Elected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frédéric Chaubin’s Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990.
Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the “speaking architecture” widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad).
In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system.In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity.
Vincent van Gogh’s story is one of the most ironic in art history. Today, he is celebrated the world over as one of the most important painters of all time, recognized with sell-out shows, feted museums, and record prices of tens of millions of dollars at auction.
Yet as he was painting the canvases that would subsequently become these sell-out modern masterpieces, van Gogh was battling not only the disinterest of his contemporary audiences but also devastating bouts of mental illness, with episodes of depression and paralyzing anxiety which would eventually claim his life in 1890, when he committed suicide shortly after his 37th birthday.
This comprehensive study of Vincent van Gogh (1853–1890) pairs a detailed monograph on his life and art with a complete catalogue of his 871 paintings.
Record covers are a sign of our life and times. Like the music on the discs, they address such issues as love, life, death, fashion, and rebellion. For music fans the covers are the expression of a period, of a particular time in their lives. Many are works of art and have become as famous as the music they stand for—Andy Warhol's covers, for example, including the banana he designed for The Velvet Underground. This edition of Record Covers presents a selection of the best rock album covers of the 60s to 90s from music archivist, disc jockey, journalist, and former record-publicity executive Michael Ochs’s enormous private collection. Both a trip down memory lane and a study in the evolution of cover art, this is a sweeping look at an underappreciated art form.
The history of nude photography is the history of people’s fascination with the topic. Indeed, the photographic depiction of the human body is the only subject that has enthralled photographers, theoreticians, and consumers over such a long period—more than 150 years. No other motif is as prevalent as this one during all the phases of development comprising the history of photography, no other is present, whatever the technique, and is a subject of discussion within the context of nearly all aesthetic movements. Nor has any other pictorial topic produced such a variety of specialities as the nude: from the ethnological interpretation of the body to the glamour shot, from nudist photography to the pin-up of today. No other photographic field of application has inspired as much desire as it has awakened official wrath.
1000 Nudes offers a cross section of the history of nude photography, ranging from the earliest nude daguerreotypes and ethnographic nude photographs to experimental nude photography. The period of time spanned by this work is from 1839 to roughly 1939, from the medium’s infancy to the end of the classic modernist period. Content-wise, the book pays tribute to the full range of pictorial approaches, from the manually elaborated artistic nudes of the turn of the century, enveloped in layers of theory, to the “obscene” postcard motifs which had not the slightest artistic pretension and were intended to exert a maximum effect on the buyer’s wallet.
All the pictures shown are taken from the late Uwe Scheid’s collection, one of the world’s largest and most important collections of erotic photography.
In 2007 TASCHEN released The New Erotic Photography, followed in 2012 by The New Erotic Photography 2. Each book featured hundreds of fresh and provocative images from the world's most intriguing erotic talents. Now the best of both books is available in The New Erotic Photography, featuring 62 photographers from 10 countries, exploring the global variations of erotic photography, as well as the evolution of photographic media over the last decade. We see film give way to digital, while those who persist with film are as likely to use Polaroids and primitive cameras like the Lomo and Holga as traditional SLRs.
A century after his death, Viennese artist Gustav Klimt (1862–1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. In this neat, dependable monograph, we gather all of Klimt's major works alongside authoritative art historical commentary and privileged archival material from Klimt’s own archive to trace the evolution of his astonishing oeuvre.
With top-quality illustration, including new photography of the celebrated Stoclet Frieze, the book follows Klimt through his prominent role in the Secessionist movement of 1897, his candid rendering of the female body, and his lustrous “golden phase” when gold leaf brought a shimmering tone and texture to such beloved works as The Kiss and Portrait of Adele Bloch-Bauer I, also known as The Woman in Gold.
Painter, sculptor, writer, and filmmaker, Salvador Dali (1904-1989) was one of the century's greatest exhibitionists and eccentrics-and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination.
It started in 1978 with an ordinary coffee shop near Kyoto. Word spread that the waitresses wore no panties under their miniskirts. Similar establishments popped up across the country. Men waited in line outside to pay three times the usual coffee price just to be served by a panty-free young woman.
Within a few years, a new craze took hold: the no-panties “massage” parlor. Increasingly bizarre services followed, from fondling clients through holes in coffins to commuter-train fetishists. One particularly popular destination was a Tokyo club called “Lucky Hole” where clients stood on one side of a plywood partition, a hostess on the other. In between them was a hole big enough for a certain part of the male anatomy.
