From Edouard Manet’s portrait of naturalist writer Émile Zola sitting among his Japanese art finds to Van Gogh’s meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe—but often remains misunderstood as an “exotic” artifact that helped inspire Western creativity.
The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art—including, as Karl Marx put it, that “all that is solid melts into air”—were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century.
This volume lifts the veil on a much-loved but little-understood art form by presenting the most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e, or “pictures of the floating world,” to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up a record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan.
We discover the four pillars of the woodblock print—beauties, actors, landscapes, and bird-and-flower compositions—alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans—rock stars who populated the “floating world” and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, and otherworldly creatures torment the living—stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incredible breadth, from everyday scenes to erotica, the martial to the mythological, these works are united by the technical mastery and infallible eye of their creators and how, with tremendous ingenuity and tongue-in-cheek wit, publishers and artists alike fought to circumvent government censorship.
This edition compiles the finest extant impressions from museums and private collections across the globe, accompanied by descriptions to guide us through this frantic period in Japanese art history.
The paintings of Albert Oehlen live by audacious strategies, by questioning the image and the rules of abstraction, and by an openness and beauty often reached through the unlikeliest of means.
In this expansive monograph, we meet the full range of Oehlen’s artistic thoughts and approaches: paintings that integrate mirrors, paintings that are executed strictly in primary colors or only in gray, heavily pixelated paintings produced with the help of one of the first personal computers. We find collaged fragments of garish poster ads on canvases that transforming screaming slogans into abstract elements, charcoal drawings the size of a wall, finger paintings, and paintings in which black treelike silhouettes contort themselves into a lexicon of abstract forms. Throughout, Oehlen transforms the conceptual into the compositional, at once invigorating and challenging the viewer.
Revising and updating TASCHEN’s previous Collector’s Edition, this revelatory survey explores Oehlen’s trajectory from his early days up to the present. It features more than 400 paintings as well as insightful commentaries and interviews, covering Oehlen’s different work stages and approaches. Roberto Ohrt’s essay takes us back to the special vibe of the early 1980s where Oehlen worked alongside Kippenberger, Büttner, and others, part of a scene that painted quickly and close to the pulse of time. Oehlen discusses his computer paintings with John Corbett, and follows up on his more recent work, his thoughts on art, and his day in the studio in a lengthy conversation with Alexander Klar. Together with a collection of shorter texts and statements, this brings us close to the ideas of an artist who has been dubbed “the most resourceful abstract painter alive.”
In the architecture of Richard Neutra (1892–1970), inside and outside find their perfect modernist harmony. As the Californian sun glints off sleek building surfaces, vast glass panel walls allow panoramic views over mountains, gardens, palm trees, and pools.
Neutra moved to the United States from his native Vienna in 1923 and settled in Los Angeles. He displayed his affinity with architectural settings early on with the Lovell House, set on a landscaped hill with views of the Pacific Ocean and Santa Monica Mountains. Later projects such as the Kaufmann House and Nesbitt House would continue this blend of art, landscape, and living comfort, with Neutra’s clients often receiving detailed questionnaires to define their precise needs.
This richly illustrated architect introduction presents the defining projects of Neutra’s career. As crisp structures nestle amid natural wonders, we celebrate a particularly holistic brand of modernism which incorporated the ragged lines and changing colors of nature as much as the pared down geometries of the International Style.
From the towering Sagrada Família to the shimmering, textured facade of Casa Batlló and the enchanting landscape of Park Güell, it’s easy to see why Antoni Gaudí (1852–1926) gained the epithet “God’s architect”. With fluid forms and mathematical precision, his work extols the wonder of natural creation: columns soar like tree trunks, window frames curve like flowering branches, and ceramic tiling shimmers like scaly, reptilian skin.
With this outstanding attention to natural detail, his inspirations from both neo-Gothic and Orientalist aesthetics, and a lifelong commitment to Catalan identity, Gaudí created a unique brand of the Modernista movement which transformed, and defines, Barcelona’s cityscape.
With seven of Gaudí’s projects listed as UNESCO World Heritage Sites, this book introduces the architect’s extraordinary vision and unique legacy, exploring the influences and the details which allow his buildings to impress, inspire, and amaze, one century after their construction.
