Oliver is an orphan living on the dangerous London streets with no one but himself to rely on. Fleeing from poverty and hardship, he falls in with a criminal street gang who will not let him go, however hard he tries to escape. In Oliver Twist, Dickens graphically conjures up the capital's underworld, full of prostitutes, thieves and lost and homeless children, and gives a voice to the disadvantaged and abused.
In this vivid portrait of one day in a woman's life, Clarissa Dalloway is preoccupied with the last-minute details of party she is to give that evening. As she readies her house she is flooded with memories and re-examines the choices she has made over the course of her life.
Perfectly preserving the tone and mood of the novel whilst condensing it into two acts, David Malouf, with the gift for language already evident from his novels and poetry, presents afresh the timeless story of Charlotte Brontë's Jane Eyre, one of the most enduring literary classics of all time. The love between Jane and Mr Rochester, and the mystery of the woman behind the locked door, are here set to music in the opera composed by Michael Berkeley.
Dr Jekyll has been experimenting with his identity. He has developed a drug which separates the two sides of his nature and allows him occasionally to abandon himself to his most corrupt inclinations as the monstrous Mr Hyde. But gradually he begins to find that the journey back to goodness becomes more and more difficult, and the risk that Mr Hyde will break free entirely from Dr Jekyll's control puts all of London in grave peril.
The Curious Incident of the Dog in the Night-Time is a murder mystery novel like no other. The detective, and narrator, is Christopher Boone. Christopher is fifteen and has Asperger's Syndrome. He knows a very great deal about maths and very little about human beings. He loves lists, patterns and the truth. He hates the colours yellow and brown and being touched. He has never gone further than the end of the road on his own, but when he finds a neighbour's dog murdered he sets out on a terrifying journey which will turn his whole world upside down.
Arguably the most important intellectual alive' New York Times An indispensable collection of Noam Chomsky's talks on the past, present and future of the politics of power Noam Chomsky is universally accepted as one of the world's leading intellectuals of the modern era. Now, for the first time, Peter R. Mitchell and John Schoeffel have assembled the best of Chomsky's talks on the politics of power. With an eye to political activism and the media's role in popular struggle, as well as US foreign and domestic policy, Chomsky reinterprets the events of the past three decades, from foreign policy during the Vietnam War to the decline of welfare under the Clinton administration. Highlighting America's myriad of social inequalities and political issues while offering timely advice for much needed change, Understanding Power is definitive Chomsky. `Chomsky ranks with Marx, Shakespeare and the Bible as one of the ten most quoted sources in the humanities' Guardian`Powerful and timely...his analysis is fair, meticulously researched and fascinating' Observer
Set in the Gulf Stream off the coast of Havana, Hemingway's magnificent fable is the tale of an old man, a young boy and a giant fish. This story of heroic endeavour won Hemingway the Nobel Prize for Literature. It stands as a unique and timeless vision of the beauty and grief of man's challenge to the elements.
Tanizaki's masterpiece is the story of four sisters, and the declining fortunes of a traditional Japanese family. It is a loving and nostalgic recreation of the sumptuous, intricate upper-class life of Osaka immediately before World War Two. With surgical precision, Tanizaki lays bare the sinews of pride, and brings a vanished era to vibrant life.
Celebrate a vital work of feminism with this special edition featuring the original cover created by Virginia Woolf's sister, Vanessa Bell, and the original text first published by The Hogarth Press.
Anon, who wrote so many poems without signing them, was often a woman.
Witty, urbane and vital to this day, A Room of One’s Own is a persuasive argument against the intellectual subjection of women, particularly women writers. It weaves together memoir, imaginative speculation and political vision to create one of the most important works of feminism of the twentieth century.
The book sprang from two lectures that Woolf delivered at the University of Cambridge in 1928. The first printing of the book the following year was as a limited edition, a joint publication between The Fountain Press of New York and the Hogarth Press. Two months later it was released to the general trade and has been an essential work ever since.
The text of this edition of A Room of One’s Own is based on the original Hogarth Press edition, published by Virginia and Leonard Woolf in October 1929. The dust jacket features the original cover created by Virginia Woolf’s sister, Vanessa Bell, for the Hogarth Press. Beneath the cover ‘cinnamon’ boards printed in gilt take inspiration from the finish of the first trade edition.
