Michelangelo’s breathtaking drawings
Very few artists can claim such lasting and worldwide fame and importance as Michelangelo Buonarroti (1475–1564). The nickname il divino (“the divine one”) has been applied to him since the 1530s right through to today: his achievements as a sculptor, painter, and architect remain unparalleled and his creations are among the best-known artworks in the world.
This Bibliotheca Universalis edition is devoted to the artist’s graphic work, a testimony to his masterly command of line, form, and detail, from architectural studies to anatomically perfect figures. The book brings together some of the artist’s finest drawings from museums and collections around the world as well as some of his own notes and revisions, offering stunning proximity not only to the ambition and scope of Michelangelo’s practice but also his working process. A chapter with a compilation of newly attributed and reattributed drawings provides further insights into Michelangelo’s varied graphic oeuvre and the ongoing exploration of his genius.
Whether you’re thinking of getting a tattoo or just want to see to what lengths others have gone in decorating their bodies, this is the book to check out. This edition of 1000 Tattoos explores the history of the art worldwide via designs and photos—from 19th-century engravings to tribal body art, from circus ladies of the ‘20s to classic biker designs—giving a fascinating insight into the art of tattooing.
Though numbering just 35 known works, the oeuvre of Johannes Vermeer (1632-1675) is hailed as one of the most important and inspiring portfolios in art history. His paintings have prompted a New York Times best seller, a film starring Scarlett Johansson, and record visitor numbers at art institutions from Amsterdam to Washington.
Vermeer's subjects focus on daily domestic activities, from letter writing to music playing to preparations in the kitchen. The scenes astound with their meticulous detail, majestic planes of light, and with Vermeer's extraordinary ability to draw out narrative intrigues. In such beloved paintings as Lady Standing at a Virginal, A Lady Writing a Letter with Her Maid and, most famously, the enigmatic, wide-eyed, and enchanting Girl with a Pearl Earring, Vermeer evokes not only the effects of substance and texture, but also the many stories and secrets that reside beneath the surface.
Featuring all Vermeer's known works and succinct, accessible texts, this essential introduction explores Vermeer's leading place in art history and his unique ability to transform oil paint into a living, breathing scene of human life.
George Eastman's career developed in a particularly American way. The founder of Kodak progressed from a delivery boy to one of the most important industrialists in American history, and a crucial innovator in photographic history.
Eastman died in 1932, and left his house to the University of Rochester. Since 1949 the site has operated as an international museum of photography and film, and today holds the largest collection of its kind in the world, containing over 400,000 images and negatives-among them the work of such masters as Alfred Stieglitz, Edward Steichen, and Ansel Adams.
Home also to 23,000 cinema films, five million film stills, one of the most important silent film collections, technical equipment and a library with 40,000 books on photography and film, the George Eastman House is a pilgrimage site for researchers, photographers, and collectors from all over the world. This volume curates the most impressive images from the collection in chronological order to offer an incomparable overview of photographic history.
"Girls, Gags & Giggles," ran publisher Robert Harrison's recipe for dishing up pin-up to the American male. Men loved his tasty dishes, a mixture of strippers and starlets dressed in outfits so fetishistic no one noticed they were never nude. While other magazines delivered the girl next door, Harrison's publications banked on bad girls in satin and leather, fishnet stockings, and six-inch heels performing slapstick stunts straight from the burlesque stage.
Harrison lured his readers in with vibrantly painted covers by top pin-up artists Earl Moran, Billy DeVorss and, most famously, Peter Driben. This Bibliotheca Universalis edition celebrates this eye-catching candy with every single cover from Beauty Parade, Wink, Titter, Eyeful, Flirt, and Whisper, from 1942 to 1955, as well as interior spreads, featuring, among others, a budding Bettie Page. In an age when far more graphic material is the norm, 1000 Pin-Up Girls celebrates an era of pin-up and pulp style to fuel your erotic imagination.
While the female nude has long played a conspicuous role in western iconography, the male nude has not always enjoyed such attention, or acceptance. This ode to the male physique celebrates the evolving, at one time illicit, art form from anonymous 19th century erotica through to contemporary work from David Hockney and Duane Michaels.
Through the classic, the playful, and the provocative, it explores the compositions, postures, and role-playing of this often under-explored genre. Esteemed masters such as Herbert List, George Platt Lynes or Robert Mapplethorpe are all there, alongside Baron Wilhelm von Gloeden, famed for his homoerotic images of nude youths in classical postures in Sicily. Further highlights include illustrations from Physique Pictorial, the leading organ of the mid-50s gay scene and a pioneer in gay publishing.