Maria Antonietta Crippa is currently professor “straordinario” of History of Architecture at the Politecnico University in Milan, at the DiAP (Department of Architecture and Planning of the School of Architecture). Since the early 1980s, she has published widely on architecture and town planning.
Peter Gössel runs an agency for museum and exhibition design. For TASCHEN he published monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra as well as several architecture titles in the Basic Art Series.
Pin-up travels the long road from barracks wall to high art
Since TASCHEN released The Great American Pin-up, international interest in this distinctly American art form has increased exponentially. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren that sold for $ 2,000 in 1996 are going for $ 200,000 and more today. Pin-up—drawings, paintings, and pastels of an idealized female face and figure intended for public display—was produced between 1920 and 1970 for calendars, magazine covers, and centerfolds. The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious.
This attractively priced edition showcases the top 10 names in the game. Each chapter opens with a reproduction of an original calendar or magazine cover by that artist. The reproduction quality of the paintings, pastels, and preparatory sketches that follow—largely sourced from the original art—invites the viewer to trace the brushstrokes, while the exquisite period calendars, vintage prints, and original model photos document the artists’ creative process. Much of these ephemera were photographed on-site at the historic Brown & Bigelow Company, home to the world’s largest archive of vintage pin-up calendars.
Behind the scenes of Nic Roeg’s 1976 sci-fi masterpiece starring David Bowie
First advertised as a “mind-stretching experience,” Nicolas Roeg’s 1976 The Man Who Fell to Earth stunned the cinema world. A tour-de-force of science fiction as art form, the movie brought not only hallucinatory visuals and a haunting exploration of contemporary alienation, but also glam-rock legend David Bowie in his lead role debut as paranoid alien Newton.
Based on Walter Tevis’s 1963 sci-fi fable of the same title, The Man Who Fell to Earth follows alien Newton from his arrival on earth in search of water; his transition to wealthy entrepreneur, leveraging the advanced technologies of his native planet; his sexual awakening with the young Mary-Lou; and then the discovery of his alien identity, his imprisonment, abandonment, and descent into alcoholism. Throughout, Roeg coaxed a beguiling performance from his cast, presenting not only Bowie in ethereal space-traveler glory, but also pitch-perfect supporting performances from Candy Clark, Rip Torn, and Buck Henry.
TASCHEN’s The Man Who Fell to Earth presents a plenitude of stills and behind-the-scenes images by unit photographer David James, including numerous shots of Bowie at his playful and ambiguous best. A fresh introductory essay explores the shooting of the film and its lasting impact, drawing upon an exclusive interview with David James, who brings first-hand insights into the making of this sci-fi masterwork.
An anthology of cult magazine Sneaker Freaker
Back in 2002, Simon “Woody” Wood was dreaming up schemes to get free sneakers. Two weeks later, he was the proud owner of Sneaker Freaker and his life was never the same.
From its early roots as a punk-style fanzine to today’s super-slick print and online operations, the fiercely independent publication has documented every collab, custom, limited edition, retro reissue, Quickstrike, Hyperstrike, and Tier Zero sneaker released over the last 20 years.
Woody’s original premise that Sneaker Freaker would be “funny and serious, meaningful and pointless at the same time” has certainly been vindicated in The Ultimate Sneaker Book. With more than 500 pages jam-packed with insider knowledge and his own irreverent observations, the insane historical detail and otaku-level minutiae is beyond obsessive.
Traversing 100 years of history, each chapter paints a rollicking picture of the sneaker industry’s evolution. Air Max, Air Force, Adi Dassler, Converse, Dapper Dan, Dee Brown, and Michael Jordan—along with obscure treasures like Troop, Airwalk, and Vision Street Wear—are all exhaustively documented.
This is a definitive source of knowledge. This is… The Ultimate Sneaker Book!
Backstage pass to the Fab Four
In early 1964, photographer Harry Benson received a call from the photo editor of London’s Daily Express, who asked him to cover the Beatles’ trip to Paris. It was the beginning of a career-defining relationship, which would both make Benson’s name and produce some of the most intimate photographs ever taken of the Beatles.
