"Carte Blanche" for the commissioned works between art and commerce
Helmut Newton did not distinguish compositionally or stylistically between his magazine work and assignments for commercial clients. He ironically referred to himself as “a gun for hire.” That was also the title of June Newton's legendary book about his commercial photography, which is now available in a new edition revised by the Helmut Newton Foundation.
"Some people's photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that's fine. But that's not why I do them. I'm a gun for hire," Helmut Newton told Newsweek in 2004. This prosaic proclamation from one of the 20th century's most celebrated photographers may be perceived as shocking. Still it firmly positions Newton as the no-frills image-maker that he was. His work is so powerful and striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so. Judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised.
A Gun for Hire brings together a selection of Newton's fashion catalog work from the early 1960s to 2003 including work for BiBA (the first fashion catalog in 1962), Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Villeroy & Boch and Absolut Vodka, as well as his last editorial photographs for US and Italian Vogue—encompassing the body of work he made as a "gun for hire."
With an introduction by Matthias Harder and statements by Pierre Bergé, Tom Ford, Josephine Hart, June Newton, and Anna Wintour.
The most remarkable abodes from Costa Careyes to the Yucatán Peninsula
South of the border, rich colors and woven textiles form a unique design aesthetic, crafted by the union of local Aztec and Mayan cultures and Spanish influences. Bold pigments and vivid patterns come together in simple and rustic spaces, resulting in a way of living that is both invigorating and homely; an authentic Mexican style.
The dynamic writer and photographer duo Barbara and René Stoeltie have struck gold again—this time with a truly breathtaking look at Mexico’s most remarkable abodes. Traveling far and wide, from Costa Careyes to the Yucatán Peninsula, this photographic journey will surprise, delight, and inspire you.
From Azzedine Alaïa, Cristóbal Balenciaga, and Coco Chanel to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, more than a century’s worth of fashion greats are celebrated in this new edition of Fashion Designers A–Z.
An accessibly priced and updated volume features photographs of hundreds of garments selected from the Fashion Institute of Technology (FIT) museum's permanent collection. Elegant gowns from the turn of the century, Mondrian-style minimalist chic, and everything inbetween. Each of these works of art is chosen not only for its beauty but also for exemplifyingthe unique philosophy, skill, and aesthetics of each of the featured designers.
In her introductory essay, the museum’s director and chief curator, Valerie Steele, writes about the rise of the fashion museum and the emergence of the fashion exhibition as a popular and controversial phenomenon. The foreword is contributed by international style maven Suzy Menkes, texts by the museum’s curators help shine historical light on each label and garment pictured, and beautifully drawn portraits by the artist Robert Nippoldt pay homage to the creators behind them.
Ten produkt jest zapowiedzią. Realizacja Twojego zamówienia ulegnie przez to wydłużeniu do czasu premiery tej pozycji. Czy chcesz dodać ten produkt do koszyka?
