Robin, Jean-baptiste - Mechanic Fantasy (Fuer Orge
Chaplin, Francois - Inner Star (Fuer Klavier Und O
Leleu, Romain - Heroic Tales (Fuer Orgel Und Tromp
1. Appel
2. L'ange Noir
3. Epopee
Robin, Jean-baptiste - Orgel Solos Nr. 1-3
Nr. 1 Solo
Nr. 2 Solo
Nr. 3 Solo
Cuper, Philippe - Song Of The Soul (Fuer Klarinett
Robin, Jean-baptiste - A Look Towards Agartha (Fue
Robin, Jean-baptiste - Five Verses On The Veni Cre
1. Ciel Eternel
2. Flamboiement
3. Le Temps Qui Danse
4. Au-dela
5. Veni Creator Spiritus
? Jean-Baptiste Robin is not only one of the foremost organists of France,
he is also the author of a remarkable oeuvre, in which the organ forms
the centre point. His musical language is eclectic, influenced by a wide
variety of cultures, philosophies and religions both western and eastern.
His music is highly evocative, it speaks, narrates, it stimulates the
imagination. It is inspired by poetry, myths and legends, it speaks a
language of micro- and macrocosm.
? Robin secured the collaboration of several of France’s best soloists:
Romain Leleu (trumpet), Francois Chaplin (piano), Philippe Cuper (clarinet)
to join in works for their instrument and organ. The orchestra is the
Orchestre regional de Normandie, conducted by Jean Deroyer.
? A new recording of fascinating new music, both intimate, mystic and
spectacular, by one of France’s most promising composers!
Jean-Baptiste Robin organ
Orchestre Régional de Normandie, Jean Deroyer conductor
François Chaplin piano, Romain Leleu trumpet
Philippe Cuper clarinet, Frédéric Champion organ
Kyrie Eleison 1’18
Christe Eleison 1’52
Kyrie Eleison 1’24
Et In Terra Pax 2’01
Domine Deus 1’22
Domine Fili 2’28
Qui Tollis Peccata Mundi 1’48
Quoniam Tu Solus Sanctus 2’02
Cum Sancto Spiritu 1’04
Credo In Unum Deum 1’43
Crucifixus Etiam Pro Nobis 1’06
Et Resurrexit 1’17
Et Vitam Venturi Saeculi 1’14
Iv. Sanctus 0’51
V. Benedictus 1’43
Agnus Dei 1’10
Dona Nobis Pacem 1’34
Grave 1’35
Allegro 1’58
Adagio 1’56
Allegro 2’03
Crucifixus For 16 Voices
Caro Mea Vere Est Cibus 3’02
Ad Dominum Cum Tribularer 2’06
Ego Sum Panis Vivus 2’10
Transeunte Domino 3’20
Benedictus Deus 3’04
Transfige, Dulcissime Jesu 3’18
Exaudi Domine 3’13
Miserere Mei Domine 3’21
Peccavi Super Numerum 3’09
Laboravi In Gemitu Meo 3’06
Ciaccona Op 5’06
Total Time 73’17
Maier Moog, Florian Magnus - Tres Danzas Concertan
1. Allegro
2. Andantino (Quasi Allegretto)
3. Toccata
Maier Moog, Florian Magnus - Suite Guernica
1. Mujeres
2. El Ave
3. El Guerrero
4. El Caballo Y El Toro
5. Mujer Con Nino Muerto
6. Epilogo (O La Resistencia)
Maier Moog, Florian Magnus - Triptico
Nr. 1 Tranquilo
Nr. 2 Ritmico
Nr. 3 Fluido
Potamianos, Aristoteles - Suite Nr. 2 Schattenspie
Płyta 1.
Ruggeri, Marco - Ascetica Musicale Op. 235
1. Ripieno
2. Imitazione
3. Il Perdono
4. Aspirazione
5. Invocazione
6. Rugiada
7. Meditazione
8. Pentimento
9. Un Raggio Di Sole
10. Salve
11. Esultazione
12. La Danza Delgi Astri
13. Capriccio
14. Serenata
15. Alleluja
Płyta 2.
