The brooding spaces of Giorgio de Chirico
With his Pittura Metafisica, Greek-born Italian painter Giorgio de Chirico (1888–1978) was a major influence in Europe’s interwar avant-garde, hailed by the likes of Pablo Picasso and Paul Éluard.
The artist’s Pittura Metafisica set statues or mannequin-like figures in exaggerated one-point perspective spaces including city squares, receding arcades, distant walls, or claustrophobic interiors. Sharp perspectives, striking shadows, geometrical planes, and voids of space crafted a compositional drama and lurking mood of anxiety and loneliness.The paintings set out to disquiet, to make the viewer reassess the nature of reality and search beneath its appearances for elusive memories and unexpected insights. While the Surrealists around Breton turned to Freud’s theories of the unconscious, de Chirico was fascinated by Nietzsche.
This dependable artist introduction explores all the ominous shadows and brooding corners of de Chirico’s Pittura Metafisica as well as his later development into a more classical style, a shift widely criticized by the Surrealists who had so admired his early paintings.
Surrealism meets Symbolism in Salvador Dalí’s tarot deck
Legend has it that when preparing props for the James Bond film Live and Let Die, producer Albert Broccoli commissioned Surrealist maestro Salvador Dalí to create a custom deck of tarot cards. Inspired by his wife Gala, who nurtured his interest in mysticism, Dalí eagerly got to work, and continued the project of his own accord when the contractual deal fell through.
The work was published in a limited art edition in 1984 that has since long sold out, making Dalí the first renowned painter to create a completely new set of cards. Drawing on Western masterpieces from antiquity to modernity (including some of his own), Dalí seamlessly combined his knowledge of the arcane with his unmistakable wit. The result is a surreal kaleidoscope of European art history.
TASCHEN resurrects all 78 cards in a fresh celebration of Dalí’s inimitable custom set, complete with a booklet by renowned German tarot author Johannes Fiebig offering:
an introduction to Dalí’s life and the project’s making-of
a comprehensive explanation of each card’s composition, its meaning, and practical advice
step-by-step instructions on how to perform readings
a jargon-free approach simplifying tarot for the newcomer
The genius and the angst of a tortured talent
Today, the works of Vincent van Gogh (1853–1890) are among the most well known and celebrated in the world. In paintings such as Sunflowers, The Starry Night, and Self-Portrait with Bandaged Ear, we recognize an artist uniquely dexterous in the representation of texture and mood, light and place.
Yet in his lifetime, van Gogh battled not only the disinterest of his contemporary audience but also devastating bouts of mental illness. His episodes of depression and anxiety would eventually claim his life, when, in 1890, he committed suicide shortly after his 37th birthday.
This comprehensive study of Vincent van Gogh offers a complete catalogue of his 871 paintings, alongside writings and essays, charting the life and work of a master who continues to tower over art to this day.
The essential reference on Salvador Dalí’s painted oeuvre
At the age of six, Salvador Dalí (1904–1989) wanted to be a cook. At the age of seven, he wanted to be Napoleon. “Since then,” he later said, “my ambition has steadily grown, and my megalomania with it. Now I want only to be Salvador Dalí, I have no greater wish.” Throughout his life, Dalí was out to become Dalí: that is, one of the most significant artists and eccentrics of the 20th century.
This weighty volume is the most complete study of Dalí’s painted works ever published. After years of research, Robert Descharnes and Gilles Néret located painted works by the master that had been inaccessible for years—so many, in fact, that almost half the featured illustrations appear in public for the first time in this book.
More than a catalogue raisonné, this book contextualizes Dalí’s oeuvre and its meanings by examining contemporary documents, from writings and drawings to material from other facets of his work, including ballet, cinema, fashion, advertising, and objets d’art. Without these crutches to support analysis, the paintings would simply be a series of many images.
The study is divided into two parts: the first examines Dalí’s beginnings as an unknown artist. We witness how the young Dalí deployed all the isms—Impressionism, Pointillism, Cubism, Fauvism, Purism and Futurism—with playful mastery, and how he would borrow from prevailing trends before ridiculing and abandoning them. The second part unveils the conclusions of Dalí’s lifelong inquiries, as well as the great legacy he left in works such as Tuna Fishing (1966/67) or Hallucinogenic Toreador (1970). It includes previously unpublished homages to Velázquez or Michelangelo, painted to the same end as the variations on past masters done by his contemporary, Picasso.
We discover how, motivated by the desire to tease out the secrets of great works and become a Velázquez of the mid-20th century, Dalí became Dalí.