In Paris, Benson captured the Fab Four in the midst of a pillow fight at the George V Hotel, a spontaneous moment which came to epitomize the spirit of the band—Benson himself has called it the best shot of his career. Later that year, he followed the group on the road for their debut U.S. tour, documenting their appearance on The Ed Sullivan Show, their surprising encounter with Cassius Clay, and the hysteria of New York Beatlemania. Benson also photographed George Harrison’s honeymoon in Barbados, documented the Beatles on the set of their debut movie A Hard Day’s Night, and was present on the now infamous 1966 tour when John Lennon said that the Beatles were “more popular than Jesus.”
This pocket-sized edition brings back the best of Benson’s luminous black-and-white Beatles portfolio. Complemented by quotes and newspaper clippings from the period, an introduction by the photographer himself adds exciting personal testimony to these iconic images of the greatest band in musical history.
Meet the full range of Julian Schnabel’s work
Julian Schnabel makes art out of life, finding his materials in the fabric of the everyday. He uses broken plates as an improbable picture ground; he paints on velvet, market stall covers, army tarps, kabuki theater backdrops, and boxing ring floors, found surfaces that lend their own rich history to the artist’s exploration. A figurehead for the return of painting after his overnight success with a first New York solo show in 1979, he has since worked in a wide variety of media: making sculptures that transpose his pictorial forms into space as raw, seemingly time-worn artifacts; directing award-winning movies that paint portraits of artists and other subtly heroic figures; and even building his own dream of a Venetian palace in New York. “I want my life to be in my work, crushed into my painting like a pressed car. If it’s not, my work is just some stuff,” Schnabel has said, and this urgency permeates his oeuvre no matter what means or media the artist chooses.
Now available in a popular edition, the complete range of Schnabel’s work is portrayed in unprecedented depth in this TASCHEN monograph, made in dialog with the artist. The texts were contributed by friends and collaborators: Laurie Anderson draws an intimate portrait of Schnabel; in three essays by curators and art historians, Éric de Chassey discusses the paintings, Bonnie Clearwater the sculpture, and Max Hollein the site-specific work; Donatien Grau writes on the Palazzo Chupi, the artist’s extravagant home in New York’s West Village; while the novelist Daniel Kehlmann explores his cinematic oeuvre. This edition allows you to study the surfaces and artistic gestures and actions, offering the most generous opportunity to experience Schnabel’s art outside of meeting it in person.
The painting of André Butzer
Fusing European expressionism with American popular culture, André Butzer started painting his way through the artistic and political extremes of the 20th century. With wide-ranging influences including the likes of Friedrich Hölderlin, Edvard Munch, Walt Disney, and Henry Ford, he developed a fictitious universe centered around the space colony NASAHEIM. There dwells the Peace-Siemens, a friendly head-shape that combines utopian ideas with the economical thinking of budding mass-consumerism, while a figure like the Wanderer offers romantic projections, or the Shame-Human reflections of the political past. This universe lends thematic depth to the canvases, with the characters acting as protagonists of paint, surrounding the N-House, home of all colors, in the style the artist has termed “Science-Fiction Expressionism.”
Some years into the new millennium, the colors took on a life of their own and grew into abstract paintings of lines freewheeling across the canvas. Moving closer to the limits of painting, from 2010 on Butzer explored the fundamental dimensions and potentialities of painterly expression in the seemingly black surfaces of his N-Paintings. At this point, Butzer relocated to California in 2018, painting outdoors year-round. The resulting works brim with colorful freshness, an extended family of lines and figurations with new attitudes refined by their experiences at the far edge of abstraction.
This revised and updated edition spans the full range of Butzer’s oeuvre from 1999 to 2023, the works’ progression gaining an almost musical drive of development, return, and new beginnings. The plates are interspersed with contemporary quotes from the artist that illuminate his idiosyncratic stance as a background to the work, as well as photos from his archives. The introductory essay, written by Hans Werner Holzwarth, investigates the different work phases, and places the artist’s ideas in a wider discourse of abstraction and figuration after the end of either genre. And, most importantly, the book’s pristine, huge-format illustrations fully evidence the finesse as a colorist that place this artist among the internationally most recognized painters of his generation.