Taking the Lucky Hole as his title, Nobuyoshi Araki captures Japan's sex industry in full flower, documenting in more than 800 photos the pleasure-seekers and providers of Tokyo’s Shinjuku neighborhood before the February 1985 New Amusement Business Control and Improvement Act put a stop to many of the country's sex locales. Through mirrored walls, bed sheets, the bondage and the orgies, this is the last word on an age of bacchanalia, infused with moments of humor, precise poetry, and questioning interjections.
The Hermetic Museum takes readers on a magical mystery tour spanning an arc from the medieval cosmogram and images of Christian mysticism, through the fascinating world of alchemy to the art of the Romantic era. The enigmatic hieroglyphs of cabalists, Rosicrucians, and freemasons are shown to be closely linked with the early scientific illustrations in the fields of medicine, chemistry, optics, and color theory. Even for those with no knowledge of the fascinating history of alchemy, this book is a delight to explore. Each richly illustrated chapter begins with an introduction and quotes from alchemists by specialist Alexander Roob. The roots of surrealism and many other more recent artistic movements can be found in this treasure trove.
Andy Warhol and Jean-Michel Basquiat’s complex relationship captivated the art world then and now. At a time when Warhol was already world famous and the elder statesman of New York cool, Basquiat was a downtown talent rising rapidly from the graffiti scene. Together, they forged an electrifying personal and professional partnership.
As a prolific documentarian of his own world, Warhol extensively photographed and wrote of his friendship with Basquiat, all played against the backdrop of 1980s downtown New York City. It reveals not only the emotional depth of their relationship but also its ambiguities, extremities, and complexities.
Produced in collaboration with The Andy Warhol Foundation and Jean-Michel Basquiat’s estate, this book chronicles the duo’s relationship in hundreds of previously unpublished photographs of Basquiat along with a dynamic cast of characters from Madonna to Grace Jones, Keith Haring to Fela Kuti. The shots are accompanied by entries from the legendary Andy Warhol Diaries, selected collaborative artworks, and extensive ephemera. Touching, intimate, and occasionally sardonic, Warhol on Basquiat is a voyeuristic glimpse into the lives of two of modern art’s brightest stars.
Best of Bauhaus
The definitive reference work, now in a compact format
In a fleeting 14-year period between two world wars, Germany's Bauhaus school of art and design changed the face of modernity. With utopian ideas for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology, which they applied across media and practices from film to theater, and sculpture to ceramics.
This best-selling reference work is made in collaboration with the Bauhaus-Archiv/Museum für Gestaltung in Berlin, the world's largest collection on the history of the Bauhaus. Documents, studies, more than 250 new photographs, sketches, plans, and models record not only the realized works but also the leading principles and personalities of this idealistic creative community through its three successive locations in Weimar, Dessau, and Berlin. From informal shots of group gymnastics to drawings guided by Paul Klee, from extensive architectural plans to an infinitely sleek ashtray by Marianne Brandt, the collection brims with the colors, materials, and geometries that made up the Bauhaus vision of a "total" work of art.
As we approach the Bauhaus centennial, this is a defining account of its energy and rigor, not only as a trailblazing movement in Modernism but also as a paradigm of art education, where creative expression and cutting-edge ideas led to simultaneously functional and beautiful creations. The handy edition features artists Josef Albers, Marianne Brandt, Walter Gropius, Gertrud Grunow, Paul Klee, Ludwig Mies van der Rohe, Lilly Reich, and many more.
The wooden structures of the 21st century
Not so very long ago, some might have considered wood a material of the past, long since replaced by more modern components such as concrete and steel. The truth is radically different. Bolstered by new manufacturing techniques and ecological benefits, wood has seen a fabulous resurgence in contemporary construction.
This book explores how architects around the world have created and invented with this elementary material. Featuring follies, very large buildings, and ambitious urban renewal schemes, it celebrates the diverse deployment of wood by architects around the world. We see how wood can at once transform urban spaces, as in the Metropol Parasol in Seville by Jürgen Mayer H., and allow for sensitive interventions in natural environments, such as at the Termas Geométricas Hot Springs Complex in Pucón, Chile, by Germán del Sol.
True to all TASCHEN architecture titles, the book pays tribute to many emerging international talents as well as to such renowned figures as Tadao Ando and Renzo Piano. It celebrates each architect’s vision and innovation, as well as investigating the techniques, trends, and principles that have informed their work with wood. It examines the computer-guided milling that has allowed for novel new forms, the responsible harvesting that allows wood to align with our environmental concerns, and, above all, wood’s enduring appeal to our senses and psyche, comforting hectic modern lives with a sense of Arcadian simplicity.
