Hailed the “Prince of the Impressionists”, Claude Monet (1840-1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working “en plein air” with rapid, impetuous brushstrokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye.
From the dawn of time, ever since Adam and Eve, all artists of every age-whether the Egyptian, Greek, or Roman artists of Antiquity, or more recent famous names such as Rembrandt, Courbet, Degas, or Picasso-have succumbed to their fantasies, obsessions, and libido and produced erotic works that the censors have taken good care to keep from the public.
For Erotica Universalis, we surface from the subterranean realms of the museums to enter those of our national and private libraries. Here we discover that not only most of our famous writers, such as Ovid, Aretino, Voltaire, Verlaine, or Maupassant, wrote erotic texts that bordered on indecency, but also that great artists like Boucher, Fragonard, Dali, or Matisse were inspired to provide suitable illustrations for these naughty books. For this new hardcover edition of the classic 1995 best seller, we have culled highlights from our Erotica Universalis collection.
Whether you’re thinking of getting a tattoo or just want to see to what lengths others have gone in decorating their bodies, this is the book to check out. This edition of 1000 Tattoos explores the history of the art worldwide via designs and photos—from 19th-century engravings to tribal body art, from circus ladies of the ‘20s to classic biker designs—giving a fascinating insight into the art of tattooing.
Peaking in the 1960s, Pop Art began as a revolt against mainstream approaches to art and culture and evolved into a wholesale interrogation of modern society, consumer culture, the role of the artist, and of what constituted an artwork.
Focusing on issues of materialism, celebrity, and media, Pop Art drew on mass-market sources, from advertising imagery to comic books, from Hollywood's most famous faces to the packaging of consumer products, the latter epitomized by Andy Warhol's Campbell's soup cans. As well as challenging the establishment with the elevation of such popular, banal, and kitschy images, Pop Art also deployed methods of mass-production, reducing the role of the individual artist with mechanized techniques such as screen printing.
With featured artists including Andy Warhol, Allen Jones, Ed Ruscha, Robert Indiana, Jasper Johns, Robert Rauschenberg, and Roy Lichtenstein, this book introduces the full reach and influence of a defining modernist movement.
The arresting pictures of Frida Kahlo (1907-54) were in many ways expressions of trauma. Through a near-fatal road accident at the age of 18, failing health, a turbulent marriage, miscarriage and childlessness, she transformed the afflictions into revolutionary art.
In literal or metaphorical self-portraiture, Kahlo looks out at the viewer with an audacious glare, rejecting her destiny as a passive victim and rather intertwining expressions of her experience into a hybrid real-surreal language of living: hair, roots, veins, vines, tendrils and fallopian tubes. Many of her works also explore the Communist political ideals which Kahlo shared with her husband Diego Rivera. The artist described her paintings as "the most sincere and real thing that I could do in order to express what I felt inside and outside of myself."
This book introduces the rich body of Kahlo's work to explore her unremitting determination as an artist, and her significance as a painter, feminist icon, and a pioneer of Latin American culture.
Helmut Newton (1920–2004) always showed a healthy disdain for the easy or predictable, so it’s no surprise that the SUMO was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the SUMO weighing in—boxed and shrink-wrapped—at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications.
Published in an edition of 10,000 signed and numbered copies, the SUMO sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York’s Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book’s featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000 for 620,000 German marks—about 317,000 euros.
Now, this XL edition celebrates 20 years of SUMO, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 464 images and a new booklet that takes us through the making-of this publishing venture—a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.
Unmatched in his ingenuity, technical prowess, and curiosity, Leonardo da Vinci (1452–1519) epitomizes the humanistic ideal of the Renaissance man: a peerless master of painting, sculpture, cartography, anatomy, architecture—and more. Simultaneously captivating art historians, collectors, and the millions who flock yearly to admire his works, Leonardo’s appeal is as diffuse as were his preoccupations. His images permeate nearly every facet of Western culture—The Vitruvian Man is engraved into millions of Euro coins, The Last Supper is considered the single most reproduced religious painting in history, and the Mona Lisa has entranced countless artists and observers for centuries.
On the occasion of the 500th anniversary of his death, this updated edition of our XL title is an unrivaled survey of Leonardo’s life and work, including a catalogue raisonné encompassing both his surviving and lost paintings. Through stunning full-bleed details, we experience every measured brushstroke, each a testament to Leonardo’s masterful ability.