Cook, Meet, Picture, Eat
Mary McCartney dishes out her favorite recipes for friends, family, and visionaries
Mary McCartney is a photographer, filmmaker, TV cook and author. In Feeding Creativity she blends her passions for food and photography, cooking 60 of her favourite recipes for friends, family, musicians, actors, artists and visionaries. Mary makes each a specially prepared dish, which they eat together at their home or studio. Here, she shares her photographs, recipes, and anecdotes from those culinary encounters.
Mary caters for every eating occasion on her culinary voyage, from enjoying sheet pan pancakes with Cameron Diaz for breakfast to sharing globe artichoke appetisers with HAIM. She prepares an onion, pea, and spinach tart for lunch at David Hockney's LA studio and savours smokey dogs at home with Woody Harrelson. She meets Nile Rodgers at Abbey Road Studios with a roasted and toasted salad, makes a rainbow sprinkle cake for afternoon tea with Jeff Koons, and much more.
Feeding Creativity is a toast to easy and delicious plant-based food and a celebration of culinary conviviality.
The Golden Age of Graphic Journalism
In today’s world of instant snapshots, 24-hour news, and round-the-clock connectivity, an illustrated press where the images are as important as the text has become an increasingly rare art form. This far-reaching compendium celebrates the golden age of graphic journalism as a distinct and unique genre and a laboratory for developing avant-garde aesthetics.
Spanning from 1819 to 1921, the collection covers a broad range of news graphics and political and satirical cartoons. Alongside the works of renowned artists such as Jean Cocteau, Juan Gris, and Käthe Kollwitz, the most famous illustrators of the time are also well represented. Thomas Nast, Honoré Daumier, Gustave Doré, and the numerous relatively unknown press graphic artists, the so-called “special artists,” whose work is rediscovered here.
Their rich and varied press work is considered not only in connection to the genre and the historical painting of the 19th century but also in its capacity as a pioneering influence on modern art. With striking examples of proto-cinematic narrative thinking, disruptions of the single image space, and daring forays into abstraction, this material is shown to have laid the groundwork for much of the avant-garde artistic expression that followed.
The book also explores Vincent Van Gogh's careful attention to the illustrated press of his time. He was inspired not only by the artistic aspect of it but also by the spirit of social reform that it represented. An avid collector, he owned a large number of press graphics and went so far as to consider it a "Bible for Artists".
An homage to workers and a farewell to the world of manual labor
Sebastião Salgado’s photo book classic Workers. An Archaeology of the Industrial Age (first published in 1993) pays tribute to the time-honored tradition of manual labor in the new millennium when machines and computers replace human workers throughout the globe. With images of striking beauty and integrity, Salgado composes a visual elegy for the working men and women, whose indomitable spirit has prevailed over the harshest of conditions to achieve a singular grace.
More than those of any other living photographer, Sebastião Salgado’s images of the world’s poor stand in tribute to the human condition. Salgado defines his work as “militant photography”, dedicated to “the best comprehension of human being”; over the decades he has bestowed great dignity on the most isolated and neglected among us — from famine-stricken refugees in the Sahel to the indigenous peoples of South America.
With Workers, Salgado brings us a global epic that transcends mere image making to become an affirmation of the enduring spirit of working men and women. In this volume, three hundred fifty duotone photographs form an archaeological perspective of the activities that have defined hard work from the Stone Age through the Industrial Revolution to the present. With images of the infernal landscape of an Indonesian sulfur mine, the drama of traditional Sicilian tuna fishing, and the staggering endurance of Brazilian gold miners, Salgado unearths layers of visual information to reveal the ceaseless human activity at the core of modern civilization.
Workers presents its subject on several interactive levels: Salgado’s introductory text, written in collaboration with Brazilian author Eric Nepomuceno, expands his passionate photographic iconography; extended captions, also written by Salgado, provide a historical and factual framework. Honoring the timeless and indomitable spirit of the manual laborer, Workers renders the human condition with honesty and respect.