Sebastião Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region for six years: the forest, the rivers, the mountains, the people who live there—an irreplaceable treasure of humanity. In the book’s foreword Salgado writes: “For me, it is the last frontier, a mysterious universe of its own, where the immense power of nature can be felt as nowhere else on earth. Here is a forest stretching to infinity that contains one-tenth of all living plant and animal species, the world’s largest single natural laboratory.” Salgado visited a dozen indigenous tribes that exist in small communities scattered across the largest tropical rainforest in the world.He documented the daily life of the Yanomami, the Asháninka, the Yawanawá, the Suruwahá, the Zo’é, the Kuikuro, the Waurá, the Kamayurá, the Korubo, the Marubo, the Awá, and the Macuxi—their warm family bonds, their hunting and fishing, the manner in which they prepare and share meals, their marvelous talent for painting their faces and bodies, the significance of their shamans, and their dances and rituals. Sebastião Salgado has dedicated this book to the indigenous peoples of Brazil’s Amazon region: “My wish, with all my heart, with all my energy, with all the passion I possess, is that in 50 years’ time this book will not resemble a record of a lost world. Amazônia must live on.” INSTITUTO TERRA Founded in 1998 at Aimorés in the state of Minas Gerais, Instituto Terra is the culmination of Lélia Wanick Salgado and Sebastião Salgado’s lifelong activism and work as cultural documentarians.Through a scientific program of planting and raising saplings, the organization has performed a miraculous reforestation of the once infertile region and furthered the Salgados’ mission of reversing the damage done to our planet. TASCHEN is proud to reach carbon zero status through our continued partnership. Also available in a Collector's Edition and four Art Editions, each with a signed silver gelatin print, all with a book stand designed by Renzo Piano.
Brick by Brick
The world’s most innovative brick buildings
Of all building materials in the world, brick is one of the most enduring and ubiquitous. Traces of brickmaking date back to 7500 BC and fired brick first made its appearance in about 3500 BC. Since then, the trusty brick has shown amazing resilience and remains one of the mainstays of contemporary architecture. Rooted in tradition in countries as different as China and the Netherlands, it is inexpensive, flexible in use, and can also be ecologically fabricated.
This comprehensive volume tours the world to cover the most exciting and innovative brick buildings of the past 35 years, from Paraguay to New Zealand. True to all TASCHEN architecture tomes, it includes new talents like Sanchit Arora from RENESA as well as established starchitects such as Renzo Piano and Peter Zumthor. Featured buildings showcase the variety of brick applications across cultural, domestic, infrastructure, and leisure spaces, including Tate Modern Switch House in London by Herzog & de Meuron, D’Houndt + Bajart’s Boa School Restaurant in Lille-Lomme, and MASS Design’s Maternity Waiting Village in Kasungu, Malawi.
The Divine Proportion
The mysterious formula that rules art, nature, and science
The Divine Proportion reveals a number of simple patterns: It is seen in the seed patterns of fruits, the family tree of bees, the pyramids of Egypt, Gothic cathedrals, Renaissance paintings, the human body, shells ... the list is endless.
Mathematicians use the Greek symbol Φ to represent the Divine Proportion and equate it to a number that is defined by the ratio (1 + √5) / 2 or 1.6180339.... Numbers do little, however, in describing this unique ratio that is found everywhere in nature and for 2500 years has been an aesthetic guide in art and architecture.
Beginning with calculations found on clay tablets in ancient Babylon, the story of Divine Proportion can be traced alongside the history of numbers to the fractals of the digital age. As its many forms unfold we uncover the Golden Rectangle in the Parthenon, Golden Spirals in the human inner ear, a Golden Angle in the petal patterns of a rose, and the Fibonacci numbers in lilies, daisies, pineapples, and in our own DNA.
With its natural balance and elegant beauty, the Divine Proportion is a perpetual reminder that our hope for regeneration and continuity lies in realizing the meaningful and harmonious relationship of all the parts to the whole.
This book deals with the Divine Proportion, a secret code that rules art, nature, and science. It is known by many names: Golden Mean, Sacred Cut and Phi are only a few; and it is not by chance that the Divine Proportion was given its name. It has been called divine because over thousands of years it has been deemed to be so.
Kinbaku-bi, Anyone?