Ruggeri, Marco - Sonate In D-dur
1. Moderato
2. Adagio
3. Finale: Fugato
Ruggeri, Marco - Capriccio Alla Sonata
1. Capriccio Alla Sonata
Ruggeri, Marco - Tempo Di Sonata
Breve Fantasia
Ruggeri, Marco - Sonate In B-dur
1. Andante Maestoso - Allegro Giusto
2. Adagio Religioso
3. Ultimo Tempo
Ruggeri, Marco - Emulazione
Ruggeri, Marco - Ripieno
Ruggeri, Marco - Scherzino
Ruggeri, Marco - Marcia Villereccia
Kroeger, Katharina - Lieder Nr. 1-5
Nr. 1 Die Stille Stadt (Richard Dehmel)
Nr. 2 In Meines Vaters Garten (Otto Erich Hartlebe
Nr. 3 Laue Sommernacht (Otto Julius Bierbaum)
Nr. 4 Bei Dir Ist Es Traut (Rainer Maria Rilke)
Nr. 5 Ich Wandle Unter Blumen (Heinrich Heine)
Kroeger, Katharina - Lieder Nr. 1-4
Nr. 1 Licht In Der Nacht (Otto Julius Bierbaum)
Nr. 2 Wandseligkeit (Richard Dehmel)
Nr. 3 Anstrum (Richard Dehmel)
Nr. 4 Erntelied (Gustav Falke)
Kroeger, Katharina - Gesaenge Nr. 1-5
Nr. 1 Hymne (Novalis)
Nr. 2 Ekstase (Otto Julius Bierbaum)
Nr. 3 Der Erkennende (Franz Werfel)
Nr. 4 Lobgesang (Richard Dehmel)
Nr. 5 Hymne An Die Nacht (Novalis)
Kroeger, Katharina - Canto Di Penelope (Fuer Sopra
Płyta 1.
Guandalino, Carlo - Sonate Fuer Orgel Nr. 4 Op. 98
1. Senza Titolo: Tempo Moderato
2. Intermezzo: Andantino
3. Fuga Cromatica: Tempo Moderato
Guandalino, Carlo - Trios Nr. 1-10 Fuer Orgel Op.
Nr. 1 Andante
Nr. 2 Moderato
Nr. 3 Adagio
Nr. 4 Allegretto Quasi Andantino
Nr. 5 Con Moto
Nr. 6 Alla Breve
Nr. 7 Andantino Amabile
Nr. 8 Adagio Ma Non Troppo
Nr. 9 Moderato
Nr. 10 Andante Molto
Guandalino, Carlo - Sonate Fuer Orgel Nr. 8 Op. 13
Passacaglia In E-moll
Płyta 2.
Guandalino, Carlo - Charakterstuecke Fuer Orgel Nr
Nr. 1 Praeludium: Con Moto
Nr. 2 Romanze: Andante
Nr. 3 Canzonetta: Andantino
Nr. 4 Intermezzo: Allegretto
Nr. 5 Vision: Adagio Molto
Nr. 6 Duett: Andantino Amabile
Guandalino, Carlo - Charakterstuecke Fuer Orgel Nr
Nr. 7 In Memoriam: Con Moto
Nr. 8 Pastorale: Andantino
Nr. 9 Klage: Largo
Nr. 10 Abendfriede: Lento
Nr. 11 Passacaglia: Lento Maestoso
Nr. 12 Trauermarsch: Allegro Marcia
Pueri Cantores Della Cattedrale Di Sarzana - Polor
Pueri Cantores Della Cattedrale Di Sarzana - Los S
Pueri Cantores Della Cattedrale Di Sarzana - Maria
Pueri Cantores Della Cattedrale Di Sarzana - Stell
Pueri Cantores Della Cattedrale Di Sarzana - Imper
Pueri Cantores Della Cattedrale Di Sarzana - El Co
Pueri Cantores Della Cattedrale Di Sarzana - Ad Mo
Pueri Cantores Della Cattedrale Di Sarzana - Laude
Pueri Cantores Della Cattedrale Di Sarzana - Antip
Pueri Cantores Della Cattedrale Di Sarzana - Bened
Pueri Cantores Della Cattedrale Di Sarzana - Respo
Pueri Cantores Della Cattedrale Di Sarzana - Bened
Pueri Cantores Della Cattedrale Di Sarzana - El Ca
Pueri Cantores Della Cattedrale Di Sarzana - O Vir
Pueri Cantores Della Cattedrale Di Sarzana - Cunct
Pueri Cantores Della Cattedrale Di Sarzana - Ave M
Calandra, Letizia - Villanella Che All'acqua Vai
Calandra, Letizia - Boccuccia D'uno Persic' Apertu
Calandra, Letizia - Madonna Tu Mi Fai Lo Scorrucci
Calandra, Letizia - Tu Sai Che La Cornacchia
Calandra, Letizia - Chi Sai Malditta L'acqua