Up close and suspenseful with Alfred Hitchcock
The name Alfred Hitchcock is synonymous with suspense—that is to say, masterful, spine-tingling, thrilling, shocking, excruciating, eye-boggling suspense. With triumphs such as Rebecca, Vertigo, Rear Window, and Psycho, Hitchcock (1899–1980) fashioned a new level of cinematic intrigue and fear through careful pacing, subtlety, and suggestiveness.
This complete guide traces Hitchcock’s life and career from his earliest silent films right through to his last picture in 1976, Family Plot. Updated with fresh images, the book combines detailed entries for each of Hitchcock’s 53 films, an incisive essay that sheds light on his fear-inducing devices, photos of the master at work, and an illustrated list of each of his cameos, together adding up to a movie buff’s dream.
In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: “It’s not a message I ever intended to convey in words. 2001 is a nonverbal experience… I tried to create a visual experience, one that directly penetrates the subconscious with an emotional and philosophic content.”
Now available as part of our Bibliotheca Universalis series, The Stanley Kubrick Archives borrows from the director’s philosophy. From the opening sequence of Killer’s Kiss to the final frames of Eyes Wide Shut, it allows the masterful visuals of Kubrick’s films to impress through a sequence of compelling, mesmerizing stills. We uncover Kubrick’s creative process through fascinating archival material, including set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules.
Accompanying the visual and archival material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick’s best interviews. The result is a visual, archival, and scholarly journey through masterworks of 20th-century cinema and the meticulous mind of the director behind them.
“What is it about a dull yellow metal that drives men to abandon their homes, sell their belongings and cross a continent in order to risk life, limbs and sanity for a dream?” – Sebastião Salgado
When Sebastião Salgado was finally authorized to visit Serra Pelada in September 1986, having been blocked for six years by Brazil’s military authorities, he was ill-prepared to take in the extraordinary spectacle that awaited him on this remote hilltop on the edge of the Amazon rainforest. Before him opened a vast hole, some 200 meters wide and deep, teeming with tens of thousands of barely-clothed men. Half of them carried sacks weighing up to 40 kilograms up wooden ladders, the others leaping down muddy slopes back into the cavernous maw. Their bodies and faces were the color of ochre, stained by the iron ore in the earth they had excavated.
After gold was discovered in one of its streams in 1979, Serra Pelada evoked the long-promised El Dorado as the world’s largest open-air gold mine, employing some 50,000 diggers in appalling conditions. Today, Brazil’s wildest gold rush is merely the stuff of legend, kept alive by a few happy memories, many pained regrets—and Sebastião Salgado’s photographs.
Color dominated the glossy pages of magazines when Salgado shot these images. Black and white was a risky path, but the Serra Pelada portfolio would mark a return to the grace of monochrome photography, following a tradition whose masters, from Edward Weston and Brassaï to Robert Capa and Henri Cartier-Bresson, had defined the early and mid-20th century. When Salgado’s images reached The New York Times Magazine, something extraordinary happened: there was complete silence. “In my entire career at The New York Times,” recalled photo editor Peter Howe, “I never saw editors react to any set of pictures as they did to Serra Pelada.”
Today, with photography absorbed by the art world and digital manipulation, Salgado’s portfolio holds a biblical quality and projects an immediacy that makes them vividly contemporary. The mine at Serra Pelada has been long closed, yet the intense drama of the gold rush leaps out of these images.
This book gathers Salgado’s complete Serra Pelada portfolio in museum-quality reproductions, accompanied by a foreword by the photographer and an essay by Alan Riding.
Helmut Newton (1920–2004) always showed a healthy disdain for the easy or predictable, so it’s no surprise that the SUMO was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the SUMO weighing in—boxed and shrink-wrapped—at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications.
Published in an edition of 10,000 signed and numbered copies, the SUMO sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York’s Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book’s featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000 for 620,000 German marks—about 317,000 euros.
Now, this XL edition celebrates 20 years of SUMO, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 464 images and a new booklet that takes us through the making-of this publishing venture—a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.
Unmatched in his ingenuity, technical prowess, and curiosity, Leonardo da Vinci (1452–1519) epitomizes the humanistic ideal of the Renaissance man: a peerless master of painting, sculpture, cartography, anatomy, architecture—and more. Simultaneously captivating art historians, collectors, and the millions who flock yearly to admire his works, Leonardo’s appeal is as diffuse as were his preoccupations. His images permeate nearly every facet of Western culture—The Vitruvian Man is engraved into millions of Euro coins, The Last Supper is considered the single most reproduced religious painting in history, and the Mona Lisa has entranced countless artists and observers for centuries.