The deceptively simple lemon takes center stage in the second volume of TASCHEN’s collaboration with The Gourmand, masters of the rich intersection of food and art. The star of Renaissance gardens, that shaped the Medici dynasty, have the power to ward off scurvy, had a hand in forming the mob, and whose juice has been used as an invisible ink since 600 CE to pen covert messages, these joyful yellow orbs are ripe with intrigue. The Gourmand charts the fruit’s astonishingly intricate genealogy, explores its role as a literary device for the likes of Joan Didion, F. Scott Fitzgerald, Tom Wolfe, and James Joyce, and examines its unique representation of the American dream through lemonade stands. A favorite subject of art history’s giants, the lemon captivates in the still lifes of Old Masters and inspired the breakthroughs of modern visionaries like Picasso, Matisse, and Warhol. Lemons also find themselves at the cutting edge of design in Philippe Starck’s iconic Juicy Salif and the unassuming yet revolutionary Jif Lemon. Their presence extends to the decorative arts, gracing everything from Arts and Crafts wallpapers to mythological ceramics. Even the famed Bloomsbury Group found lemons entangled in their literary love affairs. Accompanying these citrus-centric anecdotes are a foreword by chef and acclaimed food writer Simon Hopkinson and an introduction by art critic and author Jennifer Higgie alongside more than 60 lemon-infused recipes across global cuisines and for every occasion—including perfect poultry, decadent sauces, classic cocktails, and indulgent desserts, with custom photography by Bobby Doherty.
The Kisokaido route through Japan was ordained in the early 1600s by the country’s then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaido journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838.
Both Eisen and Hiroshige were master print practitioners. In The Sixty-Nine Stations along the Kisokaido, we find the artists’ distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of glamorous women, and relishes snapshots of activity along the route, from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with grandiose and evocative scenes, whether it’s the peaceful banks of the Ota River, the forbidding Wada Pass, or a moonlit ascent between Yawata and Mochizuki.
Taken as a whole, The Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including bold compositions and an experimental use of color, but also a charming tapestry of 19th-century Japan, long before the specter of industrialization. This TASCHEN volume is sourced from one of the finest surviving first editions and revives the series in our compact anniversary edition.
The official illustrated history of Depeche Mode by Dutch artist Anton Corbijn
In November 2020, Depeche Mode were inducted into the Rock & Roll Hall of Fame, and Dave Gahan, accepting the honour, said: “I’d like to thank Anton Corbijn who thank God came in at the right time and actually made us look cool.” Also in the fall of 2020, TASCHEN released the limited edition Depeche Mode by Anton Corbijn (81–18) signed by Depeche Mode and Anton Corbijn, and it became one of the fastest selling collector’s editions in the publishing company’s history.
This pocket-sized and wallet-friendly edition is a testament to Corbijn’s unique vision, and indeed “cool” as Gahan acknowledged so movingly in his speech; an illustrated history of how Corbijn, who became in 1986 the band’s de facto creative director, and helped cement Depeche Mode’s reputation as the biggest cult band in the world.
Featuring over 150 photographs from Corbijn’s extensive archives, including formal and informal portraits from places such as Madrid, Hamburg, the California desert, Prague and Marrakech; a multitude of off-the-cuff, candid images; and stunning live shots from all their tours since 1988 right up to 2023.
Created with the full collaboration of the band, who share some insights on working with Corbijn, Depeche Mode by Anton Corbijn trumpets how one man’s original aesthetic, that has encompassed all of their photography, most of their music videos, album graphics and set designs, helped shape the band’s enduring popularity. Reflecting on his role in Depeche Mode, Corbijn recalls in the book’s introduction: “A lot of it came down to me, and I wanted it to be right for them. I wanted to think for them. To be great for them.” This book is a tribute to the depth and breadth of that greatness, a celebration of one of the most creative and enduring collaborations in rock history.
Man Ray, multitalented master of modernist imagery
Man Ray (1890–1976) was a polymath modernist, working in painting, sculpture, film, printmaking, and poetry. But it was his work in photography, with nude studies, fashion work, and portraiture that saw him pioneering a new chapter in the history of camerawork and art.
