This Is Mars offers a previously unseen vision of the red planet. Located somewhere between art and science, the book brings together for the first time a series of panoramic images recently sent back by the U.S. observation satellite MRO (Mars Reconnaissance Orbiter). Since its arrival in orbit in 2006, MRO and its HiRISE telescope have been mapping Marss surface in a series of exceptionally detailed images that reveal all the beauty of this legendary planet. Each image presents a six-kilometer-wide zone in which the planets geography and its geological and mineralogical textures are revealed. Conceived as a visual atlas, the book takes the reader on a fantastic voyageplummeting into the breathtaking depths of the Velles Marineris canyons; floating over the black dunes of Noachis Terra; and soaring to the highest peak in our solar system, the Olympus Mons volcano. The search for traces of water also uncovers vast stretches of carbonic ice at the planets poles. Seamlessly compiled by French publisher, designer, and editor Xavier Barral, these extraordinary images are accompanied by an introduction by research scientist Alfred S. McEwen, principle investigator on the HiRISE telescope; an essay by astrophysicist Francis Rocard, who explains the story of Marss origins and its evolution; and a timeline by geophysicist Nicolas Mangold, who unveils geological secrets of this fascinating planet.
The best way to learn is by doing. The Photographer's Playbook features photography assignments, as well as ideas, stories and anecdotes from many of the world's most talented photographers and photography professionals. Whether you're looking for exercises to improve your craft—alone or in a group—or you're interested in learning more about the medium, this playful collection will inspire fresh ways of engaging with photographic process. Inside you will find advice for better shooting and editing, creative ways to start new projects, games and activities and insight into the practices of those responsible for our most iconic photographs—John Baldessari, Tina Barney, Philip-Lorca diCorcia, Jim Goldberg, Miranda July, Susan Meiselas, Stephen Shore, Alec Soth, Tim Walker and many more. The book also features a Polaroid alphabet by Mike Slack, which divides each chapter, and a handy subject guide. Edited by acclaimed photographers Jason Fulford and Gregory Halpern, the assignments and project ideas in this book are indispensable for teachers and students, and great fun for everyone fascinated by taking pictures.
Rob Hornstra and Arnold van Bruggen have been working together since 2009 to tell the story of Sochi, Russia, site of the 2014 Winter Olympic Games. They have returned repeatedly to this region as committed practitioners of “slow journalism,” establishing a solid foundation of research on and engagement with this small yet incredibly complicated place before it found itself in the glare of international media attention.
As van Bruggen writes, “Never before have the Olympic Games been held in a region that contrasts more strongly with the glamour of the event than Sochi. Just twenty kilometers away is the conflict zone Abkhazia. To the east the Caucasus Mountains stretch into obscure and impoverished republics such as North Ossetia and Chechnya. On the coast, old Soviet-era sanatoria stand shoulder to shoulder with the most expensive hotels and clubs of the Russian Riviera.” Now, in 2014, the area around Sochi has changed beyond recognition.
Hornstra’s photographic approach combines the best of documentary storytelling with contemporary portraiture, found photographs, and other visual elements collected over the course of their travels. Since the beginning of their collaboration, The Sochi Project has been released via installments, in book form and online, each focusing on a particular facet of the story, the geography, the people, and their history.
The highlights and key elements of this extensive effort were brought together for the first time in the publication of the same name, The Sochi Project: An Atlas of War and Tourism in the Caucasus. Published by Aperture in November 2013, the book offers alternative perspectives and in-depth reporting on this remarkable region, the site of the most expensive Olympic Games ever—one that sat at the combustible crossroads of war, tourism, and history.
Fashion photography captures our desires and fantasies about how we present ourselves to the world, while reflecting the changing values of our culture and society. Fashion Photography: The Story in 180 Pictures explores the profound influence that fashion photography has had on us over the past eight decades, presenting its evolution as a language, and a genre, while showcasing some of its most glamorous moments. Featuring work by every important fashion photographer of the past, alongside those shaping contemporary taste today—including Richard Avedon, Horst P. Horst, William Klein, Helmut Newton, Guy Bourdin, Steven Meisel, Corinne Day, and Juergen Teller, to name a few—fashion chronicler Eugénie Shinkle reveals illuminating moments in the story of fashion and photography, while sketching the bigger picture. She charts how fashion photography flourished with the rise of illustrated magazines, how influential art directors collaborated with photographers to shape epochs of style, and how generations of fashion photographers have built upon each other’s ideas to expand this genre. An object of exquisite beauty in its own right, this book serves as an accessible primer to the story of fashion photography, for everyone engaged by this compelling subject.