Calandra, Letizia - La Morte Di Martio
Calandra, Letizia - Oi Ricculina
Calandra, Letizia - Vurria Ca Fosse Ciacola
Calandra, Letizia - Vorria Crudel Tornare
Calandra, Letizia - Fonata Che Dai Acqua
Calandra, Letizia - Fuggit' Amore
Calandra, Letizia - Girometta Senza Te Non Vivero
Calandra, Letizia - Matona Mia Cara
Calandra, Letizia - Sto Core Mio
Calandra, Letizia - Madonna Mia, Pieta
Calandra, Letizia - O Occhi Manza Mia
Calandra, Letizia - Chi La Gagliarda
Calandra, Letizia - O Bellissimi Capelli
Calandra, Letizia - Vezzosette E Care Pupilliette
Calandra, Letizia - Occhietti Amati
Soprano Letizia Calandra is passionate about the promotion of traditional Neapolitan music. She has already recorded two albums of ‘Classico Napoletano’ repertoire, featuring 19th-century canzone napoletane, but this time she turns her attention to a lesser-known and much older tradition: villanellas. These were 16th-century songs, set in the Neapolitan dialect by composers aping the lyric traditions of the street or countryside. Featuring bawdy characters and crude themes involving cuckolded husbands, scheming maids or jealous suitors, these light pieces originated from the strong tradition of the ‘rustic fool’ in Naples. Performing on period instruments (including the unusual lirone) that would have been used in 16th-century Naples, Calandra is joined by the early music ensemble Arte Musica, and together they create an authentic portrayal of the fascinating jumble of characters who made up this unique Renaissance city.
Letizia Calandra is a firmly established interpreter of Neapolitan music. She comes from a background of Baroque and Renaissance repertoire, having performed in such operas as Ercole amante and Dido and Aeneas. Previous recordings include ‘Scarlatti and the Neapolitan Song’ for Brilliant Classics (BC94488), with Francesco Cera on the harpsichord, a record described as ‘convincing in every respect’ by Music Web International. Cera is a leading specialist of early music in Italy and frequently records for Brilliant Classics. His album of Bach’s Orgelbüchlein (BC94639) was praised for its ‘magnificence’ by Arkiv Music.
The Villanella is closely related to the city of Naples, as Thomas Wythorne already wrote in 1572: “groups of musicians vied with another sing rustic songs..they wandered the streets, improvising verses and songs in honour of the beautiful women they saw at their windows, and created a sweet harmony that delighted all who heard it”.
The Villanellas are far removed from the courtly poetry of the time, which sings of yearnings for the unattainable female beloved, speaking of sighs and tears. The Villanella however speak of water as the metaphor of love: dishes break, jugs crack and overflow with eroticism.
This new recording features a generous selection of Villanellas by lesser-known composers as Giovanni Dell’Arpa and Filippo Azaiolo, but also by renaissance master Orlando di Lasso, who apparently had a soft spot for this genre.
Recorded in Laureana Cilento, Italy, in August 2016.
Contains liner notes by musicologist Alessandro Taverna.