Araki’s Striking Photos of Traditional Japanese Bondage
He’s been called a genius and a poet, but also a misogynist, a pornographer, a monster—but Nobuyoshi Araki’s work transcends simple moralistic classifications. He has said of his work: “There is no conclusion. It’s completely open. It doesn’t go anywhere.” One of the greatest Japanese photographers of our time, Araki’s oeuvre is marked by an unmistakable mastery of composition, color, and tone.
Meaning “the beauty of tight binding,” Kinbaku-bi, the traditional Japanese art of erotic bondage has long fascinated the photographer, becoming one of his most important subjects. Araki plays with patterns of subjugation and emancipation, death and desire and with the slippage between serene image and shock. Whether literally or figuratively, his models are certainly immobilized, but in the most tantalizing ways—girls lay bound but defiant, suspended from the ceiling, in traditional dress or nude, face-on, sometimes with a flower subtly positioned between their legs.
Araki picks his all-time favorite images of bondage. The result is a testament to his ability to tantalizing balance sexual vulnerability and seduction like no other.
Hello, HAL
On the set of 2001: A Space Odyssey
Get closer than ever to the movie that changed the movies. This behind-the-scenes spectacular of 2001: A Space Odyssey sheds light on the lead actors, senior production designers, special-effects experts and masterminds of Stanley Kubrick and Arthur C. Clarke, who together revolutionized science fiction and the art of cinema.
Previously available as part of the multi-volume and instant sell-out Collector's Edition, this comprehensive visual record includes on and off set photographs, pre-production paintings, and conceptual designs from the Kubrick archives. These dazzling images offer insight both into Kubrick's meticulous directorial methods, and into the mysteries and magnetism of a film at once vast in scope and intricate in its exploration of our relationship to technology.
Written and researched over several years by the outer space, special effects, and technology journalist Piers Bizony, this compendium is both an exhaustive labour of love and a monument to a masterpiece of 20th century culture.
The finest atlas ever published
Superlatives tend to fail in describing Joan Blaeu’s Atlas Maior—that being said, it stands as one of the most extravagant feats in the history of mapmaking. The original Latin edition, completed in 1665, was the largest and most expensive book to be published during the 17th century. Its 594 maps appearing across 11 volumes spanned Arctica, Africa, Asia, Europe, and America. Ambitious in scale and artistry, it is included in the Canon of Dutch History, an official survey of 50 individuals, creations, or events that chart the most important historical developments of the Netherlands.
TASCHEN’s meticulous reprint brings this luxurious Baroque wonder into the hands of modern readers. In an age of digitized cartography and global connectivity, it celebrates the steadfast beauty of quality printing and restores the wonder of an exploratory age, in which Blaeu’s native Amsterdam was a center of international trade and discovery.
This edition is based on the Austrian National Library’s complete colored and gold-heightened copy of Atlas Maior, assuring the finest detail and quality. University of Amsterdam’s Peter van der Krogt introduces the historical and cultural significance of the atlas while providing detailed descriptions for individual maps, revealing the full scale and ambition of Blaeu’s masterwork.
Leap into the gamma-irradiated origins of Marvel's meanest (and greenest!) hero
The second Marvel character to spring from the legendary creative collaboration of Stan Lee and Jack Kirby in the early 1960s was a far cry from the Fantastic Four’s recognizable family dynamics and globe-trotting super heroics. The Hulk was a Monster! The alter ego of puny human scientist Bruce Banner unleashed when an experimental bomb douses the hapless scientist in Gamma radiation, and thereupon unleashed every time the mild-mannered Banner lost his temper, the Hulk exploded from comics stands into an unsuspecting world…and he hasn’t stopped since.
Unquestionably one of the strangest, strongest, and most evocative archetypes to come from Marvel Comics, the Hulk defies all explanation. At times at war with other superheroes, villains, the United States military, humanity, and even his alter-ego Bruce Banner himself, he stands as an avatar of unbridled fury, primal instincts, the destructive potential of the atomic bomb and humanity’s hubris all at once. A modern Prometheus, imbued by atomic fire, who will never stop raging, never stop smashing.
Now, TASCHEN brings you the Hulk as you’ve never seen him before, in an XXL-size volume worthy of his name. Collecting The Incredible Hulk Nos. 1–6, along with his appearances in Tales to Astonish. All issues have been photographed using TASCHEN’s sterling reproduction methods, resembling the way these comics first looked when initially published, while also being digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing.
An introduction by pop-culture and comic scholar Douglas Wolk, meticulously researched and adorned with rarely seen original art, photos, and paraphernalia showcasing the Hulk’s lasting impact on global culture, rounds out this massive package to honor of the biggest, meanest, and greenest superheroes of all time.
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