With a wide-ranging collection of both his famous and lesser-known works, this monograph gives a vivid overview of Man Ray’s multifaceted practice and photographic legacy. It traces Ray from his artistic beginnings in New York through to his central role in the Parisian avant-garde, where he featured in the first Surrealist exhibition with Jean Arp, Max Ernst, André Masson, Joan Miró, and Pablo Picasso and produced such now iconic works as Noire et blanche and Le Violon d’Ingres. Through numerous examples of still life, portraiture, and beyond, we see how Ray constantly experimented with new techniques, pushing photography out of its documentary domain into ethereal, poetic expressions through multiple exposure, solarization, and the particular brand of photograms he wittily termed “rayography.”
The winning packaging designs from the 2021 and 2022 Pentawards
In our seventh edition of The Package Design Book, we explore the world’s leading packaging design innovations from the 2021 and 2022 Pentawards competition. Now for the first time, it showcases entries into its new Sustainable Design category, highlighting designs from established industry professionals and young talent striving to reduce the impact of packaging on the planet.
This edition strongly focuses on innovative packaging design that honors sustainability, diversity and has an inclusive approach to design at its core. Submissions from over 60 countries have pushed the boundaries of visuals to create meaningful designs that are both a pure expression of their brands’ values and a delight for the consumers who buy them. This book epitomizes beautiful design concepts that were developed with integrity.
Alongside the thousands of submissions for the competition, the Pentawards Jury has also grown to an eclectic mix of 50 members representing 25 brands and 25 design agencies, including Amazon, Mars Food, Vault49, Estée Lauder, Superunion, Coty, WWF, and Stranger & Stranger. This volume comprises state-of-the-art packaging design that is not only witty, noble, and contemporary but illustrates the impact of this design discipline.
An encyclopedic guide to the biggest-breasted stars past and present
The Big Book of Breasts was an immediate best seller when it debuted in 2006. Its 396 pages introduced readers to the top naturally bountiful nude models of the 1950s, ’60s and ’70s, amazingly mammiferous beauties including Virginia Bell, Roberta Pedon, Mary Waters, Keli Stewart and many more. The one and only complaint was that there was no biographical information on these curvaceous cuties, no lists of their magazines and films to give readers a more intimate connection.
We listened, and The Bigger Book of Breasts answers! Not only are there more pages with all new photos of your favorite big breast models of the ’50s through ’70s, there are also personal profiles for each and every one. Which model married comedian Richard Pryor? Who inspired Russ Meyer’s first film? Where are those free Mary Waters loops? And yes, Roberta Pedon is alive and well!
Further updating the “Bigger” theme, we added the 12 most incredible, natural, and provocative breast models of today, gathered from across the world by Berlin-based photographer, Bernd Daktari Lorenz. Nadine Jansen, Luna Amor, Miosotis Claribel and the incredible Hitomi Tanaka prove breasts are bigger than ever, and bigger is beautiful, for both breasts and books. Wrap it up with stunning photos of our original cover girl Kelly Madison and The Bigger Book of Breasts is a bigger treat for all.
Helmut and June Newton's Legendary Joint Project
A fifty-five-year history of life and love
This is a photographic love story tracing the fifty-five years of collaboration, partnership and history of Helmut and June Newton. First published in 1998, their legendary joint project Us and Them was presented in book form and accompanying exhibitions.
The book‘s first part – Us – features personal portraits of each other and self-portraits taken over several decades, revealing affection and intimacy behind each image and bringing forth nostalgia of the time. It is a photographic diary that records the life Helmut and June Newton shared away from the public eye.
The second part of the book – Them – is a sumptuous journey through time, where the lens of the master brings forth images of stunning portraits of an array of jet set, celebrities, important cultural figures, and some of the most famous faces of the time. From Catherine Deneuve, Anjelica Huston, David Hockney, and Timothy Leary to Peter Beard, Yves Saint Laurent, Thierry Mugler, Jane Birkin, and Charlotte Rampling, among others. The portraits taken by Helmut and June Newton in various sittings are presented side by side in pairs, thus revealing two facets of the same personality. This volume unmistakably highlights that the life and work of Helmut and June Newton were inexplicably linked in every way. One was never possible without the other.
Ten produkt jest zapowiedzią. Realizacja Twojego zamówienia ulegnie przez to wydłużeniu do czasu premiery tej pozycji. Czy chcesz dodać ten produkt do koszyka?