Contains biographies of the artists.
Blasco, Marivi - Lieder Und Oden Wq 194 (Gellerts
Nr. 7 Pruefung Am Abend
Nr. 9 Bitten
Nr. 15 Morgengesang
Nr. 30 Trost Der Erlosung
Nr. 46 Busslied
Nr. 49 Wider Den Uebermut
Blasco, Marivi - Geistliche Gesaenge Mit Melodien
Nr. 2 Passionslied
Nr. 11 Weihnachtslied
Nr. 13 Der Tag Des Weltgerichts
Nr. 29 Ueber Die Finsterniss Kurz Vor Dem Tode Jes
Nr. 12 Andenken An Den Tod
Nr. 17 Gott, Der Ernaehrer Der Menschen
Nr. 29 Jesus In Gethsemane
Mahugo, Yago - Lieder Und Oden Wq 194 (Gellerts Ge
Nr. 7 Pruefung Am Abend
Nr. 9 Bitten
Nr. 15 Morgengesang
Nr. 30 Trost Der Erlosung
Nr. 46 Busslied
Nr. 49 Wider Den Uebermut
Mahugo, Yago - Geistliche Gesaenge Mit Melodien Wq
Nr. 2 Passionslied
Nr. 11 Weihnachtslied
Nr. 13 Der Tag Des Weltgerichts
Nr. 29 Ueber Die Finsterniss Kurz Vor Dem Tode Jes
Nr. 12 Andenken An Den Tod
Nr. 17 Gott, Der Ernaehrer Der Menschen
Nr. 29 Jesus In Gethsemane
Sordo Vicente, Victor - Las Iras Deten
Sordo Vicente, Victor - Son Los Ojos De Gileta
Sordo Vicente, Victor - Jacaras
Sordo Vicente, Victor - Cuando Podre Lograrte?
Sordo Vicente, Victor - Quieres Estarte Quieto?
Sordo Vicente, Victor - Ves El Sol, Luna Y Estrell
Sordo Vicente, Victor - Que Bien Canta Un Ruisenor
Sordo Vicente, Victor - Recercadas III & VII
Sordo Vicente, Victor - Mis Tiernos Afectos (El Ra
Sordo Vicente, Victor - No Te Embarques, Pensamien
Sordo Vicente, Victor - No Podras, Que Es En Balde
Sordo Vicente, Victor - Como Podre Yo De Ti...?
Sordo Vicente, Victor - Fantasia Para Bajo
Sordo Vicente, Victor - Viuda Tortola Del Tajo
Sordo Vicente, Victor - La Morena De Mas Gracias
2016 has seen much commemoration around the 400th anniversary of the death of William Shakespeare. However, Shakespeare was not the only European writer to pass away in 1616 – in fact, his death on April 23rd of that year was preceded by just one day by that of his contemporary, the Spaniard Miguel de Cervantes. A novelist rather than a playwright, Cervantes is best known for the extraordinary work Don Quixote. This book, alongside many of his other works –including the Novelas ejemplares and La Galatea – form the backbone of Spanish literature. This release brings together a selection of songs for tenor by composers contemporary with Cervantes. The artists have chosen short extracts from works by Cervantes (printed alongside the sung texts in the CD booklet) to thematically link the songs together, drawing the listener into the musical world in which Cervantes lived and worked.
Luz y Norte ('Light and Guide') are a young Spanish ensemble, comprising a tenor, viola da gamba, harp and percussion, although the instrumentation varies according to the repertoire. All the members of the group are experienced both as soloists and as members of other prestigious early music groups. They have performed at numerous festivals, united by their shared desire to spread knowledge of the vocal and instrumental repertoire of Renaissance and Baroque Spain.
This fascinating programme is a homage to the literary genius from Madrid, Miguel Cervantes, on the occasion of the 400th anniversary of his death.
Presented are vocal works by some of the greatest composers of the Spanish Baroque, Marín, Del Vado, Parades, Durón, next to instrumental pieces by way of transition, all linked by extracts from a number of Cervantes’ works, each of which evokes, in a variety of manner, the theme and character of the piece that can be heard immediately after it.