June Newton, renowned under her professional pseudonym Alice Springs, takes the reader on an extraordinary photographic journey from her childhood in Australia through work and travels with her husband, Helmut Newton. The photographs offer a wonderful mix of personal snapshots, editorial work for magazines like Elle, and portraits of such leading creative figures as Yves Saint Laurent, Gore Vidal, Balthus, Robert Mapplethorpe, Brassai, Nicole Kidman, and Anjelica Huston.
The pictures are accompanied by Newton's unpublished diary extracts and her own written commentaries, illuminating the pictures and the stories they tell with her particular blend of gentle irony, candor, and a photographer's eye for detail. Personal and engaging, this book combines iconic faces and places of the 20th century with privileged access into Newton's most intimate inner circle.
Tadao Ando’s complete works from 1975 until today
Discover the completely unique aesthetic of Tadao Ando, the only architect ever to have won the discipline’s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize.
Philippe Starck defines him as a “mystic in a country which is no longer mystic.” Philip Drew calls his buildings “land art” as they “struggle to emerge from the earth.” His designs have been described as haiku crafted from concrete, water, light, and space. But to Ando, true architecture is not expressed in metaphysics or beauty, but rather through space that embodies physical wisdom.
This thoroughly updated edition spans the breadth of his entire career, including such stunning new projects as the Shanghai Poly Theater and the Clark Center at the Clark Art Institute in Williamstown, Massachusetts. Each project is profiled through photographs and architectural drawings to explore Ando’s unprecedented use of concrete, wood, water, light, space, and natural forms. Based on the massive XXL monograph, this edition brings the architect’s definitive career overview to an accessible format.
A monumental retrospective of the Case Study Houses program
The Case Study House program (1945–66) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom.
The program’s chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture’s greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to redefine the modern home, and thus had a pronounced influence on architecture—American and international—both during the program’s existence and even to this day.
TASCHEN brings you a monumental retrospective of the entire program with comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, as well as extensive floor plans and sketches.
A century of great buildings and their creators
The architecture of the 20th century is distinguished by an astonishing diversity. Just as the clash of aesthetic and commercial ambitions nevertheless produced many a happy symbiosis, so the purist and the expressive, the monumental and the picturesque came face to face. From lofty “starchitects” to lesser-known names around the world, this chronological overview takes you to the heart of the ideas, trends, and transitions that defined the 1900s.
From Frank Lloyd Wright to Antoni Gaudí, Frank O. Gehry to Shigeru Ban and all the best stuff in-between, it’s all here. Organized chronologically, the 31 chapters put it all into perspective, illustrated by hundreds of large-format photos as well as a plenitude of drawings and floor plans. The biographical appendix covers all of the century’s greatest architects while celebrating today’s new talents, and the lavish illustrations include some of the best architectural photography in the modern era.
For anyone interested in the zeitgeist and building design of the 20th century, this is your be-all-end-all reference work. The collection covers not only the architects but also the groups, the movements, and the styles that defined an era of construction. A must for all lovers of architecture!
An essential, early portrait of Africa’s wildlife crisis
“The deeper the white man went into Africa, the faster the life flowed out of it, off the plains and out of the bush...vanishing in acres of trophies and hides and carcasses.” — Peter Beard
A landmark publication on Africa, The End of the Game combines Peter Beard’s salient text and remarkable photographs to document the overpopulation and starvation of tens of thousands of elephants, rhinos, and hippos in Kenya’s Tsavo lowlands and Uganda parklands in the 1960s and ’70s.
Researched and compiled over two decades, and updated several times since with new material, this is Beard’s essential book—a powerful and poignant testimony to the damage done by human intervention in Africa. His own images and writings are supplemented by historical photographs of, and quotations from, the enterprisers, explorers, missionaries, and big-game hunters whose quest for adventure and “progress” were to change the face of a continent: Theodore Roosevelt, Frederick Courteney Selous, Karen Blixen (Isak Dinesen), Philip Percival, J. A. Hunter, Ernest Hemingway, and J. H. Patterson.
This new edition includes an interview with conservationist Dr. Esmond Bradley Martin, as well as essays from previous editions by renowned writer Paul Theroux and ecologist Dr. Richard M. Laws, and contributions to the afterword by agronomist Dr. Norman Borlaug. Touching on such themes as distance from nature, density and stress, and loss of common sense, this seminal portrait is as resonant today, amid growing environmental crises, as it was a half century ago.