An expansive catalog of nearly 700 of Leonardo’s drawings further illuminates the breadth of his pursuits. From diagrams of intricately engineered machines to portraits of plump infants, they stand reflective of his boundless and visionary technical imagination, balanced with a subtle and perceptive hand, capable of rendering quotidian moments with moving emotional timbre.
Also included is a new foreword by Frank Zöllner, expanded exclusively for this special edition, which dissects the latest scientific developments on Leonardo’s work and the story behind the haunting Salvator Mundi, which recently fetched a record-breaking $ 450 million at auction.
Fashion has Helmut Newton, architecture has Julius Shulman, and cat photography has Walter Chandoha. In 1949, his encounter with a stray kitten blossomed into a career that elevated feline portraiture to an art form. This is a tribute not just to these beguiling creatures but also to a remarkable photographer who passed away this year at the age of 98; and whose compassion can be felt in each and every frame.
In every crisis situation, children are the greatest victims. Physically weak, they are often the first to succumb to hunger, disease, and dehydration. Innocent to the workings and failings of the world, they are unable to understand why there is danger, why there are people who want to hurt them, or why they must leave, perhaps quite suddenly, and abandon their schools, their friends, and their home.
In this companion series to Exodus, Sebastião Salgado presents 90 portraits of the youngest exiles, migrants, and refugees. His subjects are from different countries, victims to different crises, but they are all on the move, and all under the age of 15. Through his extensive refugee project, what struck Salgado about these boys and girls was not only the implicit innocence in their suffering but also their radiant reserves of energy and enthusiasm, even in the most miserable of circumstances. From roadside refuges in Angola and Burundi to city slums in Brazil and sprawling camps in Lebanon and Iraq, the children remained children: they were quick to laugh as much as to cry, they played soccer, splashed in dirty water, got up to mischief with friends, and were typically ecstatic at the prospect of being photographed.
For Salgado, the exuberance presented a curious paradox. How can a smiling child represent circumstances of deprivation and despair? What he noticed, though, was that when he asked the children to line up, and took their portraits one by one, the group giddiness would fade. Face to face with his camera, each child would become much more serious. They would look at him not as part of a noisy crowd, but as an individual. Their poses would become earnest. They looked into the lens with a sudden intensity, as if abruptly taking stock of themselves and their situation. And in the expression of their eyes, or the nervous fidget of small hands, or the way frayed clothes hung off painfully thin frames, Salgado found he had a refugee portfolio that deserved a forum of its own.
The photographs do not try to make a statement about their subjects’ feelings, or to spell out the particulars of their health, educational, and housing deficits. Rather, the collection allows 90 children to look out at the viewer with all the candor of youth and all the uncertainty of their future. Beautiful, proud, pensive, and sad, they stand before the camera for a moment in their lives, but ask questions that haunt for years to come. Will they remain in exile? Will they always know an enemy? Will they grow up to forgive or seek revenge? Will they grow up at all?
Sebastião Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma, and Magnum Photos. In 1994 he and his wife Lélia Wanick Salgado created Amazonas Images, which exclusively handles his work. Salgado’s photographic projects have been featured in many exhibitions as well as books, including Sahel, L'Homme en détresse (1986), Other Americas (1986), Workers (1993), Terra (1997), Migrations (2000), The Children (2000), Africa (2007), Genesis (2013), The Scent of a Dream (2015), and Kuwait, A Desert on Fire (2016).
Back in 2002, Simon “Woody” Wood was dreaming up schemes to get free sneakers. Two weeks later, he was the proud owner of Sneaker Freaker and his life was never the same.
From its early roots as a punk-style fanzine to today’s super-slick print and online operations, the fiercely independent publication has documented every collab, custom, limited edition, retro reissue, Quickstrike, Hyperstrike, and Tier Zero sneaker released over the last 15 years.
Woody’s original premise that Sneaker Freaker would be “funny and serious, meaningful and pointless at the same time” has certainly been vindicated in The Ultimate Sneaker Book. With more than 650 pages jam-packed with insider knowledge and his own irreverent observations, the insane historical detail and otaku-level minutiae is beyond obsessive.