This is the CD debut of an exciting new group Luz y Norte, specialising in the research and performance of vocal and instrumental works from the Renaissance and Early Baroque, with a special focus on Spain. The group consists of a tenor, historical harp, viola da gamba and percussion.
The complete texts in original language are included in the booklet.
Recorded in Alconadilla, Segovia, Spain, in September 2015.
Contains liner notes written by the artists.
Contains the sung texts in Spanish alongside extracts from works by Miguel de Cervantes.
Płyta 1.
Bottini, Paolo - Sonate Per Gravicembalo (London 1
1. Adagio
2. Allegro
3. Menuett
Bottini, Paolo - Sonate Per Gravicembalo (London 1
1. Andante
2. Adagio
3. Allegro
4. Giga
Bottini, Paolo - Sonate Per Gravicembalo (London 1
1. Presto
2. A Tempo Giusto
3. Allegro
Bottini, Paolo - Sonate Per Gravicembalo (London 1
1. Adagio
2. Allegro
3. Con Spirito
Bottini, Paolo - Sonate Per Gravicembalo (London 1
1. Primo Tempo
2. Allegro
3. Presto
4. Tempo Giusto
Bottini, Paolo - Sonate Per Gravicembalo (London 1
1. Andante
2. Spiritoso
Bottini, Paolo - Sonate Per Gravicembalo (London 1
1. Spiritoso
2. Allegro
3. Presto
Bottini, Paolo - Sonate Per Gravicembalo (London 1
1. Con Spirito
2. Adagio
3. Tempo Giusto
4. Allegro
Bottini, Paolo - Sonate Per Gravicembalo (London 1
1. Allegro
2. Spiritoso
Płyta 2.
Bottini, Paolo - Sonate Per Gravicembalo (London 1
1. Overture, Allegro
2. Moderato
Presto
Bottini, Paolo - Sei Sonate Per Il Cembalo: Sonate
1.vivace E Maestoso
2. Allegro
3. Minuetto
Bottini, Paolo - Sei Sonate Per Il Cembalo: Sonate
1. Maestoso
2. Andante
3. Grazioso Con Variazioni
Bottini, Paolo - Sei Sonate Per Il Cembalo: Sonate
1. Andante
2. Allegro
Bottini, Paolo - Sei Sonate Per Il Cembalo: Sonate
1.moderato Grazioso
2. Allegretto Con Variazioni
Bottini, Paolo - Sei Sonate Per Il Cembalo: Sonate
1. Andantino
2. Preso
Bottini, Paolo - Sei Sonate Per Il Cembalo: Sonate
1. Allegro Ma Non Presto
2. Moderato
3. Presto
Bottini, Paolo - Sonate Nr. 1: Allegro
Bottini, Paolo - Sonate Nr. 2: Allegro
Bottini, Paolo - Sonate Nr. 3: Allegro
Bottini, Paolo - Sonate Nr. 4: Allegro
The musical world commemorates the 250th anniversary of the death of Georg Philipp Telemann, one of the most prolific and important Baroque composers. Telemann was considered by his contemporaries to be one of the leading German composers, on a par with Johann Sebastian Bach and George Frideric Handel, both of whom he knew personally. Telemann’s music incorporates several national styles, including the French and Italian, and is even influenced by Polish popular music. His music is always fresh, inventive, melodious and full of humour, wit and instrumental brilliance.
This 10 CD Collection (an “Edition Light”) contains Telemann’s most popular works, including the famous Tafelmusik, concertos for trumpet, recorder and oboe, orchestral suites and the Passion Oratorio.
Performances by excellent early music ensemble like Musica Amphion/Pieter-Jan Belder and Erik Bosgraaf and Cordevento.