The creations of Jeff Koons (born 1955) are at once immediately accessible and eloquently art historical. From basketball tanks to flower puppies, his instantly recognizable work frolics with banal imagery as much as it integrates cultural references such as Surrealism and Pop Art.
Koons’ art revels in visual pleasure, but also in the power to affront. He has made his name as much for stainless-steel rabbits as he has with his sinister sculpture of Michael Jackson, or his sexually explicit photographic series with then-wife Cicciolina. The result is mega-artist status. An indisputable king of contemporary visual culture, Koons is lauded by collectors, institutions, and the public alike.
With landmark works and concise texts by Katy Siegel, Hans Werner Holzwarth, and Eckhard Schneider, this book offers the complete Koons at a glance, introducing an art world giant from his early inflatable flowers through to today.
The painterly gestures of personal feelings
Hailed as the first American-born art movement to have a worldwide influence, Abstract Expressionism denotes the non-representational use of paint as a means of personal expression. It emerged in America in the 1940s, with lead protagonists including Jackson Pollock, Philip Guston, Robert Motherwell, Mark Rothko, and Willem de Kooning.
Abstract Expressionism spawned many different stylistic tendencies but two particularly prominent sub-categories: action painting, exemplified by de Kooning and Pollock, and color field painting, made most famous by Rothko. Throughout, Abstract Expressionists strove to convey emotions and ideas through the making of marks, through forms, textures, shades, and the particular quality of brushstrokes. The movement favored large-scale canvases, and embraced the role of accident or chance.
With featured works from 20 key Abstract Expressionist artists, this book introduces the movement which shifted the center of art gravity from Paris to New York and remains for many the golden moment of American art.
Making sense of revolutionary new forms
Abstraction shook Western art to its core. In the early part of the 20th century, it refuted the reign of clear, indisputable forms and confronted audiences instead with vivid visual poems devoid of conventional representational imagery and characterized by allegories of emotion and sensation.
This radical artistic adventure established new artistic means, as much as narratives. Expression became characterized by shocking juxtapositions of color, light, and line. Artists abandoned the conventions of brush and easel and played with new materials and methods of artistic gesture: commercial paints and housepainter’s brushes, working on unstretched and unprimed canvases, moving the canvas to the floor, and applying paint with hands.
This essential introduction spans the international breadth, conceptual depth, and seismic impact of abstract art with a thorough survey not only of the big names such as Picasso, Klee, Kline, Rothko, and Pollock, but also lesser-known figures who made equally significant contributions, including Antoni Tàpies, K. O. Götz, Ad Reinhardt, and Sophie Taeuber-Arp.
Temporary Projects, Eternal Impressions
The XXL exploration, now in a condensed handbook
The works of Christo and Jeanne-Claude are monuments of transience. Gigantic in scale, they are always temporary, created to exist only for a limited time and to leave unique, unrepeatable impressions. “From the smallest of the Packages made in Paris in the early 1960s, to the delicate pattern of hundreds of branches embraced by a translucent fabric veil... in Christo and Jeanne-Claude’s works there is nothing abstract, nothing imagined; it is all there—corporeal and tangible.” (Lorenza Giovanelli)
Part biography, part critical analysis, part catalogue, this updated edition brings back TASCHEN’s best-selling Collector’s Edition. It spans Christo and Jeanne-Claude’s entire work, from early drawings and family photos to plans for future projects. Hundreds of photographs and original works trace the couple’s projects from the past 10 years, including The Floating Piers and The London Mastaba, as well as works in progress such as The Mastaba, Project for the United Arab Emirates and L’Arc de Triomphe Wrapped, Paris.
Together with the comprehensive photographic documentation by Wolfgang Volz this book is a celebration of the work of two artists whose imagination has affected the landscape of every continent.
Tadao Ando’s complete works from 1975 until today
Discover the unique aesthetic of Tadao Ando, the only architect ever to have won the discipline’s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize.
This collection spans the breadth of Ando’s entire career, including such stunning new projects as the Shanghai Poly Grand Theater and the Roberto Garza Sada Center in Monterrey, Mexico. Each project is profiled through photographs and architectural drawings that explore Ando’s unprecedented use of concrete, wood, water, light, space, and natural forms.
Featuring designs from award-winning private homes, churches, museums, and apartment complexes to cultural spaces throughout Japan, South Korea, France, Italy, Germany, Mexico, and the USA, this compact edition brings you up close and personal with a Modernist master.
