Wolfgang Tillmans compiles 30 years of his work
to draw a picture of where we are today
Like hardly any other artist of his generation, Wolfgang Tillmans has shaped our perception of the world. From early portraits of his friends to still lifes, travel shots, nudes, landscape and sky photographs, to his abstract work, Tillmans has created a multitude of iconic works in his unmistakable visual language, opening up new paths and possibilities for both photography and contemporary art. In 2000 he was the first photographer and the first non-British person to receive the renowned Turner Prize.
His first volume for TASCHEN (1995) shows the young generation of the 1990s, of which Tillmans himself was a member, in clubs, at Gay Pride, at fashion events, and in everyday life. His dense, realistic photographs conjure up tangible utopias of community and society and are important documents of their time as well. With the follow-up volume Burg (1998), Tillmans enriches his subject matter with another array of beautiful, now iconic photographs. In truth study center (2005), his images condense into even more subtle compositions and now stand alongside completely abstract works. Finally, Neue Welt (2012) documents Wolfgang Tillmans’ travels around the globe: from London to Tierra del Fuego, India, Papua New Guinea, Saudi Arabia, and Central Africa, we follow his ever-inquisitive eye for the realities of our planet, for social situations with people and markets, technology and architecture, and last but not least, nature and astronomy. For this volume, the artist for the first time made use of the new possibilities of digital photography. This enabled a density of information and incisiveness hardly seen in photographs until then.
This 40th-anniversary publication from TASCHEN combines the best of the four books in one volume. Wolfgang Tillmans himself has compiled this edition, partly redesigned it, added some recent works, and written a new foreword.
Paging through this collection of images, which spans three decades, there are countless moments to delight in, moments that are held not only in our collective memory but in our individual ones too.
The most comprehensive retrospective of Renoir’s work
Pierre-Auguste Renoir’s (1841–1919) timelessly charming paintings still reflect our ideals of happiness, love, and beauty. Derived from our large-format volume, the most comprehensive retrospective of his work published to date, this compact edition examines the personal history and motivation behind the legend. Though he began by painting landscapes in the Impressionist style, Renoir found his true affinity in portraits, after which he abandoned the Impressionists altogether. Though often misunderstood, Renoir remains one of history’s most well-loved painters—undoubtedly because his works exude such warmth, tenderness, and good spirit.
In an incisive text tracing the artist’s career and stylistic evolution, Gilles Néret shows how Renoir reinvented the painted female form, with his everyday goddesses and their plump contours, rounded hips and breasts. Renoir’s later phase, marked by his return to the simple pleasure of the female nude in his Bathers series, was his most innovative and stylistically influential, and would inspire such masters as Matisse and Picasso.
With a complete chronology, bibliography, photos, sketches, and brilliant reproductions, this is the essential work of reference on this enduring master artist.
Pastel Dreams
The powerful architecture of North Korea
Erased by bombing during the Korean War, North Korea’s trophy capital of Pyongyang was entirely rebuilt from scratch from 1953, in line with the vision of the nation’s founder, Kim Il Sung. Designed as an imposing stage set, it is a place of grand axial boulevards linking gargantuan monuments, lined with stately piles of distinctly Korean flavor, to be “national in form and socialist in content.”
Under the present leader, Kim Jong Un, construction has ramped up apace—“Let us turn the whole country into a socialist fairyland,” declares one of his official patriotic slogans. He is rapidly transforming Pyongyang into a playground, conjuring a flimsy fantasy of prosperity and using architecture as a powerful anesthetic, numbing the population from the stark reality of his authoritarian regime.
Guardian journalist and photographer Oliver Wainwright takes us on an eye-opening tour behind closed doors in the most secretive country in the world, revealing that past the grand stone façades lie lavish wonder-worlds of marble and mosaic, coffered ceilings, and crystal chandeliers, along with new interiors in dazzling color palettes. Discover the palatial reading rooms of the Grand People’s Study House, and peer inside the locker rooms of the recently renovated Rungrado May Day Stadium, ready to host a FIFA World Cup that will never come.