'Brilliant interweaving of personal experience, imaginative musing and political clarity' Kate Mosse
'Achingly relevant' Natasha Walter, Guardian
Celebrate a captivating novel with this special edition featuring the original cover created by Virginia Woolf's sister, Vanessa Bell, and the original text first published by The Hogarth Press.
There were little daily miracles, illuminations, matches struck unexpectedly in the dark.
The Ramseys have always spent their holidays at their summer house on Skye – holidays filled with noise, joy and the stuff of family life that might go on forever. But as time passes, bringing with it war and death, the summer home stands empty until one day the family return to make the long-postponed visit to the lighthouse.
To the Lighthouse was published in 1927 and was more commercially successful than any of Woolf’s previous novels. Woolf herself thought it ‘easily the best of my books’. The book printed three times in its first year and went on to become one of Woolf’s best-loved works.
The text of this edition of To the Lighthouse is based on the original Hogarth Press edition, published by Virginia and Leonard Woolf on 5 May 1927. The dust jacket features the original cover created by Virginia Woolf’s sister, Vanessa Bell, for the Hogarth Press. Beneath the cover ‘bright blue’ boards printed in gilt take inspiration from the finish of the first trade edition.
'My mind was warped into a new shape by her prose and it will never be the same again' Greta Gerwig
‘Woolf’s groundbreaking novel is still one of the best available accounts of self-mythologising middle-class family life’ Rachel Cusk
‘I reread this book every once in a while, and every time I do I find it more capacious and startling. It’s so revolutionary and so exquisitely wrought that it keeps evolving on its own somehow, as if it’s alive’ Alison Bechdel
Celebrate the 100th birthday of a groundbreaking novel with this very special hardback based on the first edition published by the Hogarth Press.
Mrs Dalloway said she would buy the flowers herself.
Clarissa Dalloway is preparing to give a party. Over the course of one day, as she readies her house, Clarissa is flooded with memories and re-examines the choices she has made over the course of her life.
Virginia Woolf started writing Mrs Dalloway in 1922 as a short story. Its publication in 1925 was met with modest commercial success but the novel went on to become one of the most vital works of literature of the last century.
The text of this centenary edition of Mrs Dalloway is based on the original Hogarth Press edition, published by Virginia and Leonard Woolf on 14 May 1925. The dust jacket features the original cover created by Virginia Woolf ’s sister, Vanessa Bell, for the Hogarth Press. Beneath the cover ‘deep rust’ boards printed in gilt take inspiration from the finish of the first trade edition.
'Sheer magic' Daily Mail
'One of the most moving, revolutionary artworks of the twentieth century' Michael Cunningham, author of The Hours
Two or three times a day I think to myself: maybe I’ll die today.
While recovering from a stroke, seventy-seven-year-old Utsugi turns to his diary to wryly record his struggle with his ageing body. Though impotent and in pain he notes down his growing desire for his beautiful daughter-in-law Satsuko, a chic, Westernised dancer with a shady past. Written when the author himself was an old man and shining with self-effacing humour, Tanizaki’s last novel is a tragicomedy about desire and the will to survive.
‘Lightly comic, lyrically evocative and savagely cruel’ New York Times
‘An artistic masterpiece’ Irish Times
By way of H. G. Wells and Rebecca West’s affair, through 1930s nuclear physics, to Flanagan’s father working as a slave labourer near Hiroshima, this chain of events culminates in a young man finding himself trapped in a rapid on a wild river, not knowing if he is to live or to die…
‘The strangest and most beautiful memoir I’ve ever read. Magnificent' Tim Winton
‘Flanagan’s finest book… A brilliant meditation on the past of one man and the history that coalesced in his existence’ Guardian
‘Flanagan’s portrayal of his quiet, brave father and his loving, resilient mother is exquisite. His evocation of the texture of life in rural Tasmania is masterful’ Daily Telegraph
‘A beautiful, unclassifiable novel-cum-memoir… That it is a masterpiece is without question’ Observer
‘Sometimes a book is an experience felt almost in the body… A celebration of all life, it is also a reckoning with the 20th century… It is intimate, beautiful, unsparing and profound' Anna Funder
"Hey! Cheeses, what an idea! I kill your wife and you kill my father! We meet on a train, see, and nobody knows we know each other! Perfect alibis! Catch?"