The winners of the Pentawards package design competition 2019–2020
Wherever you shop, be it online or in a brick-and-mortar store, the first thing you notice about a product is its packaging. The quality of the packaging has a significant influence on whether or not a customer decides to buy a product. In fact, packaging has become more important than ever in recent years: Unboxing videos are watched by millions of followers on social media platforms, college Packaging Design courses are full to bursting, more and more agencies are specializing in this area, and companies are investing ever greater sums of money in the outward appearance of their products. Packaging design has long since grown to become not just part of our everyday lives, but a powerful marketing tool as well. High-quality packaging can increase the value of an entire brand.
With over 500 projects from more than 45 different countries, the sixth edition of TASCHEN’s The Package Design Book celebrates the 14th anniversary of the Pentawards, one of the industry’s most important international competitions. We will be casting our spotlight on all the winners from 2019 and 2020. With awards in six major categories – Beverages, Food, Body, Luxury, Other Markets, and Packaging Concepts – this spectacular and inspiring collection presents an array of unusual, intelligent and charming packaging concepts, demonstrating once again the importance of this design discipline.
This striking and innovative collection of jazz covers presents the designs that defined a sound. Containing record covers from the 1940s through to the early 1990s, each reproduction is accompanied with essential background information. Spanning photographic and illustrative works, these album artworks are a marriage of music and design and a remarkable history of jazz.
All the best photos (and some tasty new ones) from the original Big Butt Book, ranging from petite Pam Anderson to robust Serena Williams, plus interviews with Coco Austin, Buffie the Body, Tinto Brass, John (Buttman) Stagliano, and Brazil's Watermelon Woman reconfigured into a chunky, 512-page Bibliotheca Universalis edition.
In the German city of Dresden on June 7, 1905, the foundation of the Die Brücke artists’ group (1905–1913) is widely regarded as the birth of Expressionism. Led by Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel, and Karl Schmidt-Rottluff, the group sought to reject the limits of academia and, as their name suggested, to bridge the path to an artistic future. Their manifesto, printed with woodblock, insisted on absolute freedom from convention in their work as well as their lives.
This new, liberated art incorporated portraits, landscapes, and city scenes, but substituted an objective rendering of reality with an expression of interior geography. In paintings, as well as their favored wood and linocut prints, the artists of Die Brücke would fill pictorial space with jagged lines, crude forms, and clashing colors, all to express their subjective experience of the world. Like the Fauves, the artists took stylistic lead from non-Western traditions of Oceanic and African arts, while also reviving the print and painting techniques of Albrecht Dürer and Lucas Cranach the Elder.
This richly illustrated book introduces this essential expressionist movement. We examine Die Brücke’s key works and protagonists; its varied, international inspirations; and its crucial influence on later 20th century art. Along the way, we find candid nudes, crowded street views, and blissful bathing idylls, each of them vivid with energy and intent on a new kind of art.
From impossible staircases to tesselated birds, Dutch artist M.C. Escher (1898-1972) crafted a unique graphic language of patterns, puzzles, and mathematics. Dense, complex, and structured by intricate principles, his work is at the same time decorative and playful, toying constantly with optic illusions and the limitations of sensory perception. For mathematicians and scientists, Escher is a mastermind. For hippies, he was the pioneer of psychedelic art.
Born in Leeuwarden, in the Netherlands in 1898, Escher's early works focused on nature and landscapes, with regular exhibitions in Holland, and some international recognition. It was on a trip to the Alhambra Palace in Spain in the 1920s, however, that Escher found his niche. Sketching the patterns of the palace's Moorish architecture, Escher became captivated by the codependency of forms within and next to each other.
Working mainly with lithographs and woodcuts, Escher went on to explore the relationships among shapes, figures, and space with a near-obsessive delight. He reveled in quirky vantage points, multiple perspectives, the transition from paper flatness to illusory volume, and intricate mathematical puzzles such as the Moebius strip, a seemingly infinite loop which twists and recoils on itself in a contortion of apparent physical impossibility.
This introductory book from TASCHEN Basic Art 2.0 taps into Escher's brilliant mind with key works from his restless investigation of image and perception. Along the way, you'll find fish morphing into birds, lizards crawling off the page, masterful reflections, infinite mazes, and some of the most mind-bending images of 20th-century art.
Featuring Julie Bell, Philippe Druillet, Frank Frazetta, H.R. Giger, The Brothers Hildebrandt, Jeffrey Catherine Jones, Rodney Matthews, Moebius, Rowena Morrill, Sanjulian, Boris Vallejo, Michael Whelan, plus 99 more. This monster-sized tome features original paintings, contextualized by preparatory sketches, sculptures, calendars, magazines, and paperback books for an immersive dive into this dynamic, fanciful genre.
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