This collection features about 200 photographs with insightful captions, as well as an introductory essay where Wainwright charts the history and development of Pyongyang, explaining how the architecture and interiors embody the national “Juche” ideology and questioning what the future holds for the architectural ambitions of this enigmatic country.
A world of music, dance, and the Moulin Rouge
In our imaginings of Paris, painter and graphic artist Henri de Toulouse-Lautrec (1864–1901) has no small role to play. In his prints, posters, paintings, and drawings, the artist immortalized the city’s Belle Époque nightlife and put the northern neighborhood of Montmartre on the global map of creative-hedonist hotspots.
The son of old French nobility, Toulouse-Lautrec seems to have been drawn early on to visions of a demimonde, centering his attention on the dance halls, cabarets, and brothels of Montmartre and adopting famed dancers and singers as his subjects, most notably Jane Avril. His works include both lively performance scenes and quiet, tender “after-hours” portraits such as The Sofa and In Bed. Stylistically, he mastered both bold graphics, as celebrated in his promotional posters of Jane Avril, and a loose yet evocative sketchwork.
Though he died aged just 36, due to complications from alcoholism and syphilis, Toulouse-Lautrec’s cultural influence was immense. This introductory book takes a walk through his world of singers, dancers, musicians, and prostitutes to reveal an artist of great humanity, striking figurative skill, and a pronounced sense for the energy and stories of a city.
Lyrical forms from Finland
Alvar Aalto (1898–1976) made a unique modernist mark. Influenced by both the landscape and the political independence of his native Finland, he designed warm, curving, compassionate buildings, wholly set apart from the slick, mechanistic, geometric designs that characterized much contemporary European practice.
Whether a church, a villa, a sauna, or a public library, Aalto’s organic structures tended to replace plaster and steel with brick and wood, often incorporating undulating, wave-like forms, which would also appear in his chair, glassware, and lamp designs. An adherent to detail, Aalto insisted upon the humanity of his work stating: “Modern architecture does not mean using immature new materials; the main thing is to work with materials towards a more human line.”
Many of Aalto’s public buildings such as Säynätsalo Town Hall, the lecture theatre at Otaniemi Technical University, the Helsinki National Pensions Institute and the Helsinki House of Culture may be seen as psychological as well as physical landmarks in the rebuilding of Finland after the ravages of war.
A Mountain Tour of the Alps
The Alps are Europe’s biggest and greatest mountain range. Formed millions of years ago, they became a popular destination for travelers in the late eighteenth century – first for adventurers and explorers, then for artists and writers, and finally for everyone who wanted to spend summer in the fresh air of this wonderful scenery or take part in winter sports. Angelika Taschen has followed in their footsteps and collected the finest hotels in the Alpine nations of Germany, Austria, Switzerland, France, and Italy.
They include the Kranzbach near Garmisch-Partenkirchen, built for a British aristocrat, Gasthof Hirschen in the Bregenzerwald, where art-loving visitors have been welcomed since 1755, and the Seehof near Salzburg with its emphasis on contemporary art and fine cuisine. The journey goes to Waldhaus Sils in Sils Maria, where many creative guests have found inspiration, to the Schatzalp in Davos, which Thomas Mann immortalized in literature in “The Magic Mountain”, and to picturesque bed & breakfasts with a personal touch such as Brücke49 in Vals and Maison Bergdorf in Interlaken.
High above Chamonix, mountaineers have stayed overnight for more than 140 years at Refuge du Montenvers with its view of the Mer de Glace, the largest glacier in France. In the exclusive Megève, too, which Baroness Noémie de Rothschild put on the tourist map, travelers experience the Alps à la française in the chalet hotel L’Alpaga; and a bit of Italian dolce vita is provided by stunning addresses in the South Tyrol such as the Ottmangut in Merano, Villa Arnica in Lana with its nostalgic atmosphere, and Pension Briol near Barbiano, constructed in 1928 in the Bauhaus style and extended in 2021 with the addition of two extremely modern buildings.