Traversing 100 years of history, each chapter paints a rollicking picture of the sneaker industry’s evolution. Air Max, Air Force, Adi Dassler, Converse, Kanye, Dapper Dan, Dee Brown, Michael Jordan, and Yeezy—along with obscure treasures like Troop, Airwalk, and Vision Street Wear—are all exhaustively documented.
This is a definitive source of knowledge. This is… The Ultimate Sneaker Book!
GENESIS is Sebastião Salgado’s love letter to the planet. It is the result of an epic eight-year expedition to rediscover the mountains, deserts, and oceans, the animals and peoples that have so far escaped the imprint of modern society—the land and life of a still pristine planet. The GENESIS project, along with the Salgados’ Instituto Terra, is dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future. On over 30 trips—by foot, light aircraft, boats, canoes, and even balloons, through extreme temperatures and in sometimes dangerous conditions—Salgado has created a collection of images showing us nature, animals, and indigenous peoples in such intense beauty it takes our breath away. The reach is truly global. Through Salgado’s lens, one discovers the animal species and volcanoes of the Galápagos; the penguins, sea lions, cormorants, and whales of the South Atlantic; Brazilian alligators and jaguars; and African lions, leopards, and elephants. We travel over icebergs in the Antarctic, the volcanoes of Central Africa, the ravines of the Grand Canyon, and the glaciers of Alaska. We encounter the Stone Age Korowai people of West Papua, nomadic Dinka cattle farmers in Sudan, Nenets and their reindeer herds in the Arctic Circle, as well as the Mentawai jungle communities on islands west of Sumatra.
Produkt posiada delikatne zarysowanie na tylnej częsci obwoluty, oraz lekko rozerwaną folię ochronną.
Vincent van Gogh’s story is one of the most ironic in art history. Today, he is celebrated the world over as one of the most important painters of all time, recognized with sell-out shows, feted museums, and record prices of tens of millions of dollars at auction.
Yet as he was painting the canvases that would subsequently become these sell-out modern masterpieces, van Gogh was battling not only the disinterest of his contemporary audiences but also devastating bouts of mental illness, with episodes of depression and paralyzing anxiety which would eventually claim his life in 1890, when he committed suicide shortly after his 37th birthday.
This comprehensive study of Vincent van Gogh (1853–1890) pairs a detailed monograph on his life and art with a complete catalogue of his 871 paintings.
It started in 1978 with an ordinary coffee shop near Kyoto. Word spread that the waitresses wore no panties under their miniskirts. Similar establishments popped up across the country. Men waited in line outside to pay three times the usual coffee price just to be served by a panty-free young woman.
Within a few years, a new craze took hold: the no-panties “massage” parlor. Increasingly bizarre services followed, from fondling clients through holes in coffins to commuter-train fetishists. One particularly popular destination was a Tokyo club called “Lucky Hole” where clients stood on one side of a plywood partition, a hostess on the other. In between them was a hole big enough for a certain part of the male anatomy.
Taking the Lucky Hole as his title, Nobuyoshi Araki captures Japan's sex industry in full flower, documenting in more than 800 photos the pleasure-seekers and providers of Tokyo’s Shinjuku neighborhood before the February 1985 New Amusement Business Control and Improvement Act put a stop to many of the country's sex locales. Through mirrored walls, bed sheets, the bondage and the orgies, this is the last word on an age of bacchanalia, infused with moments of humor, precise poetry, and questioning interjections.
Best of Bauhaus
The definitive reference work, now in a compact format
In a fleeting 14-year period between two world wars, Germany's Bauhaus school of art and design changed the face of modernity. With utopian ideas for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology, which they applied across media and practices from film to theater, and sculpture to ceramics.
This best-selling reference work is made in collaboration with the Bauhaus-Archiv/Museum für Gestaltung in Berlin, the world's largest collection on the history of the Bauhaus. Documents, studies, more than 250 new photographs, sketches, plans, and models record not only the realized works but also the leading principles and personalities of this idealistic creative community through its three successive locations in Weimar, Dessau, and Berlin. From informal shots of group gymnastics to drawings guided by Paul Klee, from extensive architectural plans to an infinitely sleek ashtray by Marianne Brandt, the collection brims with the colors, materials, and geometries that made up the Bauhaus vision of a "total" work of art.