Magariello, Luca - Sonate Fuer Violoncello Nr. 1 D
1. Adagio
2. Allegro Appassionato
Magariello, Luca - Sonate Fuer Violoncello Nr. 2 A
1. Allegro Moderato
2. Andante Cantabile
3. Allegro Con Spirit
Along with sonatas by Rachmaninov, Shostakovich and Prokofiev, the Second Sonata Op.81 is a repertoire work for cellists, Russian or otherwise, for its vein of melancholy Romanticism that is yet not so dark and introverted as most of the 27 symphonies for which Myaskovsky is best known. Meanwhile the First Sonata has been almost entirely neglected, even by performers so committed to the promotion of their musical heritage as Rostropovich, Gutman and Geringas.
However, as this new recording reveals, it too belongs to the distinctively Russian tradition of soulful and affecting music for the cello; an early example (written in 1911, when Myaskovsky was 30 years of age and yet to graduate; he was a late developer as a composer) of the special empathy for the instrument that would also produce a wonderfully moody and atmospheric cello concerto: the Russian Elgar, perhaps.
The Op.12 Sonata is unusually structured as two movements linked by a tempestuous recitative section. The perfect relationship between the simplicity of the themes and the intensity of the dialogue between soloist and accompaniment is such that the two instruments seem locked in a flurry of warmth and passion. In the finale there is a return to the opening material, culminating in a serene D major conclusion. Though this is an early work, it reveals on various occasions a remarkable degree of maturity.
While the Sonata Op.12 emanates all the captivating freshness of an important work dating from the dawn of the composer’s output, his second sonata is entirely different in mood. It was written between 1948 and 1949, when Myaskovsky was 69, and in the throes of the health problems that were to bring him to his grave the following year.
This is Luca Magariello’s second album for Brilliant Classics, after his participation in the album of complete piano trios by Hummel (BC94898).
Nikolay Myaskovsky (1881-1950) was educated (after a failed schooling for Military Engineer, prompted by his father) at the famous St Petersburg Conservatoire under the tutelage of Rimsky-Korsakov, Lyadov and Glazunov. His musical style has absorbed the nationalistic Russian tradition of these masters, but Myaskovsky widened his horizon by his acquaintance with Richard Strauss and his compatriots Prokofiev and Stravinsky, the former becoming one of his closest friends.
The two Cello Sonatas, presented on this new recording, fully exploit the expressive potential of the instruments, creating a warm, passionate atmosphere in which the flowing melodic lines of the cello are supported by the rich harmonies of the piano.
Italian cellist Luca Magariello won First Prize in the prestigious Khatchaturian Cello Competition, which started his international career.
Christy, Earl - Sonate Fuer Laute Nr. 39 C-dur (Au
Ouvertuere
Plusa, Thomasz Aleksander - Sonate Fuer Violine Un
1. Adagio - Andante
2. Allegro
3. Largo
4. Allegro Assai
Christy, Earl - Sonate Fuer Laute Nr. 40 C-dur (Au
Sarabande
Plusa, Thomasz Aleksander - Sonate Fuer Violine Un
1. Larghetto
2. Allegro
3. Largo
4. Allegro
Plusa, Thomasz Aleksander - Sonate Fuer Violine So
1. (Ohne Satzbezeichnung)
2. Allegro
3. Gigue
4. Variation
Christy, Earl - Sonate Fuer Laute Nr. 39 C-dur (Au
Presto
Plusa, Thomasz Aleksander - Sonate Fuer Violine Un
1. Adagio
2. Presto
3. Affettuoso
4. Vivace
? Johann Georg Pisendel (1687-1755) was born into a musical family (his
father was Cantor), and from an early age he received lessons as a
chorister and in violin, his teacher being the famous Giuseppe Torelli.
Further studies brought him to Weimar where he met Johann Sebastian
Bach (his near-contemporary) and Leipzig, where he met Telemann. In
1712 he joined the famous court orchestra of Dresden, where he stayed
till his death in 1755.
? The acquaintance and friendship of the two musical giants of the time,
Bach and Telemann, left a firm imprint on him as a composer and
violinist. On the other hand Pisendel’s astonishing virtuosity influenced
Bach to a great extent, Bach’s solo violin sonatas & partitas would not
have been the same without Pisendel.
