Innovative, intimate architecture from China to Chile
Designing private residences has its own very special challenges and nuances for the architect. The scale may be more modest than public projects, the technical fittings less complex than an industrial site, but the preferences, requirements, and vision of particular personalities becomes priority. The delicate task is to translate all the emotive associations and practical requirements of “home” into a workable, constructed reality.
This publication rounds up 100 of the world’s most interesting and pioneering homes designed in the past two decades, featuring a host of talents both new and established, including John Pawson,Shigeru Ban, Tadao Ando, Zaha Hadid, Herzog & de Meuron, Daniel Libeskind, Alvaro Siza, and Peter Zumthor. Accommodating daily routines of eating, sleeping, and shelter, as well as offering the space for personal experience and relationships, this is architecture at its most elementary and its most intimate.
omadic homes come in all shapes and sizes. They are for the wealthy and the poor, the trendy and the out-of-luck. Changing one’s place of residence is an endeavor that is as old as humanity, for reasons of season, or, more recently, to better occupy leisure time.
Written and edited by Philip Jodidio, this volume with illustrations by Russ Gray contains some of the most remarkable examples of homes on the move. Starting with totally revamped Airstream mobile homes, and going on to spectacular moveable vacation houses of the Epic Retreats “pop-up boutique hotel” in Wales, this book doesn’t stop moving, surveying the best in campers and tents, and going on to extravagant marine dwellings like BIG’s Urban Rigger, or the Manta Underwater Room in Zanzibar. At the other end of the spectrum, we find refugee housing for those forced into a life on the move, including shelters designed by the Pritzker Prize–winning architect Shigeru Ban.
What we discover throughout is that the nomadic spirit of our hunter-gatherer ancestors is very much alive in the modern world. Where architecture has often sought stability and thus the lack of movement, modernity has brought a sense of the finite, and a good deal of modesty about posterity and longevity. What more contemporary thought could there be than to seek nothing so much as to move, to grow perhaps, but always to move. “A good traveler,” said the ancient Chinese philosopher Lao Tzu “has no fixed plans and is not intent on arriving.” As this book ably shows, it is the journey that counts.
The idea of climbing a tree for shelter, or just to see the earth from another perspective, is surely as old as humanity. Tree houses are chronicled in ancient civilizations and their lore crosses through the history of every part of the world where trees grow. This stunningly illustrated study offers a tour of the best tree houses in the world, some designed by architects, others the work of unknown craftsmen. A teahouse, a restaurant, a hotel, a playhouse for children, or a perch from which to contemplate life—the tree house can take as many forms as the imagination can offer. In times of concern for sustainability and ecological responsibility, the tree house may also be the ultimate symbol of life in symbiosis with nature. Whether rustic or contemporary in style, tree houses make the most of space. Climb into this trove of tree houses and enjoy a new perspective on the world.
50 tree houses from around the world
Covers all different styles, from romantic to modern
Every house is depicted in several photos as well as one illustration by artist Patrick Hruby from Los Angeles (who also created the book’s cover artwork)
Helpful short biographies of all architects
Until his death at age 104, Oscar Niemeyer (1907–2012) was something of an unstoppable architectural force. Over seven decades of work, he designed approximately 600 buildings, transforming skylines from Bab-Ezzouar, Algeria, to his homeland masterpiece Brasília.
Niemeyer’s work took the reduced forms of modernism and infused them with free-flowing grace. In place of pared-down starkness, his structures rippled with sinuous and seductive lines. In buildings such as the Niterói Contemporary Art Museum, Edifício Copan, or the Metropolitan Cathedral in Brasília, he brought curvaceousness to the concrete jungle. In the futuristic federal capital of Brasília, he designed almost all public buildings, and thus became integral to the global image of Brazil.
With rich illustrations documenting highlights from his prolific career, this book introduces Niemeyer’s unique vision and its transformative influence on buildings of business, faith, culture, and the public imagination of Brazil.
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