On the occasion of the 500th anniversary of his death, this updated edition of our XL title is an unrivaled survey of Leonardo’s life and work, including a catalogue raisonné encompassing both his surviving and lost paintings. Through stunning full-bleed details, we experience every measured brushstroke, each a testament to Leonardo’s masterful ability.
An expansive catalog of nearly 700 of Leonardo’s drawings further illuminates the breadth of his pursuits. From diagrams of intricately engineered machines to portraits of plump infants, they stand reflective of his boundless and visionary technical imagination, balanced with a subtle and perceptive hand, capable of rendering quotidian moments with moving emotional timbre.
Also included is a new foreword by Frank Zöllner, expanded exclusively for this special edition, which dissects the latest scientific developments on Leonardo’s work and the story behind the haunting Salvator Mundi, which recently fetched a record-breaking $ 450 million at auction.
Modernist aesthetics in architecture, art, and product design are familiar to many. In soaring glass structures or minimalist canvases, we recognize a time of vast technological advance which affirmed the power of human beings to reshape their environment and to break, radically, from the conventions or constraints of the past. Less well-known, but no less fascinating, is the distillation of modernism in graphic design.
This unprecedented TASCHEN publication, authored by Jens Müller, brings together approximately 6,000 trademarks, focused on the period 1940–1980, to examine how modernist attitudes and imperatives gave birth to corporate identity. Ranging from media outfits to retail giants, airlines to art galleries, the sweeping survey is organized into three design-orientated chapters: Geometric, Effect, and Typographic. Each chapter is then sub-divided into form and style led sections such as alphabet, overlay, dots and squares.
Alongside the comprehensive catalog, the book features an introduction from Jens Müller on the history of logos, and an essay by R. Roger Remington on modernism and graphic design. Eight designer profiles and eight instructive case studies are also included, with a detailed look at the life and work of such luminaries as Paul Rand, Yusaku Kamekura, and Anton Stankowski, and at such significant projects as Fiat, The Daiei Inc., and the Mexico Olympic Games of 1968. An unrivaled resource for graphic designers, advertisers, and branding specialists, Logo Modernism is equally fascinating to anyone interested in social, cultural, and corporate history, and in the sheer persuasive power of image and form.
Fashion has Helmut Newton, architecture has Julius Shulman, and cat photography has Walter Chandoha. In 1949, his encounter with a stray kitten blossomed into a career that elevated feline portraiture to an art form. This is a tribute not just to these beguiling creatures but also to a remarkable photographer who passed away this year at the age of 98; and whose compassion can be felt in each and every frame.
Through ancient wonders, world capitals, and tiny places with infectious personalities, Europe packs some serious travel punches. The world’s second-smallest continent makes up for size with its intricate cultures and abundant charms, boasting artistic masterpieces and architectural marvels as much as natural splendor.
This revised and updated edition brings you a curated selection of the most unique hotels and atmospheric guesthouses across the European continent. Selected for their breathtaking locations and interiors, each haven offers the surroundings of style and the serenity in which everyday life can melt away. Angelika Taschen reveals such gems as Der Seehof, an idyllic site on an Austrian lake where guests can fish for their dinner; a 150-year old Portuguese estate refurbished by Pritzker Prize-winner Eduardo Souto De Moura, which remains a working farm to this day; and Budsjord, last stop on one of the loneliest pilgrimage routes in the world, situated at the edge of the Dovrefjell National Park in Norway—to name just a few.
A treasure trove of travel inspiration, this must-have guide profiles each hotel through postcard-ready photography as well as key information like directions, contact details, and reading inspiration for each destination.
The industrial designs that shape our lives
If you take even the slightest interest in the design of your toothbrush, the history behind your washing machine, or the evolution of the telephone, you’ll take an even greater interest in this completely updated edition of Industrial Design A–Z.
Tracing the evolution of industrial design from the Industrial Revolution to the present day, the book bursts with synergies of form and function that transform our daily experience. From cameras to kitchenware, Lego to Lamborghini, we meet the individual designers, the global businesses, and above all the genius products that become integrated into even the smallest details of our lives.
Alongside star designers like Marc Newson and Philippe Starck and major global brands like Braun and Apple, lesser-known and newcomer entries such as Brompton Bicycles and Enercon wind turbines attest to product design’s restless pace, as well as to today’s most pressing challenges and priorities to which it must turn its creative invention.
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