he virtually invented with the publication of The Murders in the Rue Morgue (1841) - he received scant recognition for his efforts until the publication of The Raven in 1845. The poem's instant popularity gave him a new visibility in literary circles, but his personal situation remained desperate: poverty, illness, drink, and the physical decline and ultimate death of Virginia in 1847 led to his untimely and premature decline. In 1849 he was found sick, injured and semi-conscious in a Baltimore tavern. Taken to hospital, he lingered on for four days, but never recovered and on October 7th Edgar Allan Poe died at the age of 40.
He was one of the most original writers in the history of American letters - a genius who, thanks to his dire reputation, was tragically misunderstood during his lifetime. It was not until Baudelaire enthusiastically translated his work that he found a wider audience in Europe, and became not only an enormous influence on modern French literature but also on the acclaimed work of writers such as Dostoevsky, Conan Doyle and Jules Verne.
Wilde's works are suffused with his aestheticism, brilliant craftsmanship, legendary wit and, ultimately, his tragic muse. He wrote tender fairy stories for children employing all his grace, artistry and wit, of which the best-known is The Happy Prince. Counterpoints to this were his novel The Picture of Dorian Gray, which shocked and outraged many readers of his day, and his stories for adults which exhibited his fascination with the relations between serene art and decadent life. Wilde took London by storm with his plays, particularly his masterpiece The Importance of Being Earnest.
His essays - in particular De Profundis- and his Ballad of Reading Gaol, both written after his release from prison, strikingly break the bounds of his usual expressive range. His other essays and poems are all included in this comprehensive collection of the works of one of the most exciting writers of the late nineteenth century.
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