? This new recording presents three violin sonatas and one violin solo
sonata by Pisendel, works of staggering technical demands, rich in
harmony and freedom of expression. As interludes we hear solo lute
works by Silvius Leopold Weiss.
? Played with immense dedication and conviction by young Polish violinist
Tomasz Aleksander Plusa, who studied with Lucy van Dael, Christoph
Rousset, Simon Standage, Sigiswald Kuijken and others.
A celebration of instrumental Baroque splendour! This set present an anthology of Italian Baroque composers, featuring their instrumental output. Obviously the famous composers have their fair share: Vivaldi, Albinoni, Locatelli, Corelli, but also lesser-known composers are featured: Barsanti, Bassani, Veracini, Nardini, Stradella, Vitali, Mancini, Platti, Legrenze and many more, over 30 composers! Performances by leading ensembles specialized in the Historically Informed Performance Practice: L’Arte dell’Arco/Federico Guglielmo, Ensemble Cordia/Stefano Veggetti, Violini Capricciosi/Igor Ruhadze, Musica Amphion/Pieter-Jan Belder and many more. A treasure trove of solo concertos, concerti grossi, sinfonias, overtures, trio sonatas and solo sonatas from the Golden Era of the Italian Baroque, era of joy, passion and brilliance
This new and expansive collection includes over 30 composers, many of whom are rarely heard in the concert repertoire, including new recordings of Giuseppe Tartini’s Sonatas for violin and Nicola Porpora’s Sonatas for cello. This release also contains some of the most popular Baroque music today – Vivaldi’s Four Seasons and Corelli’s Concerti Grossi are present and correct – along with many under-appreciated works of well known composers; Albinoni’s skill as a composer is on show in a rare rendition of his Trattenimenti Armonici, and Scarlatti’s dramatic Sinfonie di concerto grosso also make an appearance.
Come La Vaga Aurora (Xii)
Cantando Gía La Vaga Pastorella (I)
Donna, Sei Pur Crudele (Ii)
Giva Cogliendo Fior Una Mattina (X)
Rinova, Amor, Questa Fenice Altiera (Iv)
A La Dolce Ombra Degli Ameni Faggi (Xi)
Se D'amoroso Foco (Iii)
Udite, Amanti, Come Suol Amore (Vii)
Il Cor Languisce Ognora (Xiv)
Vola Nel Bel Sereno (Xx)
Un Novo Sol Al Cielo (Xviii)
A Guisa Di Smarrita Pecorella (Xvii)
Fiorite Valli Amene (Ix)
A Guisa Di Nocchier Afflitto E Stanco (Xvi)
La Vita Nostra e Una Continua Guerra (Xix)
Crudel, Perché Non Senti (Viii)
Onde Prendesti, Amore (Vi
Un Fior Almo E Giocondo (Xv)
Deh Ferma, Amor, Costei (V
Ne' Miei Gravosi Affanni (Xiii)
Gradisci, Alma E Divina (Xxi
Budzinska-bennett, Agnieszka - Les Deux Chasseurs
Introduction: Allegro Assai
Ariette: Je Suis Perce Jusq'aux Os
Ariette: Tant Qu'il Me Reste
Duo: Eh! Bien, Colas? ...eh! Bien, Guillot?
Ariette: Le Briquet Frappe La Pierre
Ariette: Voila La Petite Laitiere
Ariette: Si Vous Trouvez Dans La Plaine
Duo: Quand Je Trouve A L'ecart... Telle Qu'une Per
Ariette: Voici Tout Mon Projet
Ariette: Jeune Fille A Cet Age
Ariette: Helas! J'ai Repandu Mon Lait
Trio: Je Tombe... La Masure... Quelle Aventure!
Ariette: Tu Promets De Me Rendre Heureuse
Vaudeville: J'etois Gisant A Cette Place
Chor: Ain Si Le Sort, Un Tems, Nous Berce
Balconi, Roberto - Sinfonie F-dur
1. Allegro
2. Andante: Rondo
3. Allegro: Rondo
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