As we approach the Bauhaus centennial, this is a defining account of its energy and rigor, not only as a trailblazing movement in Modernism but also as a paradigm of art education, where creative expression and cutting-edge ideas led to simultaneously functional and beautiful creations. The handy edition features artists Josef Albers, Marianne Brandt, Walter Gropius, Gertrud Grunow, Paul Klee, Ludwig Mies van der Rohe, Lilly Reich, and many more.
What makes Albert Watson one of the world’s most revered photographers, hailed by peers, critics, and collectors alike? Is it his unparalleled portfolio of celebrity portraits? Breathtaking landscapes? Sensual nudes, still lifes, illustrious fashion shoots?KAOS presents a kaleidoscopic overview of Watson’s career to date and the dazzling array of subjects, objects, people, and places he has encountered along the way. A skillfully curated and dynamic portfolio, it spans 50 years of photography as we encounter stars, statesmen, supermodels and strangers; bound through neon-blazing cities; find figures poised, or shimmering with nude eroticism; roam the bright lights and the backstreets; soak up extravagant sunsets; and breathe in the elemental wilds of the photographer’s native Scotland.Starting with Watson’s breakthrough portrait of Alfred Hitchcock for the Christmas 1973 edition of Harper’s Bazaar, each photograph reverberates with tightly coiled power, tension, and poetry. Whether it’s a
Albrecht Dürer is the undisputed genius of the Northern Renaissance, a visionary unbound by a single medium. He carved a career spanning painting, printmaking, drawing, and art theory, mastering each with dazzling skill. Famous in his own lifetime for his portraits of princes and patricians, his luminous drawings and watercolors transformed the sketch into an art form in its own right: works such as Young Hare stand as marvels of observation, capturing life with a precision and sensitivity that still amaze today. He was native to the bustling city of Nuremberg, but his travels brought him face-to-face with Renaissance humanism, Venetian color, and classical ideals of beauty. These he absorbed and reimagined with northern precision. As court artist to Maximilian I, and confidant of humanists like Erasmus, he moved easily among the great minds of his age, his musings on measurement and proportion establishing him as one of Europe’s great thinkers. But he never stopped producing work of startling intimacy, from unflinching self-portraits and elaborate prints to meticulously observed studies of nature.Featuring every known painting―many reproduced with brand-new photography―and nearly 500 drawings, this graceful volume captures the sweep of Dürer’s genius. From monumental altarpieces to intimate portraits, from delicate studies of the world around him to bold experiments, it reveals an artist both of his time and ahead of it, an innovator whose vision still feels urgent today. More than a compendium, it is a celebration of a polymath who continues to astonish and inspire.
Widely regarded as one of the most influential fashion and portrait photographers, Mario Testino is responsible for the creation of emblematic images, transmitting emotion and energy in an open and intimate way. Throughout his four-decade career, Testino has been on a journey beyond the world of fashion capturing Earth’s traditions and cultures with unparalleled access and an extraordinarily unique point of view. Peruvian by birth, Testino’s intimate connection to Italy found its roots in his Italian heritage, but blossomed when he experienced the country for himself. Discovering Italy was, for Testino, synonymous with discovering his passion for fashion. “Rome was all about the hottest, latest trends and fresh new styling, and I loved the way Italians could shed the latest look for an even newer thing without ever losing their own identity.” In Ciao, Testino handpicks his favorite images of Italy,
Petite but Powerful
A sweeping survey of small-scale architectural invention
Small Houses is a tribute to the endless artistic inventiveness of architects and ingenuity of perception of the familiar and known concepts. It is also a conscious pivot towards sustainability and reduction of impact on the environment as well as a daring attitude of change in lifestyle. As humanity faces inevitable pressures such as climate change, an increase in population, and strain on resources, these solutions are helping shape what the world may look like in the future.
Whether in the dense urban areas of Tokyo, the wilderness of Australia, the woods of Canada, or a rooftop in Ecuador, this is the world of Small Houses. The one common point they share, is that they all have an area of no more than 100 square meters. Spanning 25 countries such as Brazil, Hungary, South Korea, Netherlands, USA, Japan, and Australia, described here there are houses designed by 54 architects, including Takeshi Hosaka’s Love2 House, Aranza de Ariño’s Casa Tiny, and the work of Jakub Szczęsny, Charles Pictet, Lada Hršak, BIG, and Fran Silvestre. This is a journey not only through recent evolutions in architectural design and creativity, but it is also a step toward a more sustainable world.
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