With painstaking care and the use of multiple exposures, the author crafts each of his images with technological precision. Shooting primarily with a large-format film camera, then scanning and digitally editing the negatives, he creates enormous, detail-driven panoramas of the social and urban landscape of New York.
Now available in a new paperback edition, Richard Renaldi's Touching Strangers embodies the human desire to connect despite our differences. Renaldi directed strangers to pose in front of a large-format, 8-by-10-inch view camera in towns and cities all over the United States.
These startlingly intimate portraits reveal humanity as it could be as most of us wish it would be and as it was, at least for those one fleeting moments in time. The relationships may have only lasted for one moment, but the resulting photographs are moving and provocative, and continue to raise profound questions about the possibilities for breaking down social barriers with positive human connection in a diverse society.
This new monograph captures the life and work of a Magnum great, Werner Bischof, and features his most iconic images, as well as insight into his life as a photojournalist and artist.
Known for his postwar social documentary work, Bischof was inspired to become a journalist after the ruin of World War II left him unable to be a passive observer. He traveled documenting both the suffering of the postwar world and the day-to-day life within traditional cultures affected by industry and technology. This expansive collection, edited by the photographer’s son, brings together these photographs, organized geographically—Europe, India, Japan and Korea, Hong Kong, Indochina, and North and South America.
Accompanying the photographs are the contact sheets, letters, diaries, and sketches that give an intimate glimpse into his creative process, revealing the highlights, struggles, and his vulnerability. The book encapsulates Bischof’s far-reaching search for human connection through storytelling and is a testament to his relentless obsession to find harmony and beauty. In the words of Simon Maurer, “his photographs open up worlds.” And true to this quote, this book provides a time capsule of the postwar world, opened up by the compelling and profound story of the life of this adventurous artist.
Imagined as a sequel to the Old and New Testaments of the Bible by Magnum photographer Jonas Bendiksen, »The Last Testament« features visual accounts and stories of seven men around the world who claim to be the Second Coming of Jesus Christ. Building on biblical form and structure, chapters dedicated to each Jesus include excerpts of their scriptural testaments, laying out their theology and demands on mankind in their own words.
Through Bendiksen's personal testimonies and intimate portraits, »The Last Testament« investigates the boundaries of religious faith, and a world in need of salvation, yearning for a new prophet. Whether escaping an angry mob in the streets with the Jesus of Kitwe, joining a Messianic birthday pilgrimage in Siberia, or witnessing the End of Days with Moses in South Africa, Bendiksen immerses himself among the disciples of each Jesus. He takes at face value that each is the one true Messiah returned to Earth, to forge an account that's both a work of apocalyptic journalism and of a compelling artistic imagination.
Elliott Erwitt: Home Around the World offers a timely and critical reconsideration of Erwitt’s unparalleled life as a photographer. Produced alongside a major retrospective exhibition, the book features examples of Erwitt’s early experiments in California, his intimate family portraits in New York, his major magazine assignments and long-term documentary interests, and his ongoing personal investigations of public spaces and their transitory inhabitants. Essays by photography experts based on extensive new interviews with the photographer consider less-studied aspects of Erwitt’s work: his engagement with social and political issues through photojournalism, the humanist qualities of his very early photographs, and his work as a filmmaker. Home Around the World traces the development and refinement of Erwitt’s unique visual approach over time. With over two hundred photographs, and ephemera including magazine reproductions, advertisements, and contact sheets, this volume is the first to offer a comprehensive historical treatment of Erwitt’s body of work and position in the field.
he Pleasures of Good Photographs is an intellectual and aesthetic excursion led by Gerry Badger, one of photography’s eminent critics and popular writers. In this new volume of essays, Badger offers insight into some of his favorite images, artists, and themes, drawing upon nearly three decades of writing and thinking about photography. With deep discernment and a readable mixture of scholarly finesse and wit, Badger describes the meanings of work by dozens of photographers, from Dorothea Lange and Eugéne Atget to Martin Parr, Luc Delahaye, Susan Lipper, and Paul Graham. Among the broader topics discussed are the photobook—where Badger believes “photography sings its loudest and most complex song”—and Photoshop’s role in art-making. An interlude at the heart of the book pairs the author’s evocative meditations with nearly a dozen thought provoking images. The Pleasures of Good Photographsshowcases primarily new essays, with a few classics thrown in for good measure, making it an important addition to the canon of photographic writing.
Gerry Badger, a photography critic for nearly thirty years, is himself a photographer, as well as an architect and curator. He has written for dozens of periodicals and his previous books include The Photobook: A History, Volumes I and II, coauthored with Martin Parr, and The Genius of Photography: How Photography Has Changed Our Lives, a companion volume to the esteemed BBC television series. Badger lives in London.
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