The movies that shaped the 2010s
Cinema has likely never been written off so often. In the decade of the 2010s, it is true, much has changed – both in how we watch movies, and in how we see ourselves. Social media and the internet have shaped a new understanding of the self and the world. As streaming services multiplied our viewing options and video games offered alluring realities of their own, the big screen faced serious competition. Even before the usual delays between theatrical release and further distribution became ever shorter, movies often found themselves downgraded to mere “content”, to be clicked at on colorful screen tiles. Are all that remain to cinema its cult of celebrity, blockbusters, and computer-animated visual effects?
Quite the contrary – even a cursory glance at our anthology reveals a cinema that is surprisingly diverse, dynamic, and above all alive and kicking, resulting in a decade that was anything but boring, monotonous, and doomed to extinction. And in all honesty: Would you really be satisfied watching all the films compiled here purely via streaming? The movie theater remains a place of yearning, and our book lets you feel its powerful breath.
Each of the 100 most compelling movies of the decade is discussed in detail by editor Jürgen Müller and his team of authors, and illustrated with a wealth of visual material. The volume also includes biographies of actors and directors, box-office takings, background information, and a comprehensive list of Oscar® winners from 2012 to 2021. For Jürgen Müller and Philipp Bühler in their wide-ranging introduction, Quentin Tarantino’s masterpiece Once Upon a Time... in Hollywood (2019) offers the perfect metaphor for the contradictions and ambivalences of contemporary cinema. This volume is a new milestone for all cineastes and movie lovers!
The Egyptian explorations of Émile Prisse d’Avennes
A lifelong devotee of ancient Egyptian and Oriental culture, the French author, artist, and scholar Achille-Constant-Théodore-Émile Prisse d’Avennes (1807–1879) is famed as one of the most influential Egyptologists, long before the discipline was even properly established.
Prisse first embarked on his explorations in 1836, documenting sites throughout the Nile Valley, often under his Egyptian pseudonym, Edris Effendi. Prisse’s first publication of notes, drawings, and squeezes (a kind of frottage) came in the form of Les Monuments égyptiens, a modest collection of 51 plates, but one met with considerable acclaim in popular and intellectual circles. Encouraged by his success, Prisse returned to Egypt in the late 1850s to expand his work into the collection L’Histoire de l’art égyptien—together with his first volume, these two tomes make up a truly complete survey of Egyptian art.
His albums cover architecture, drawing, sculpture, painting, and industrial or minor arts, with sections, plans, architectural details, and surface decoration all documented with utmost sensitivity and accuracy. Even when compared to the products of the great state-sponsored expeditions to Egypt of this period, Prisse’s compendium remains the largest, single-handed illustrated record of Egyptian art in existence.
Discover the complete collection of Prisse’s unsurpassed illustrations in a visual and archaeological feast of symmetry and complexity. Once exclusively available as an XL-sized title, this Bibliotheca Universalis edition captures all the mystery and opulence of Prisse’s groundbreaking collection in an affordable, compact format.
From emergency relief shelters to a cardboard cathedral and exhibition spaces in shipping containers, Pritzker Prize-winning architect Shigeru Ban has made his name with his restlessly inventive response to material and situation, as much as with his humanitarian work at the sites of natural and man-made disasters. According to scholar Riichi Miyake, Ban's work represents "an architectural iteration of Doctors Without Borders."
In the spirit of three-dimensional poetry, Ban uses materials as an integral part of his design, selected not for their cutting-edge credentials but rather for their expressive ability, their capacity to convey the building's overall concept. In particular, Ban has made regular use of paper tubing in projects as varied as the Japanese Pavilion at Expo 2000 in Hanover and emergency shelters for Rwanda's Byumba Refugee Camp.
This essential introduction, compiled with Ban's own collaboration, presents his most important projects to date, surveying the full reach and importance of, in the words of the Pritzker Prize jury, a "committed teacher who is not only a role model for younger generations, but also an inspiration."
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