From this moment, almost against his conscious will, Guy Haines is trapped in a nightmare of shared guilt and an insidious merging of personalities. The psychologists would call it folie a deux...
Strangers on a Train was Patricia Highsmith's first novel, and adapted into a classic film by Alfred Hitchcock.
'A true original in crime fiction' The Times
A brief visit to a Swiss sanatorium becomes a life-altering seven-year odyssey.
Hans Castorp arrives at a sanatorium in the Swiss Alps to visit his cousin, intending to stay for just three weeks. But when he falls ill, he remains and is drawn in by the introspection and erudition that define life in the mountains. As his stay extends to seven transformative years, Hans falls in love and becomes intoxicated with the ideas he hears at the clinic - ideas which will strain and crack apart in a world on the verge of the First World War.
'Magnificent... a beautiful, feverish account of obsessive love' Jonathan Coe, Guardian
'The greatest German novelist of the 20th century' Spectator
The Book-Makers is a celebration of 550 years of the printed book, told through the lives of eighteen extraordinary men and women who took the book in radical new directions: printers and binders, publishers and artists, paper-makers and library founders. This is a story of skill, craft, mess, cunning, triumph, improvisation, and error.Some of these names we know. We meet jobbing printer (and American Founding Father) Benjamin Franklin. We watch Thomas Cobden-Sanderson conjure books that flicker between the early twentieth century and the fifteenth. Others have been forgotten. We don't remember Sarah Eaves, wife of John Baskerville, and her crucial contribution to the history of type. Nor Charles Edward Mudie, populariser of the circulating library – and the most influential figure in book publishing before Jeff Bezos. Nor William Wildgoose, who meticulously bound Shakespeare’s First Folio, and then disappeared from history.The Book-Makers puts people back into the story of the book. It takes you inside the print-shop as the deadline looms and the adrenaline flows – from 1492 Fleet Street to 2023 New York. It’s a story of contingencies and quirks, of successes and failures, of routes forward and paths not taken. The Book-Makers is a history of book-making that leaves ink on your fingers, and it shows why the printed book will continual to flourish.
A masterpiece of German modernism and one of the greatest novels of the twentieth century.
Adrian Leverkühn is a young man destined for success. He is a composer - creative and brilliant, but he will stop at nothing to achieve greatness. Intentionally contracting syphilis in order to deepen his creative potential through madness, Adrian makes his pact with nature. Mann's interpretation of the Faustian legend is a story of madness and sanity, genius and corruption, intellectual attainment and Germany's moral fall.
'Arguably the great German novel' New York Times
THE ORIGINAL TRANSLATION BY H. T. LOWE-PORTER
TRANSLATED AND INTRODUCED BY DAVID LUKE
Death in Venice is a story of obsession. Gustave von Aschenbach is a successful but ageing writer who travels to Venice for a holiday. One day, at dinner, Aschenbach notices an exceptionally beautiful young boy who is staying with his family in the same hotel. Soon his days begin to revolve around seeing this boy and he is too distracted to pay attention to the ominous rumours that have begun to circulate about disease spreading through the city.
As a girl, Clara del Valle can read fortunes, make objects move as if they had lives of their own, and predict the future.
Following the mysterious death of her sister, Rosa the Beautiful, Clara is mute for nine years. When she breaks her silence, it is to announce that she will be married soon to the stern and volatile landowner Esteban Trueba.
Set in an unnamed Latin American country over three generations, The House of the Spirits is a magnificent epic of a proud and passionate family, secret loves and violent revolution.
After a chance encounter on a train the English teacher William Bradshaw starts a close friendship with the mildly sinister Arthur Norris. Norris is a man of contradictions; lavish but heavily in debt, excessively polite but sexually deviant. First published in 1933 Mr Norris Changes Trains piquantly evokes the atmosphere of Berlin during the rise of the Nazis.
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